Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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