Emraan Hashmi resumes OG shooting after dengue recovery

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Emraan Hashmi, who was diagnosed with dengue on May 28 while filming his upcoming pan-Indian film They Call Him OG, has recovered and is back on set. He has resumed shooting in Mumbai. Emraan Hashmi shared, “I am back in action, and it feels good! I took some time off to recover from dengue, but now I am fully recovered and back on set. A big thank you to everyone for all the love and thoughtful messages! I am excited to get back to the hustle and bring something exciting to the screen soon.” It is worth mentioning here that Bollywood Hungama was the first publication to report on Emraan's health. A well-placed industry source told us, "Emraan Hashmi was shooting for OG in Aarey Colony, Goregaon, Mumbai. That’s where he contracted the disease. He was not feeling well and had dengue-like symptoms. On the recommendation of the doctors, he got his tests done. The test confirmed that he is suffering from dengue." Speaking of the project, OG will mark Emraan Hashmi’s debut ...
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Old Dads review – Bill Burr’s angry, unfunny Netflix comedy

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The comedian makes his directorial debut with a bitter misfire about three older fathers railing against political correctness

Judd Apatow has spent much of the twenty-first century showing America how dudes become men, his films built coming-of-age-like narratives for overgrown juveniles well into legal adulthood. In Knocked Up, Seth Rogen and Paul Rudd respectively modeled irresponsibility for twenty and thirtysomethings, and with This is 40, Rudd’s character stared down the barrel of middle age; in all cases, they arrived at the crucial realization that they need to stop clinging to vestiges of immaturity so they can provide for the people they care about. For these schlubs, the desire to stay young forever meant smoking weed during the daytime, bumping Wu-Tang with your friends and going to rock shows without getting your wife’s permission. For an ensemble in their 50s, however, rejecting the onward march of time becomes a far dicier proposition.

In Bill Burr’s dire directorial debut Old Dads, our boys Jack (Burr), Connor (Bobby Cannavale), and Mike (Bokeem Woodbine) mostly pine for the past as a golden age when they could get away with anything, before wokeness came in and started pussifying all the alpha males. They literally deal in masculine nostalgia, as the cofounders of a throwback jersey retailer they’ve just sold to a dweeby millennial CEO (Miles Robbins) who will soon use cancel culture to oust them after they’re caught on a mic deadnaming Caitlyn Jenner. Fresh out of a job and each saddled with the duties of a different stage of parenthood, they must adapt or face the prospect of a long, cold and lonely future, a greying Apatovian rehash right down to the wake-up-call Vegas road trip nicked from Knocked Up’s second act. Of course they’ll get their collective act together, but they will not be happy about it, and as they continue to rail against a tolerant present they eventually succumb to rather than accept, neither will we.

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