Mohammed Zeeshan Ayyub clarifies he is not part of Ajay Devgn starrer Chauhaan after teaser voice controversy

Actor Mohammed Zeeshan Ayyub has issued a public clarification distancing himself from the upcoming Ajay Devgn-starrer Chauhaan, stating that he has no association with the film despite his voice featuring in its teaser. The actor shared a detailed note on social media, explaining that he had recorded a line for the makers in good faith without being informed about the context in which it would eventually be used. Zeeshan's statement comes around 10 days after reports suggested that his voice had been removed from the Chauhaan teaser. While he did not mention the film by name in his note, it was widely understood that he was referring to Chauhaan, whose teaser had initially opened with a narration in his voice. Sharing his statement, Mohammed Zeeshan Ayyub wrote, “Few weeks back, a film teaser released with the opening line in my voice. I wish to put on record that I am not part of the film in any capacity. I was asked to dub a line without any reference a few months back. I did t...

The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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