‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

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Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
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Bad loser: how Fair Play unravels the delusion of the ‘good guy’

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The conversation-starting Netflix thriller shows a seemingly supportive man unravel when his fiancee starts outearning him

In the beginning, Emily and Luke are golden. They’re ambitious and imminently wealthy young professionals, dressed in the sleek monochromes of quiet luxury. They’re so in love that they can’t even make it through a wedding without pawing at each other. When a bathroom tryst gets derailed by her period blood, it’s a silly prelude to their rushed engagement, a mess of passion and, in the new Netflix thriller Fair Play, an omen of pain ahead.

The caustic debut film by the writer/director Chloe Domont sets up a model relationship in a rarefied and ruthless space. Emily (Bridgerton’s Phoebe Dynevor) and Luke’s (Alden Ehrenreich) love has all the hallmarks of something incipient and promising – they share an apartment, a bed, a lifestyle. But by dating each other, they are breaking company policy at the cutthroat Manhattan hedge fund where they both work. Their attraction thrives on secrecy – they barely acknowledge each other at the office, then have sex on the floor at home – as much as the other’s perceived shrewdness at navigating the type of workplace where boilerplate HR trainings occur in view of an employee beating a monitor with a golf club.

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