PIL targets The Kerala Story 2, seeks removal of ‘Kerala’ from title amid communal concerns

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A new Public Interest Litigation (PIL) has been filed before the Kerala High Court challenging the title and release of the recently released film The Kerala Story 2. The petition, submitted on March 3 by a retired social science teacher and a practicing lawyer, calls for the removal of the word “Kerala” from the film’s title, arguing that it unfairly associates the State with sensitive and controversial themes. According to the plea, the petitioners contend that the film’s title and subject matter risk portraying Kerala in a negative light. They have alleged that the narrative reportedly depicts the State as a centre for forced religious conversions, a portrayal they believe could damage its social and cultural image. The petition also references an ongoing legal tussle involving the filmmakers. It notes that the producers have approached a Division Bench of the High Court challenging a recent interim order issued by a Single Bench, which had temporarily stayed the film’s release. T...
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The Job of Songs review – folk melodies and melancholia in rural Ireland

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Lila Schmitz’s documentary offers a candid look at Irish music and community struggles in a small Irish village known for its bar-room sessions

That The Banshees of Inisherin may apparently be a documentary is the main takeaway of this swift but wide- and deep-ranging investigation into the musical community of Doolin, County Clare. It’s a truism to point out the absorption with the landscape in Irish folk music, and a certain attendant melancholia. But it’s hard not to go back to such ideas when one interviewee says of nearby tourist attraction the Cliffs of Moher: “Who wants to look over a big cliff? Unless you’re thinking of jumping?”

Once a remote scrum of thatched cottages, Doolin is now on the tourist trail thanks to its uninterrupted tradition of bar-room sessions – in which all-comers are welcome to pitch in with whatever musical talent they have. The place seems to lie on a nexus of ley lines in time and space through which song and community irrepressibly well up. Christy Barry, who runs a music centre, reveals how his mother, unpaid, taught the entire village flute and fiddle. Stretching back further than the Irish famine and the subsequent waves of emigration, this melodic heritage draws on what one musician here believes amounts to a millennium of orally transmitted music.

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