Emraan Hashmi and Yami Gautam’s courtroom drama HAQ set for November 7 release: Report

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Emraan Hashmi and Yami Gautam are teaming up for the first time in director Suparn Varma’s upcoming film HAQ, a hard-hitting courtroom drama inspired by one of the most debated cases in India’s legal history. According to a report by Pinkvilla, the film takes inspiration from the landmark Supreme Court judgement in the Shah Bano vs Ahmed Khan case, which triggered nationwide conversations on personal laws and women’s rights. Produced by Junglee Pictures in association with Insomnia Films and Baweja Studios, the project is said to delve into themes that promise to stir strong public discourse. A source quoted in the report revealed, “HAQ has been produced by Junglee Pictures in association with Insomnia Films and Baweja Studios. It is inspired by the landmark Supreme Court judgement of Shah Bano vs Ahmed Khan – a case that shook the nation. The exact details have been kept under wraps, but the controversial theme and the courtroom proceedings have the potential to stir a public discou...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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