SCOOP: Varun Dhawan’s Bhediya 2 won’t release on August 14, 2026; Ranbir Kapoor-Alia Bhatt-Vicky Kaushal’s Love & War expected to clash with Kartik Aaryan’s Naagzilla on Independence Day week

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Bollywood Hungama was the first to inform our esteemed readers that Sanjay Leela Bhansali has delayed Love & War from the March 2026 slot due to a delay in shooting. 2 days ago, we revealed that Sanjay Leela Bhansali is looking at releasing the Ranbir Kapoor-Alia Bhatt-Vicky Kaushal starrer on August 14, 2026. Incidentally, a week ago, Kartik Aaryan’s newly launched project Naagzilla was announced for a release on the same day. And that’s not all. At the beginning of the year, Maddock Films had made an announcement that Bhediya 2, starring Varun Dhawan, would arrive in the same week. However, it seems like Bhediya 2 won’t be able to make it in the said week as scheduled. A source told Bollywood Hungama, “Bhediya 2 is getting delayed. The makers, that is, the team of Dinesh Vijan at Maddock Films, are already looking at other dates.” The source continued, “Three big films coming on the same day would have caused a lot of issues in screen...
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Where the Wind Blows review – a heady mix of gangster lore, lust and lawlessness

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Hong Kong stars Aaron Kwok and Tony Leung Chiu-wai play corrupt police officers in Philip Yung’s ambitious but over-the-top crime epic

This stunning-looking but chronologically restless Hong Kong-set crime epic unfurls across 50-odd years from the mid-20th century; it revolves around two frenemy protagonists, corrupt police officers played here by Aaron Kwok and Tony Leung Chiu-wai, who were inspired by real-life Hong Kong cops/triad front men back in the day. Altogether, it’s a heady mix of potted history, period detail, violence, gangster lore, lust and lawlessness on which writer-director Philip Yung (Port of Call) really goes to town, splashing budget money like petrol all over the place and then throwing a lighted match on top just to see the pretty flames. The ambition and swagger is undeniably admirable, but the end result is a bit of a charred mess – or perhaps more flatteringly a burnt offering to some of the many film-makers Yung (a former film critic) clearly has the hots for, such as Martin Scorsese in gangster-movie mode, early 2000s Wong Kar-Wai and Infernal Affairs’ Andrew Lau among many others.

It’s not always easy to follow the plot; Yung and his team keep weaving back and forth between a yellow-gel-viewed 1970s, black-and-white times when the Japanese occupied Hong Kong during the second world war, and the 60s when colours were at their lushest, the women all wore cheongsams and the men all had razor-sharp tailored suits. But, roughly, here’s the idea: Lui Lok (Kwok) and Nam Kong (Leung Chiu-wai) both hail from very different backgrounds, and are traumatised by the war in different ways. The two men, along with assorted henchmen with funny nicknames like Limpy and Chubby, set a treaty with the triads to keep the peace and get a cut of the money from gambling dens, the drug trade and prostitution.

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