Aryan Khan to work on his first theatrical release before directing Shah Rukh Khan in planned 2027 film: Report

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Aryan Khan, who recently earned appreciation for his debut Netflix directorial The Ba***ds of Bollywood, is already moving ahead with his next set of projects. The series, which featured Lakshya, Raghav Juyal, Bobby Deol and an ensemble cast, marked Aryan’s official entry as a director and showcased his inclination towards bold storytelling. With the streaming debut now behind him, the filmmaker is preparing for a larger leap — a theatrical feature. According to industry sources, Aryan's next directorial will be a full-fledged film intended for a big-screen release. The young filmmaker is reportedly determined to establish himself in the theatrical space before stepping into what will arguably be the most anticipated collaboration of his career — directing his father, superstar Shah Rukh Khan. A source quoted by Pinkvilla revealed that Aryan is taking a measured, merit-driven approach to his career choices. “Aryan wants to deliver a theatrical success and prove himself as a filmm...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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