BREAKING: Digital18 media issues public notice over OMG franchise rights amid buzz around Oh My Goddess

In a development that has raised eyebrows, Digital18 Media Private Limited has issued a public notice asserting its ownership and legal rights over the OMG (Oh My God) franchise. The notice, published on January 10, 2026, in Atul Mohan’s Complete Cinema magazine, formally cautions all entities against developing, marketing, or producing any derivative, sequel, prequel, or spin-off of OMG 2 (2023) without Digital18’s written consent. According to the notice, Digital18 Media Private Limited, aka Digital18, is the successor-in-interest to the studios business of Viacom18 Media Private Limited, following a court-approved Composite Scheme of Arrangement effective November 14, 2024. This makes Digital18 the joint owner and co-proprietor of all derivative and franchise rights arising from the cinematograph film OMG 2, including its goodwill, brand value, and public association. The strongly worded notice places “all persons and entities” on alert that any communication or arrangement concer...

The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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