BREAKING: Mumbai Police files FIR against Dhurandhar The Revenge location manager for flying drone in high security Fort area of South Mumbai without permission

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A few days ago, leaked images from the sets of Dhurandhar The Revenge dropped online and quickly spread like wildfire. The images featured Sanjay Dutt and Arjun Rampal shooting in South Mumbai’s Ballard Estate. The locality can also be seen being transformed into Karachi’s Lyari locality. However, two days ago, the shoot was abruptly halted by the Mumbai Police for flying a drone without permission. As per a report in Mumbai Mirror, a First Information Report (FIR) was filed against location manager Rinku Rajpal Valmiki under Section 223 of the Bharatiya Nyaya Sanhita (BNS) for “knowingly disobeying lawful orders from officials”. The FIR mentioned that the crew used drones but did not have permission. What added to the seriousness, as per the report, was that Fort is considered a high-security area of the city. The Mumbai Mirror article then revealed on February 1, Sanjay Dutt had arrived on the set and was shooting a crucial scene of Dhurandhar The Revenge. He was wearing a white pa...
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Old Dads review – Bill Burr’s angry, unfunny Netflix comedy

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The comedian makes his directorial debut with a bitter misfire about three older fathers railing against political correctness

Judd Apatow has spent much of the twenty-first century showing America how dudes become men, his films built coming-of-age-like narratives for overgrown juveniles well into legal adulthood. In Knocked Up, Seth Rogen and Paul Rudd respectively modeled irresponsibility for twenty and thirtysomethings, and with This is 40, Rudd’s character stared down the barrel of middle age; in all cases, they arrived at the crucial realization that they need to stop clinging to vestiges of immaturity so they can provide for the people they care about. For these schlubs, the desire to stay young forever meant smoking weed during the daytime, bumping Wu-Tang with your friends and going to rock shows without getting your wife’s permission. For an ensemble in their 50s, however, rejecting the onward march of time becomes a far dicier proposition.

In Bill Burr’s dire directorial debut Old Dads, our boys Jack (Burr), Connor (Bobby Cannavale), and Mike (Bokeem Woodbine) mostly pine for the past as a golden age when they could get away with anything, before wokeness came in and started pussifying all the alpha males. They literally deal in masculine nostalgia, as the cofounders of a throwback jersey retailer they’ve just sold to a dweeby millennial CEO (Miles Robbins) who will soon use cancel culture to oust them after they’re caught on a mic deadnaming Caitlyn Jenner. Fresh out of a job and each saddled with the duties of a different stage of parenthood, they must adapt or face the prospect of a long, cold and lonely future, a greying Apatovian rehash right down to the wake-up-call Vegas road trip nicked from Knocked Up’s second act. Of course they’ll get their collective act together, but they will not be happy about it, and as they continue to rail against a tolerant present they eventually succumb to rather than accept, neither will we.

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