‘Simply unworkable’: British film industry leaders aghast at Trump’s movie tariffs

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US president’s call for 100% tariffs on films ‘produced in foreign lands’ comes under fire, with actor Brian Cox saying Trump doesn’t understand how films are made Leading figures in the British film industry have reacted with a mixture of wariness and bemusement at the prospect of tariffs announced by Donald Trump on movies produced in “foreign lands”. Rebecca O’Brien, producer of a string of films by Ken Loach including Palme d’Or winners The Wind That Shakes the Barley and I, Daniel Blake says that tariffs appear “simply unworkable given how intertwined and global the film industry is”. “I can see that Trump watches Hollywood collapsing and losing its jobs to the rest of the world but that’s because it’s a very expensive place to make films.” Continue reading... from Film | The Guardian https://ift.tt/roHIRbU via IFTTT
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The Exorcist review – Friedkin’s head-swivelling horror is still diabolically inspired

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The 50th anniversary extended director’s cut of the 1973 tale of teenage possession still shocks

William Friedkin’s deadly serious contemporary horror, adapted for the screen from the bestseller by novelist William Peter Blatty, is back now in cinemas for its 50-year anniversary in the extended director’s cut. This is the film that whispered its evil into the ears of US audiences traumatised by political and generational upheaval. It is also the great ancestor of the entire horror genre: a 132-minute jump scare – with horribly malign slow sections – taking place in upper-middle class America rather than some exotic central European locale. (I have in the past suggested that it brought supernatural fear into the American suburbs; well, I should admit that Georgetown in DC is hardly a suburb, in fact the point is that it is very near the political centre of the free world.)

Ellen Burstyn plays movie actor Chris MacNeil, a single mother ordinarily resident in California but currently renting a handsome townhouse in Washington as she shoots a film called Crash Course; she is playing a liberal academic at odds with the student body who are violently possessed with revolutionary ideas. Her director is a louche and boozy Brit called Burke Dennings, whose persona is maybe inspired a bit by Ken Russell, who is played by veteran Irish stage actor Jack MacGowran and whose death shortly after shooting helped create the “cursed film” aura that surrounds The Exorcist.

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