Dhurandhar The Revenge faces copyright suit over alleged unauthorised use of ‘Rang De Lal’

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Production banner Trimurti Films has filed a lawsuit against filmmaker Aditya Dhar’s company B62 Studios, alleging unauthorised use of the song ‘Rang De Lal’ in the film Dhurandhar The Revenge. The dispute relates to the rights to the track, which originally appeared in the 1989 film Tridev. The song was co-composed by Anand–Milind, written by Sameer Anjaan, and sung by Amit Kumar and Sapna Mukherjee. What the lawsuit alleges According to sources familiar with the matter, Trimurti Films has claimed ownership or control over the relevant rights connected to the musical work and sound recording of ‘Rang De Lal’. The company has alleged that the song, or a version substantially similar to it, was used in the film without obtaining the necessary permissions. The suit states that such use amounts to copyright infringement, including unauthorised reproduction and communication of the work to the public. Trimurti Films has sought an injunction to restrain further use of the song, along wit...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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