Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...

I Know Where I’m Going! review – Powell and Pressburger classic is a pure joy

The story of a headstrong heroine who knows what she wants, but is waylaid by the elements and an unexpected romance is one of the most lovable films in British cinema history

Michael Powell and Emeric Pressburger’s 1945 classic, rereleased now as part of the BFI’s nationally touring Powell/Pressburger season, has to be one of the most purely lovable films in British cinema history. There is outright joy in that inspired, forthright title. Surely I’m not the only Powell/Pressburger superfan to have screamed halfway through this statement from Emeric Pressburger about his writing practice, in Kevin Macdonald’s biography: “But if I can help it, I never sit down to write the real script until I know where I’m going and I’ve worked out the rhythm and so on beforehand.” Was that deliberate? I can’t tell.

I Know Where I’m Going! is a movie of romance and myth, comedy and whimsy, but fiercely rooted in reality – and geography. And it is very unusual, maybe entirely unique, in that it is set during wartime but the war is entirely absent and irrelevant, even if the hero is often to be seen wearing his Royal Navy uniform.

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