‘Alien is a warning, isn’t it?’: Essie Davis on Alien: Earth and Tasmania’s ecological crisis

The Babadook and Miss Fisher’s Murder Mysteries star plays a corporate scientist pushing the limits of human survival in the new series Alien: Earth Essie Davis didn’t watch much horror growing up in Tasmania; the 55-year-old actor can still bitterly recall the moment when, aged four, she was left at home while her older siblings went to see Jaws at the local cinema in Hobart. “I stood by the back door going, ‘I will remember this day for the rest of my life!’” Davis recalls, speaking from her current family home, also in Tasmania. Continue reading... from Film | The Guardian https://ift.tt/4ItFmzd via IFTTT

‘Truly unwatchable’: writers on their toughest scenes of movie violence

For the return of the gory Saw franchise, Guardian writers remember the hardest scenes of big screen violence they’ve had to endure

A rape-revenge thriller told in reverse, Gaspar Noé’s infamous provocation opens with the revenge part first, as two men (Vincent Cassel and Albert Dupontel) embark on a frantic search for the monster who sexually assaulted and mutilated the woman (Monica Bellucci) at the center of their lives. As they descend into a BDSM club called The Rectum, Noé levels his own kind of assault on the audience, with the camera swirling relentlessly down this chaotic inferno and the soundtrack enforcing a feeling of deep disorientation, like a carnival ride due for decommission. When one of the men finally identifies their target – falsely, as it happens – he pulverizes his face with a fire extinguisher, the camera following every swing. Irréversible will later stage the rape through one long, pitilessly static take, but this sequence is a blow to the solar plexus, and we never fully recover from it. Scott Tobias

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