‘Forced to preserve a monument’: how the fate of Marilyn Monroe’s LA home became a legal saga

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House where Monroe died, which hasn’t been occupied in seven years, is in limbo after current owners wanted to demolish it but were stopped by a public campaign Marilyn Monroe is said to have had more than 50 addresses in her lifetime, but only once, in the final months before she died from a drug overdose at the age of 36, did she have a house she could call fully her own. The Hollywood star, burned out by the failure of her marriage to the playwright Arthur Miller and by health problems that prompted a year-long hiatus from acting, bought herself a quintessential hacienda-style Spanish bungalow with a pool at the foot of the Santa Monica mountains in February 1962. Continue reading... from Film | The Guardian https://ift.tt/QbvRndl via IFTTT
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Apolonia Apolonia review – artist and film-maker evolve together in artworld memoir

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The hypocrisies of the art world are exposed in this epic undertaking that sees the development of both the film’s subject and its director

Filmed over the course of 13 years, Lea Glob’s dynamic and intimate portrait of figurative painter Apolonia Sokol also charts the twin evolution of two women: the one in front of the camera and the one behind it. Having grown up in a bohemian Parisian theatre founded by her parents, Sokol seems destined to make her name as an artist, though her journey to recognition is far from rosy.

A graduate from the ultra prestigious École Nationale Supérieure des Beaux-Arts de Paris, Sokol however carries a more underground sensibility. When threatened with eviction, she turned the run-down theatre – her childhood home – into a haven for performers and activists. Her large-scale paintings of friends and acquaintances show them in a state of repose, yet Sokol’s energy is anything but placid. Forever sprinting from one adventure to another, she travels to America to be sponsored by collector Stefan Simchowitz, famously dubbed “The Art World’s Patron Satan” by the New York Times. His assembly-line approach to artistic patronage, which requires Sokol to produce 10 paintings within one month, soon leaves her disillusioned.

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