Palash Mucchal lands in controversy again after cheating claims surface

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Palash Mucchal has once again landed in controversy, months after his alleged cheating scandal and breakup with Indian women’s cricket team vice-captain Smriti Mandhana. This time, Marathi actor and director Vindyan Mane has made serious allegations against the music composer, accusing him of cheating him of a large sum of money and being dishonest in his past relationship with Smriti. According to Vindyan Mane, Palash took a total of ₹40 lakhs from him in connection with his upcoming project Nazaria. Mane claimed that he initially paid ₹12 lakhs to come on board as a producer for the film. Later, Palash allegedly took an additional ₹25 lakhs from him with the promise of giving him a role in the film as well. Mane stated that despite investing this amount, the project did not move forward and he did not receive his money back. Along with the financial allegations, Vindyan Mane also accused Palash of being unfaithful during his relationship with Smriti Mandhana. Following the fresh ac...
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The Exorcist review – Friedkin’s head-swivelling horror is still diabolically inspired

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The 50th anniversary extended director’s cut of the 1973 tale of teenage possession still shocks

William Friedkin’s deadly serious contemporary horror, adapted for the screen from the bestseller by novelist William Peter Blatty, is back now in cinemas for its 50-year anniversary in the extended director’s cut. This is the film that whispered its evil into the ears of US audiences traumatised by political and generational upheaval. It is also the great ancestor of the entire horror genre: a 132-minute jump scare – with horribly malign slow sections – taking place in upper-middle class America rather than some exotic central European locale. (I have in the past suggested that it brought supernatural fear into the American suburbs; well, I should admit that Georgetown in DC is hardly a suburb, in fact the point is that it is very near the political centre of the free world.)

Ellen Burstyn plays movie actor Chris MacNeil, a single mother ordinarily resident in California but currently renting a handsome townhouse in Washington as she shoots a film called Crash Course; she is playing a liberal academic at odds with the student body who are violently possessed with revolutionary ideas. Her director is a louche and boozy Brit called Burke Dennings, whose persona is maybe inspired a bit by Ken Russell, who is played by veteran Irish stage actor Jack MacGowran and whose death shortly after shooting helped create the “cursed film” aura that surrounds The Exorcist.

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