Raashii Khanna speaks out on Bollywood’s South remake trend; says, “Dubbed films are anyway available to watch online”

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Actress Raashii Khanna acknowledges the prevalent trend of Bollywood drawing inspiration from successful South Indian films to boost box office performance. However, she believes it’s time for the industry to shift gears. With audiences now craving original storytelling and dubbed South films easily available online, Raashii stresses the need for fresh content. In today’s pan-India cinema landscape, she agrees that Bollywood’s attempt to replicate South hits is a reality, but one that needs rethinking. Raashii told Hindustan Times, “⁠I can’t disagree that we do see remakes from the south quite often but I think the industry is also realising more and more that the audience needs newer content and that dubbed films are anyway available to watch online.” She added, “With the rise of OTT platforms, language is no longer a barrier. I can sense a shift in the industry's mindset, and I genuinely hope we start creating more original content and exploring different genres—because honestl...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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