EXCLUSIVE: Vadh 2 trailer to drop on January 27; Luv Ranjan reveals why it's not a "forced sequel": "When a small film does well, makers try to make the sequel grand…we haven't changed the grain"

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Vadh 2 is all set to release on February 6 and in an exclusive interview with Bollywood Hungama, talented and enterprising producer Luv Ranjan spoke about the Sanjay Mishra-Neena Gupta starrer, when its trailer will be out, what Luv Films stands for, his love for Gurugram’s Cyber Hub and a lot more. When did you decide that a sequel to Vadh would be a good idea? Jaspal Singh Sandhu sir and I were discussing what to do next. We realized that there can’t be a true sequel as such to this film. The story of the two characters in the first part had come to an end. However, the concept of ‘vadh’ can be revisited by exploring another social evil and how a simple man fights it to protect someone he loves. With Vadh’s first part, the appreciation was slow, but suddenly, it got a lot of love and also awards. That also motivated us to try for a second part. Jaspal sir cracked a story which we all loved and we felt that its worth doing. Vadh released when the Drishyam 2 wave was going strong. A...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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