EXCLUSIVE: Sajid Khan’s horror flick Hundred goes on floors; stars Yashvardhan Ahuja, Nitanshi Goel

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Sajid Khan’s directorial journey began successfully and he delivered three back-to-back hits. After a hiatus, he has once again worn the director’s hat. Bollywood Hungama has learned that the filmmaker quietly began shooting for his next film, titled Hundred. Interestingly, while all his previous films were comic capers, Hundred is a horror flick. A source told us, “The makers of Hundred began the shoot of the film in Mumbai’s Film City on Friday, January 23. They purposely chose this day to coincide with the commencement of the filming on the occasion of Basant Panchmi.” Bollywood Hungama has further learned that Hundred marks the launch of Yashvardhan Ahuja, son of Govinda and Sunita Ahuja. Nitanshi Goel, of Laapataa Ladies (2024) fame, has come on board as the female lead. Hundred is produced by Amar Butala’s Guilty By Association Media and Ekta Kapoor and Shobha Kapoor’s Balaji Telefilms. Amar Butala has earlier produced Sidharth Malhotra-Rashmika Mandanna starrer Mission Majnu ...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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