73 year old Director Shakeel Noorani arrested over alleged rape of 33 year old actor in Mumbai

Film director Shakeel Noorani, 73, has been arrested in Mumbai following a complaint filed by a 33-year-old actor, who has alleged that she was raped after being called to his residence in Malwani. According to the police complaint, Noorani allegedly invited the actor to his house on the pretext of discussing an upcoming film project. The actor has alleged that after she reached the director's residence, she was allegedly drugged and sexually assaulted. The complaint further states that Noorani allegedly threatened her following the incident. Police subsequently registered a case based on the actor's allegations and arrested the filmmaker. Following his arrest, Noorani was produced before the Borivali Holiday Court. The court has reportedly remanded him to police custody until August 12, during which the police are expected to investigate the allegations and gather further evidence in the case. The allegations are currently part of an ongoing investigation, and the charges aga...

The Tower review – apocalyptic lockdown horror goes into the dark, deadly void

This tale of a tower block enveloped in nothingness, and the terrible things its residents do to survive, starts grim and just gets grimmer … and grimmer

At the beginning of this remorselessly bleak apocalyptic nightmare, the residents of a tower block in Paris wake up to find the world outside has disappeared. “There is no outdoors,” marvels one man. In its place is a vast black nothingness that swallows up everything and anyone that enters it. About five minutes in, you might start thinking about the plot holes, which feel as gaping as the void’s blackness. Such as, how is that the flats still have electricity? What is making the TVs flicker like it’s the 1980s? Why hasn’t the building been sucked into the abyss?

Actually, these questions are a pleasant distraction from the film’s grim vision of how low humanity can sink. Its writer and director, the novelist and film-maker Guillaume Nicloux, clearly subscribes to a Hobbesian view that, in the event of society breaking down, we’ll all be boiling each other’s fleshy parts in 15 minutes flat. The residents in the block, quickly realising that nobody is coming to save them, begin to organise themselves into alliances to ration food and water – “It’s going to get ugly fast,” mutters someone darkly. Five months down the line, they are pallid, haggard and greasy-haired. It took me a couple of seconds for the penny to drop when I saw dogs and cats in cages on the counters in kitchens. Life in the block is lawless, run by competing gangs trading in pet meat.

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