BREAKING: Preity Mukhundhan to make her Bollywood debut in Naagzilla; only 7 days of shooting left for Kartik Aaryan's fantasy comedy

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Bollywood Hungama has been at the forefront in delivering exclusive news about one of the most-awaited films of 2026, Naagzilla, starring Kartik Aaryan. We are now back with another interesting piece of information – the talented actress Preity Mukhundhan, who has made a mark down South, will be launched in Bollywood with this promising flick. A source told Bollywood Hungama, "Preity Mukhundhan fits the role perfectly and the makers are quite happy to have her on board. She’ll be seen in a hilarious role and her character contributes tremendously to the narrative. She’s also excited about the role as she’ll get a chance to exhibit a different side of her to the audience.” Preity made her debut in the 2024 Telugu horror comedy Om Bheem Bush, followed by her Tamil debut in Star. Naagzilla is produced by Karan Johar’s Dharma Productions and Mahaveer Jain’s Mahaveer Jain Films. The fantasy comedy features Kartik as a shape-shifting naag and, reportedly, Ravi Kishan essays the role ...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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