Sandeep Reddy Vanga’s Spirit, starring Prabhas and Triptii Dimri, to release on March 5, 2027

Filmmaker Sandeep Reddy Vanga has officially announced the theatrical release date of his much-anticipated project Spirit, starring Prabhas and Triptii Dimri. The film is slated to reach cinemas worldwide on March 5, 2027, bringing an end to months of speculation about its launch window. Vanga shared the news alongside a new poster on social media, confirming the release with a post by lead actor Prabhas, who wrote on his Instagram handle, “#Spirit is set for a World release on March 5, 2027.”   View this post on Instagram   A post shared by Prabhas (@actorprabhas) The official first look was unveiled at midnight on New Year’s Day, generating a strong buzz online. The poster showcases a rugged, battle-scarred Prabhas alongside Triptii Dimri in an atmospheric frame, reinforcing the film’s intense and raw visual tone.   View this post on Instagram   A post shared by Prabhas (@actorprabhas) Spirit marks the first collaboration between Prabhas and Vanga, the dir...

The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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