Saiyami Kher joins shoot of Vikram Phadnis’ next with Tahir Raj Bhasin and Vineet Kumar Singh in Mumbai

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Actress Saiyami Kher is all set to begin the new year on an exciting note as she comes on board an untitled new project directed by ace designer-turned-filmmaker Vikram Phadnis. This project is produced by Reel Euphoria in association with Knight Sky Movies, has officially gone on floors, marking yet another significant milestone in Saiyami’s growing body of work. The upcoming project is a drama, with Saiyami headlining it in a powerful leading role along with Vineet Kumar Singh and Tahir Raj Bhasin. Announcing the project, Saiyami took to her Instagram to share a glimpse from her first day on set along with a spiral-bound copy of the film’s script. Captioning the post, she wrote, “And today every silent prayer finds its way home,” followed by another heartfelt note that read, “New Year, New Beginning. As always, I need all the wishes.” The post reflects both gratitude and excitement as she embarks on this new journey. This will be Vikram’s third directorial venture and his first di...
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Old Dads review – Bill Burr’s angry, unfunny Netflix comedy

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The comedian makes his directorial debut with a bitter misfire about three older fathers railing against political correctness

Judd Apatow has spent much of the twenty-first century showing America how dudes become men, his films built coming-of-age-like narratives for overgrown juveniles well into legal adulthood. In Knocked Up, Seth Rogen and Paul Rudd respectively modeled irresponsibility for twenty and thirtysomethings, and with This is 40, Rudd’s character stared down the barrel of middle age; in all cases, they arrived at the crucial realization that they need to stop clinging to vestiges of immaturity so they can provide for the people they care about. For these schlubs, the desire to stay young forever meant smoking weed during the daytime, bumping Wu-Tang with your friends and going to rock shows without getting your wife’s permission. For an ensemble in their 50s, however, rejecting the onward march of time becomes a far dicier proposition.

In Bill Burr’s dire directorial debut Old Dads, our boys Jack (Burr), Connor (Bobby Cannavale), and Mike (Bokeem Woodbine) mostly pine for the past as a golden age when they could get away with anything, before wokeness came in and started pussifying all the alpha males. They literally deal in masculine nostalgia, as the cofounders of a throwback jersey retailer they’ve just sold to a dweeby millennial CEO (Miles Robbins) who will soon use cancel culture to oust them after they’re caught on a mic deadnaming Caitlyn Jenner. Fresh out of a job and each saddled with the duties of a different stage of parenthood, they must adapt or face the prospect of a long, cold and lonely future, a greying Apatovian rehash right down to the wake-up-call Vegas road trip nicked from Knocked Up’s second act. Of course they’ll get their collective act together, but they will not be happy about it, and as they continue to rail against a tolerant present they eventually succumb to rather than accept, neither will we.

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