Shanaya Kapoor-Adarsh Gourav starrer Tu Yaa Main trends in 12 countries on Netflix Top 10

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Actor Shanaya Kapoor, who made an impressive debut with Aankhon Ki Gustakhiyan, followed it up with yet another standout performance this year—this time in a role vastly different from her first. Teaming up with director Bejoy Nambiar for Tu Yaa Main opposite Adarsh Gourav, Shanaya earned widespread appreciation for her portrayal of influencer Avnee, with audiences particularly praising her screen presence, performance range, and crackling chemistry with Adarsh. One of her dialogues from the film—“Tu yedi ho gayi kya, bachi?”—has especially struck a chord online, quickly turning into a fan-favourite pop culture moment and finding its way into memes, reels, and internet conversations. Following its theatrical run, Tu Yaa Main premiered on Netflix a few days ago and has continued to build momentum ever since. The film has been trending strongly on the platform, even reaching the No. 1 spot in India, while also charting in several international markets. Clips featuring Shanaya’s scenes ...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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