Shah Rukh Khan and Kajol unveil DDLJ bronze statue in London’s Leicester Square

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Bollywood icons Shah Rukh Khan and Kajol marked a memorable moment on December 4, 2025, by unveiling a bronze statue of their legendary characters Raj and Simran from the 1995 classic Dilwale Dulhania Le Jayenge (DDLJ) at London’s famed Leicester Square. Despite cold, rainy weather, the pair captivated the gathered audience and media, recreating the film’s iconic pose with radiant smiles. Shah Rukh Khan looked sharp in a black suit, while Kajol radiated grace in a mint-green saree. The new bronze statue is the first ever dedicated to an Indian film at Leicester Square, placing DDLJ alongside global cinematic icons like those from Harry Potter, Mary Poppins, Paddington, Singin’ in the Rain, and heroic figures like Batman and Wonder Woman. The statue captures the film’s signature pose — a moment the duo lovingly recreated during the ceremony. Reflecting on the anniversary, Shah Rukh Khan said, “DDLJ was made with a pure heart. We wanted to tell a story about love — how it can bridge bar...
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Body swaps, timewarps and other fresh hell – the Sitges film festival 2023

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Catalonia’s annual celebration of strange screen tales included a murderous birthmark, weretigers and a therapist overcome with ancient evil

At this year’s International Fantastic film festival of Catalonia, I got bitten all over. Not by vampires or werewolves, alas, but by mosquitoes, which took advantage of the unseasonably hot temperatures on Spain’s Costa del Garraf to transform my body into a throbbing, misshapen mass, rather like William Hurt in Altered States. Still, this helped me feel a kinship with the protagonists of this year’s exercises in body horror, many of them bearing the imprint of Shudder, a streaming service available in the UK and Germany but not elsewhere in Europe. But it was one of their titles – Argentinian director Demián Rugna’s When Evil Lurks – that became the first Latin American movie in the festival’s 56-year history to win the Sitges award for best feature film.

While audiences in the town’s big air-conditioned cinema lapped up major releases such as Yorgos Lanthimos’s bewitching Poor Things and Stéphan Castang’s thrilling, scary Vincent Must Die, the main action for genre fans was playing out down the hill, in the beautiful old-town auditorium. In Anna Zlocovic’s Appendage, a fashion designer keeps scratching the itchy birthmark on her abdomen until it erupts into an autonomous twin that develops from a Basket Case lookalike into a full-on evil doppelganger, making my own mosquito bites seem like small beer. And somehow I managed to resist clawing my own flesh like the heroine of Robert Morgan’s Stopmotion. Aisling Franciosi (from The Nightingale) plays Ella, the latest in a burgeoning subgenre of disintegrating women (Censor, Saint Maud, Relic), who is so obsessed with completing her animated film she resorts to meat puppetry so gnarly there was a a loud thump behind me as one luckless viewer fainted clean away.

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