Ranveer Singh to join Maddock Films’ expanding horror-comedy universe?

-
The unprecedented success of Stree, starring Shraddha Kapoor and Rajkummar Rao, laid the foundation for Maddock Films to build its own horror-comedy universe. This cinematic world already features popular names like Pankaj Tripathi, Akshay Kumar, Rashmika Mandanna, and Ayushmann Khurrana. Now, the latest buzz suggests that Ranveer Singh may also be joining this growing universe. According to a report by Mid-Day, a source close to the production revealed, “Ranveer has been in conversations with Dinesh for a while. He was at the Maddock office last week. The makers wanted a fresh energy to drive the next chapter, and Ranveer is keen to explore the genre. The paperwork is likely to be completed soon.” The source further added, “The idea is to create an Avengers-style culmination down the road. They are discussing dates, as Ranveer will soon wrap up Aditya Dhar’s Dhurandhar. He has also allotted dates for Don 3. This project is expected to go on floors in early 2026.” As of now, neither ...
Post a Comment

Bad loser: how Fair Play unravels the delusion of the ‘good guy’

-

The conversation-starting Netflix thriller shows a seemingly supportive man unravel when his fiancee starts outearning him

In the beginning, Emily and Luke are golden. They’re ambitious and imminently wealthy young professionals, dressed in the sleek monochromes of quiet luxury. They’re so in love that they can’t even make it through a wedding without pawing at each other. When a bathroom tryst gets derailed by her period blood, it’s a silly prelude to their rushed engagement, a mess of passion and, in the new Netflix thriller Fair Play, an omen of pain ahead.

The caustic debut film by the writer/director Chloe Domont sets up a model relationship in a rarefied and ruthless space. Emily (Bridgerton’s Phoebe Dynevor) and Luke’s (Alden Ehrenreich) love has all the hallmarks of something incipient and promising – they share an apartment, a bed, a lifestyle. But by dating each other, they are breaking company policy at the cutthroat Manhattan hedge fund where they both work. Their attraction thrives on secrecy – they barely acknowledge each other at the office, then have sex on the floor at home – as much as the other’s perceived shrewdness at navigating the type of workplace where boilerplate HR trainings occur in view of an employee beating a monitor with a golf club.

Continue reading...

from Film | The Guardian https://ift.tt/eWlmG9t
via IFTTT

Comments

Post a Comment

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
Read more

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast

-
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Read more