SHOCKING: PVR Inox puts advance booking of Jolly LLB 3 on hold across the country

In a shocking development, PVR Inox, the largest multiplex chain of India, has put the advance booking of the big release this Friday, Jolly LLB 3, on hold. The exact reason is not yet known though sources claim that the makers are asking extensive programming and the multiplex chain hasn’t agreed to it. Nevertheless, it has sent shockwaves across the industry, trade and even a section of moviegoers. The bookings started getting suspended from the evening of September 17. At the time of writing this article, at 8:00 am of September 18, the ticket sales of Jolly LLB 3 continue to be on hold. Barely a few screens of PVR Inox in India are still selling tickets but a majority of them have stopped. Many of them have opened plans for the weekend; however, Jolly LLB 3 can’t be seen in the schedule though it's clear that a screen or two have been kept blocked for the courtroom drama. The good news for the fans is that the team of Star Studuo18 and PVR Inox are determined to get a solutio...

Apolonia Apolonia review – artist and film-maker evolve together in artworld memoir

The hypocrisies of the art world are exposed in this epic undertaking that sees the development of both the film’s subject and its director

Filmed over the course of 13 years, Lea Glob’s dynamic and intimate portrait of figurative painter Apolonia Sokol also charts the twin evolution of two women: the one in front of the camera and the one behind it. Having grown up in a bohemian Parisian theatre founded by her parents, Sokol seems destined to make her name as an artist, though her journey to recognition is far from rosy.

A graduate from the ultra prestigious École Nationale Supérieure des Beaux-Arts de Paris, Sokol however carries a more underground sensibility. When threatened with eviction, she turned the run-down theatre – her childhood home – into a haven for performers and activists. Her large-scale paintings of friends and acquaintances show them in a state of repose, yet Sokol’s energy is anything but placid. Forever sprinting from one adventure to another, she travels to America to be sponsored by collector Stefan Simchowitz, famously dubbed “The Art World’s Patron Satan” by the New York Times. His assembly-line approach to artistic patronage, which requires Sokol to produce 10 paintings within one month, soon leaves her disillusioned.

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