Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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Herd review – folk-indie vibe dominates queer backwoods zombie thriller

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Despite a fairly predictable story, first-time director Steven Pierce makes some interesting tweaks to the formula with a final act that confounds expectations

Like every zombie-themed movie ever, this low-budget American feature directed by debutant Steven Pierce (co-written by Pierce and James Allerdyce) has a subtext; this one so close to the surface it’s barely sub, about schisms that divide communities. Quite often, the factions in zombie stories cleave along class lines or ethnicity. But Herd mixes the formula up in a number of interesting ways; for starters, by casting as the heroines lesbian spouses Jamie (Ellen Adair) and Alex (Mitzi Akaha), city dwellers on a camping trip trying to heal marital wounds after the loss of a child.

Thus the women are already semi-outsiders in rural Missouri where they’re visiting, although it’s near where Jamie grew up. Not that this puts her more at ease, given an abusive childhood growing up with her father, Robert, (Corbin Bernsen), that inclines Jamie to be suspicious of the locals and assume the worst of people, sometimes with justification and sometimes not.

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