King becomes a REUNION bonanza: Shah Rukh Khan to share screen with Anil Kapoor after 31 years, Rani Mukerji after 20 years and Jackie Shroff after 12 years

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It’s been almost six months since the first look teaser of King was unveiled on the occasion of Shah Rukh Khan’s 60th birthday. Yet, the excitement around the film has remained constant, even though its release is still nearly seven months away. Recently, we came across a tweet by an SRK fan that made an interesting observation – the superstar is collaborating with several members of King’s ensemble cast after a very long gap. While he is reuniting with some after a decade, others are sharing screen space with him after nearly 20 or even 30 years. In this article, Bollywood Hungama takes a closer look at this nostalgic reunion factor. Anil Kapoor will feature in a crucial role in King and he was last seen with Shah Rukh Khan in Trimurti (1995), which was released 31 years ago. This is the only film that featured both actors. With Saurabh Shukla, SRK has worked thrice — in Baadshah (1999), Hey Ram (2000) and Mohabbatein (2000). Hence, both will be seen together in a film after 26 years...
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‘Truly unwatchable’: writers on their toughest scenes of movie violence

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For the return of the gory Saw franchise, Guardian writers remember the hardest scenes of big screen violence they’ve had to endure

A rape-revenge thriller told in reverse, Gaspar Noé’s infamous provocation opens with the revenge part first, as two men (Vincent Cassel and Albert Dupontel) embark on a frantic search for the monster who sexually assaulted and mutilated the woman (Monica Bellucci) at the center of their lives. As they descend into a BDSM club called The Rectum, Noé levels his own kind of assault on the audience, with the camera swirling relentlessly down this chaotic inferno and the soundtrack enforcing a feeling of deep disorientation, like a carnival ride due for decommission. When one of the men finally identifies their target – falsely, as it happens – he pulverizes his face with a fire extinguisher, the camera following every swing. Irréversible will later stage the rape through one long, pitilessly static take, but this sequence is a blow to the solar plexus, and we never fully recover from it. Scott Tobias

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