EXCLUSIVE: Dhurandhar completes its glorious run in IMAX as Avatar: Fire And Ash takes over; single screens, Gaiety-Galaxy SKIP Hollywood biggie; continue with Ranveer Singh-starrer

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Dhurandhar, which is all set to become the biggest hit of the year, enters the third week of its release today. The film overperformed in its second week and is now all set for another huge week from today. The Ranveer Singh-starrer also had a release in the IMAX version. However, its IMAX run ended yesterday, on December 18. This is because Avatar: Fire And Ash has now taken over all the IMAX screens across India and also the world. Directed by James Cameron, the fantasy drama is known for its spellbinding visuals. Hence, it makes for an ideal watch in IMAX theatres. It's no wonder that its shows in the IMAX cinemas got filled first. Nevertheless, Dhurandhar had a glorious run in the IMAX version. The film also had a big screen appeal which enticed people to check it out in IMAX. Interestingly, the film didn’t get a release in IMAX on the day of its release due to late delivery of prints. But once the issue settled, the film managed to score big time in the wide-screen cinemas. ...
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The Job of Songs review – folk melodies and melancholia in rural Ireland

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Lila Schmitz’s documentary offers a candid look at Irish music and community struggles in a small Irish village known for its bar-room sessions

That The Banshees of Inisherin may apparently be a documentary is the main takeaway of this swift but wide- and deep-ranging investigation into the musical community of Doolin, County Clare. It’s a truism to point out the absorption with the landscape in Irish folk music, and a certain attendant melancholia. But it’s hard not to go back to such ideas when one interviewee says of nearby tourist attraction the Cliffs of Moher: “Who wants to look over a big cliff? Unless you’re thinking of jumping?”

Once a remote scrum of thatched cottages, Doolin is now on the tourist trail thanks to its uninterrupted tradition of bar-room sessions – in which all-comers are welcome to pitch in with whatever musical talent they have. The place seems to lie on a nexus of ley lines in time and space through which song and community irrepressibly well up. Christy Barry, who runs a music centre, reveals how his mother, unpaid, taught the entire village flute and fiddle. Stretching back further than the Irish famine and the subsequent waves of emigration, this melodic heritage draws on what one musician here believes amounts to a millennium of orally transmitted music.

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