CBFC censors ‘sex’ and ‘f**k’ in Steven Spielberg’s Disclosure Day

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On June 10, Bollywood Hungama reported that the Central Board of Film Certification (CBFC) sprang a pleasant surprise by passing three crucial films of the week with zero cuts – Bharat Bhhagya Viddhaata, Haunted – Echoes Of The Past and Backrooms. However, the sole exception was Disclosure Day. The film received its censor certificate at the eleventh hour and was required to make a few cuts. In a dialogue in the first act, the word ‘sex’ was muted. It occurs in the scene where Daniel Kellner (Josh O'Connor) learns that his girlfriend, Jane (Eve Hewson), was a nun. When asked whether she still follows the same religious commitments, Jane replies in the negative, pointing out that they’ve already had sex. It is in this dialogue that the CBFC made a change. The other word that got muted was ‘f**k’, and it occurred twice in the film. Once these changes were made, Disclosure Day was passed with a U/A 13+ certificate on June 11. The length of the film, as mentioned on the censor certifi...
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The Exorcist review – Friedkin’s head-swivelling horror is still diabolically inspired

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The 50th anniversary extended director’s cut of the 1973 tale of teenage possession still shocks

William Friedkin’s deadly serious contemporary horror, adapted for the screen from the bestseller by novelist William Peter Blatty, is back now in cinemas for its 50-year anniversary in the extended director’s cut. This is the film that whispered its evil into the ears of US audiences traumatised by political and generational upheaval. It is also the great ancestor of the entire horror genre: a 132-minute jump scare – with horribly malign slow sections – taking place in upper-middle class America rather than some exotic central European locale. (I have in the past suggested that it brought supernatural fear into the American suburbs; well, I should admit that Georgetown in DC is hardly a suburb, in fact the point is that it is very near the political centre of the free world.)

Ellen Burstyn plays movie actor Chris MacNeil, a single mother ordinarily resident in California but currently renting a handsome townhouse in Washington as she shoots a film called Crash Course; she is playing a liberal academic at odds with the student body who are violently possessed with revolutionary ideas. Her director is a louche and boozy Brit called Burke Dennings, whose persona is maybe inspired a bit by Ken Russell, who is played by veteran Irish stage actor Jack MacGowran and whose death shortly after shooting helped create the “cursed film” aura that surrounds The Exorcist.

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