The making of Fargo at 30: ‘Man, you don’t give me this role, I’m gonna shoot your dog’

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As the Oscar-winning Coen brothers classic reaches its three decade anniversary, stars of the film discuss the stories behind its production William H Macy was originally slated for the modest role of a detective in Fargo . Then the film’s directors, Joel and Ethan Coen, asked if he would like to read for the lead part of Jerry Lundegaard. “I said: ‘Boy, do I!’,” recalls Macy. He memorised the script that night and impressed the Coens but needed to seal the deal. Macy heard the pair were in New York, got his “jolly ass” on a plane and deployed some Coen-esque dark humour. “I said, I’m worried you’re gonna screw up your movie by casting someone else . I knew Ethan had just gotten a little puppy and I said: ‘Man, you don’t give me this role, I’m gonna shoot your dog.’” Continue reading... from Film | The Guardian https://ift.tt/QkEhpox via IFTTT
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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