EXCLUSIVE: Fact Check - Hrithik Roshan, Siddharth Anand's Fighter sequel is NOT in the making

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Recently, an Instagram handle put up a news that a sequel to Fighter (2024) is being made and that the film would go on floors this year. On this post, Fighter's director and one of the producers, Siddharth Anand, commented with an evil eye emoticon. It was seen by many as a confirmation that the piece of news about Fighter 2 is indeed true. However, Bollywood Hungama has learned that there's absolutely no truth to Fighter 2 speculations. A source close to Hrithik Roshan said, "There is no discussion between Hrithik and Siddharth regarding Fighter 2. These rumours are baseless." Hrithik Roshan recently announced two projects as a producer, under the banner name of HRX Films. The actor has taken up an active role of creatively developing the web series Storm and the comedy film Mess, both backed by Amazon Prime Video. Alongside his duties as a Producer, Hrithik has been busy with the pre-production of his much awaited Krrish 4. Hrithik will be directing the superhero...
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Body swaps, timewarps and other fresh hell – the Sitges film festival 2023

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Catalonia’s annual celebration of strange screen tales included a murderous birthmark, weretigers and a therapist overcome with ancient evil

At this year’s International Fantastic film festival of Catalonia, I got bitten all over. Not by vampires or werewolves, alas, but by mosquitoes, which took advantage of the unseasonably hot temperatures on Spain’s Costa del Garraf to transform my body into a throbbing, misshapen mass, rather like William Hurt in Altered States. Still, this helped me feel a kinship with the protagonists of this year’s exercises in body horror, many of them bearing the imprint of Shudder, a streaming service available in the UK and Germany but not elsewhere in Europe. But it was one of their titles – Argentinian director Demián Rugna’s When Evil Lurks – that became the first Latin American movie in the festival’s 56-year history to win the Sitges award for best feature film.

While audiences in the town’s big air-conditioned cinema lapped up major releases such as Yorgos Lanthimos’s bewitching Poor Things and Stéphan Castang’s thrilling, scary Vincent Must Die, the main action for genre fans was playing out down the hill, in the beautiful old-town auditorium. In Anna Zlocovic’s Appendage, a fashion designer keeps scratching the itchy birthmark on her abdomen until it erupts into an autonomous twin that develops from a Basket Case lookalike into a full-on evil doppelganger, making my own mosquito bites seem like small beer. And somehow I managed to resist clawing my own flesh like the heroine of Robert Morgan’s Stopmotion. Aisling Franciosi (from The Nightingale) plays Ella, the latest in a burgeoning subgenre of disintegrating women (Censor, Saint Maud, Relic), who is so obsessed with completing her animated film she resorts to meat puppetry so gnarly there was a a loud thump behind me as one luckless viewer fainted clean away.

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