Raashii Khanna speaks out on Bollywood’s South remake trend; says, “Dubbed films are anyway available to watch online”

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Actress Raashii Khanna acknowledges the prevalent trend of Bollywood drawing inspiration from successful South Indian films to boost box office performance. However, she believes it’s time for the industry to shift gears. With audiences now craving original storytelling and dubbed South films easily available online, Raashii stresses the need for fresh content. In today’s pan-India cinema landscape, she agrees that Bollywood’s attempt to replicate South hits is a reality, but one that needs rethinking. Raashii told Hindustan Times, “⁠I can’t disagree that we do see remakes from the south quite often but I think the industry is also realising more and more that the audience needs newer content and that dubbed films are anyway available to watch online.” She added, “With the rise of OTT platforms, language is no longer a barrier. I can sense a shift in the industry's mindset, and I genuinely hope we start creating more original content and exploring different genres—because honestl...
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The Job of Songs review – folk melodies and melancholia in rural Ireland

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Lila Schmitz’s documentary offers a candid look at Irish music and community struggles in a small Irish village known for its bar-room sessions

That The Banshees of Inisherin may apparently be a documentary is the main takeaway of this swift but wide- and deep-ranging investigation into the musical community of Doolin, County Clare. It’s a truism to point out the absorption with the landscape in Irish folk music, and a certain attendant melancholia. But it’s hard not to go back to such ideas when one interviewee says of nearby tourist attraction the Cliffs of Moher: “Who wants to look over a big cliff? Unless you’re thinking of jumping?”

Once a remote scrum of thatched cottages, Doolin is now on the tourist trail thanks to its uninterrupted tradition of bar-room sessions – in which all-comers are welcome to pitch in with whatever musical talent they have. The place seems to lie on a nexus of ley lines in time and space through which song and community irrepressibly well up. Christy Barry, who runs a music centre, reveals how his mother, unpaid, taught the entire village flute and fiddle. Stretching back further than the Irish famine and the subsequent waves of emigration, this melodic heritage draws on what one musician here believes amounts to a millennium of orally transmitted music.

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