“New beginnings”: Tara Sutaria moves into her first house, shares glimpse of elegant Mumbai abode

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Actor Tara Sutaria has marked a significant personal milestone by purchasing her first home in Mumbai. Sharing the news with her followers on social media, the actress offered a glimpse into her new space, describing the move as the beginning of a new chapter in her life. Posting a series of photographs from inside the house, Tara wrote, “To new beginnings.. / To endless laughter and love in my first home and to embracing 2026 with arms wide open.” The images reflect a tastefully designed home with warm lighting, neutral tones, and a blend of vintage and contemporary décor. One of the pictures shows Tara dressed in an elegant ivory sari, seated with folded hands beside a large arrangement of white flowers placed in a silver urn. The living area features a wooden coffee table, upholstered seating, and softly lit display shelves adorned with framed photographs, books, vinyl records, and decorative artefacts. A chandelier adds a classic touch to the space. Another wide-angle photograph...
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Body swaps, timewarps and other fresh hell – the Sitges film festival 2023

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Catalonia’s annual celebration of strange screen tales included a murderous birthmark, weretigers and a therapist overcome with ancient evil

At this year’s International Fantastic film festival of Catalonia, I got bitten all over. Not by vampires or werewolves, alas, but by mosquitoes, which took advantage of the unseasonably hot temperatures on Spain’s Costa del Garraf to transform my body into a throbbing, misshapen mass, rather like William Hurt in Altered States. Still, this helped me feel a kinship with the protagonists of this year’s exercises in body horror, many of them bearing the imprint of Shudder, a streaming service available in the UK and Germany but not elsewhere in Europe. But it was one of their titles – Argentinian director Demián Rugna’s When Evil Lurks – that became the first Latin American movie in the festival’s 56-year history to win the Sitges award for best feature film.

While audiences in the town’s big air-conditioned cinema lapped up major releases such as Yorgos Lanthimos’s bewitching Poor Things and Stéphan Castang’s thrilling, scary Vincent Must Die, the main action for genre fans was playing out down the hill, in the beautiful old-town auditorium. In Anna Zlocovic’s Appendage, a fashion designer keeps scratching the itchy birthmark on her abdomen until it erupts into an autonomous twin that develops from a Basket Case lookalike into a full-on evil doppelganger, making my own mosquito bites seem like small beer. And somehow I managed to resist clawing my own flesh like the heroine of Robert Morgan’s Stopmotion. Aisling Franciosi (from The Nightingale) plays Ella, the latest in a burgeoning subgenre of disintegrating women (Censor, Saint Maud, Relic), who is so obsessed with completing her animated film she resorts to meat puppetry so gnarly there was a a loud thump behind me as one luckless viewer fainted clean away.

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