Palash Mucchal lands in controversy again after cheating claims surface

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Palash Mucchal has once again landed in controversy, months after his alleged cheating scandal and breakup with Indian women’s cricket team vice-captain Smriti Mandhana. This time, Marathi actor and director Vindyan Mane has made serious allegations against the music composer, accusing him of cheating him of a large sum of money and being dishonest in his past relationship with Smriti. According to Vindyan Mane, Palash took a total of ₹40 lakhs from him in connection with his upcoming project Nazaria. Mane claimed that he initially paid ₹12 lakhs to come on board as a producer for the film. Later, Palash allegedly took an additional ₹25 lakhs from him with the promise of giving him a role in the film as well. Mane stated that despite investing this amount, the project did not move forward and he did not receive his money back. Along with the financial allegations, Vindyan Mane also accused Palash of being unfaithful during his relationship with Smriti Mandhana. Following the fresh ac...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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