BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

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A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
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Apolonia Apolonia review – artist and film-maker evolve together in artworld memoir

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The hypocrisies of the art world are exposed in this epic undertaking that sees the development of both the film’s subject and its director

Filmed over the course of 13 years, Lea Glob’s dynamic and intimate portrait of figurative painter Apolonia Sokol also charts the twin evolution of two women: the one in front of the camera and the one behind it. Having grown up in a bohemian Parisian theatre founded by her parents, Sokol seems destined to make her name as an artist, though her journey to recognition is far from rosy.

A graduate from the ultra prestigious École Nationale Supérieure des Beaux-Arts de Paris, Sokol however carries a more underground sensibility. When threatened with eviction, she turned the run-down theatre – her childhood home – into a haven for performers and activists. Her large-scale paintings of friends and acquaintances show them in a state of repose, yet Sokol’s energy is anything but placid. Forever sprinting from one adventure to another, she travels to America to be sponsored by collector Stefan Simchowitz, famously dubbed “The Art World’s Patron Satan” by the New York Times. His assembly-line approach to artistic patronage, which requires Sokol to produce 10 paintings within one month, soon leaves her disillusioned.

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