SCOOP: Sanjay Dutt asks Rajkumar Santoshi to direct Khalnayak Returns; veteran filmmaker politely declines the offer

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On April 24, Sanjay Dutt, Aksha Kamboj, Executive Chairperson of Aspect Global (Aspect Entertainment), Subhash Ghai and Jyoti Deshpande of Jio Studios announced Khalnayak Returns at an event in Mumbai. The intro teaser of Khalnayak Returns was unveiled at this event, and it received a thunderous response. Sanjay Dutt looked dashing, and the use of the iconic Khalnayak theme added to the excitement. Since Subhash Ghai had directed the original Khalnayak (1993), it was widely assumed that the Showman would return to helm Khalnayak Returns as well. Soon, Subhash Ghai confessed that he won’t be donning the director’s hat again. A source told Bollywood Hungama, “Sanjay Dutt was keen that Rajkumar Santoshi should direct Khalnayak Returns. He felt that Raj ji has an understanding of commercial cinema and would be able to do justice. Moreover, the two powerhouse, talented individuals have never worked together. Hence, Sanjay Dutt felt that it would be great to finally join hands with Rajkumar...
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The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

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This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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