Chaos at the box office: Scary Movie postponed; Hai Jawani Toh Ishq Hona Hai, Peddi, He-Man And The Masters Of The Universe face screen-sharing issues

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The first Friday of June will see several films releasing in cinemas like Hai Jawani Toh Ishq Hona Hai, Bandar and Ram Charan-starrer Peddi. Two Hollywood films were also scheduled for release – He-Man And The Masters Of The Universe and Scary Movie. Bollywood Hungama has learned that the latter won’t be able to make it to cinemas this Friday, June 5. An exhibitor told Bollywood Hungama, “We don’t know what the reason is for the delay. It may be due to too many films this week. Last week’s Obsession is also going strong and it’ll take up some shows. Or it could be due to censorship issues. It now remains to be seen whether Scary Movie arrives next Friday, June 12.” Meanwhile, as expected, the screen-sharing issues have cropped up between Peddi in the Hindi-speaking markets and Hai Jawani Toh Ishq Hona Hai. The former, which also stars Janhvi Kapoor, releases in cinemas on June 4. A trade source told us, “The non-national multiplexes have thrown open the bookings of Peddi. The issue ha...
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Body swaps, timewarps and other fresh hell – the Sitges film festival 2023

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Catalonia’s annual celebration of strange screen tales included a murderous birthmark, weretigers and a therapist overcome with ancient evil

At this year’s International Fantastic film festival of Catalonia, I got bitten all over. Not by vampires or werewolves, alas, but by mosquitoes, which took advantage of the unseasonably hot temperatures on Spain’s Costa del Garraf to transform my body into a throbbing, misshapen mass, rather like William Hurt in Altered States. Still, this helped me feel a kinship with the protagonists of this year’s exercises in body horror, many of them bearing the imprint of Shudder, a streaming service available in the UK and Germany but not elsewhere in Europe. But it was one of their titles – Argentinian director Demián Rugna’s When Evil Lurks – that became the first Latin American movie in the festival’s 56-year history to win the Sitges award for best feature film.

While audiences in the town’s big air-conditioned cinema lapped up major releases such as Yorgos Lanthimos’s bewitching Poor Things and Stéphan Castang’s thrilling, scary Vincent Must Die, the main action for genre fans was playing out down the hill, in the beautiful old-town auditorium. In Anna Zlocovic’s Appendage, a fashion designer keeps scratching the itchy birthmark on her abdomen until it erupts into an autonomous twin that develops from a Basket Case lookalike into a full-on evil doppelganger, making my own mosquito bites seem like small beer. And somehow I managed to resist clawing my own flesh like the heroine of Robert Morgan’s Stopmotion. Aisling Franciosi (from The Nightingale) plays Ella, the latest in a burgeoning subgenre of disintegrating women (Censor, Saint Maud, Relic), who is so obsessed with completing her animated film she resorts to meat puppetry so gnarly there was a a loud thump behind me as one luckless viewer fainted clean away.

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