‘Forced to preserve a monument’: how the fate of Marilyn Monroe’s LA home became a legal saga

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House where Monroe died, which hasn’t been occupied in seven years, is in limbo after current owners wanted to demolish it but were stopped by a public campaign Marilyn Monroe is said to have had more than 50 addresses in her lifetime, but only once, in the final months before she died from a drug overdose at the age of 36, did she have a house she could call fully her own. The Hollywood star, burned out by the failure of her marriage to the playwright Arthur Miller and by health problems that prompted a year-long hiatus from acting, bought herself a quintessential hacienda-style Spanish bungalow with a pool at the foot of the Santa Monica mountains in February 1962. Continue reading... from Film | The Guardian https://ift.tt/QbvRndl via IFTTT
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Herd review – folk-indie vibe dominates queer backwoods zombie thriller

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Despite a fairly predictable story, first-time director Steven Pierce makes some interesting tweaks to the formula with a final act that confounds expectations

Like every zombie-themed movie ever, this low-budget American feature directed by debutant Steven Pierce (co-written by Pierce and James Allerdyce) has a subtext; this one so close to the surface it’s barely sub, about schisms that divide communities. Quite often, the factions in zombie stories cleave along class lines or ethnicity. But Herd mixes the formula up in a number of interesting ways; for starters, by casting as the heroines lesbian spouses Jamie (Ellen Adair) and Alex (Mitzi Akaha), city dwellers on a camping trip trying to heal marital wounds after the loss of a child.

Thus the women are already semi-outsiders in rural Missouri where they’re visiting, although it’s near where Jamie grew up. Not that this puts her more at ease, given an abusive childhood growing up with her father, Robert, (Corbin Bernsen), that inclines Jamie to be suspicious of the locals and assume the worst of people, sometimes with justification and sometimes not.

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