Delhi High Court restrains Ilaiyaraaja from streaming songs from 134 films in copyright case filed by Saregama

-
In a significant development in a long-running copyright dispute, the Delhi High Court has passed an interim order in favour of music label Saregama India Ltd., restraining legendary composer Ilaiyaraaja from broadcasting or communicating songs from 134 films until further orders. The order was passed by Justice Tushar Rao Gedela, who observed that while Ilaiyaraaja continues to hold rights over his original musical compositions, those rights do not automatically extend to the sound recordings incorporated into cinematograph films. According to the court, the copyright in such sound recordings rests with the producer and, where assigned, with Saregama. As per the court's observations, Ilaiyaraaja's rights under the Copyright Act are limited to the musical work itself, which refers to the composition independent of the lyrics and the sound recording. The court noted that these rights cannot be interpreted as ownership over the complete film soundtrack. The dispute arose after S...
Post a Comment

The Exorcist review – Friedkin’s head-swivelling horror is still diabolically inspired

-

The 50th anniversary extended director’s cut of the 1973 tale of teenage possession still shocks

William Friedkin’s deadly serious contemporary horror, adapted for the screen from the bestseller by novelist William Peter Blatty, is back now in cinemas for its 50-year anniversary in the extended director’s cut. This is the film that whispered its evil into the ears of US audiences traumatised by political and generational upheaval. It is also the great ancestor of the entire horror genre: a 132-minute jump scare – with horribly malign slow sections – taking place in upper-middle class America rather than some exotic central European locale. (I have in the past suggested that it brought supernatural fear into the American suburbs; well, I should admit that Georgetown in DC is hardly a suburb, in fact the point is that it is very near the political centre of the free world.)

Ellen Burstyn plays movie actor Chris MacNeil, a single mother ordinarily resident in California but currently renting a handsome townhouse in Washington as she shoots a film called Crash Course; she is playing a liberal academic at odds with the student body who are violently possessed with revolutionary ideas. Her director is a louche and boozy Brit called Burke Dennings, whose persona is maybe inspired a bit by Ken Russell, who is played by veteran Irish stage actor Jack MacGowran and whose death shortly after shooting helped create the “cursed film” aura that surrounds The Exorcist.

Continue reading...

from Film | The Guardian https://ift.tt/zBNaxIr
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”

-
Bollywood diva Malaika Arora found herself at the center of an unexpected controversy during the filming of Hip Hop India Season 2. The popular dance reality show, judged by Arora alongside choreographer-director Remo D’Souza, took an awkward turn when a 16-year-old contestant made suggestive gestures toward her during his performance. The incident, which left Malaika visibly uncomfortable, was captured on video and has since gone viral. What Happened on Hip Hop India Season 2? The incident unfolded during a recent episode of Hip Hop India Season 2, which streams on Amazon MX Player and showcases India’s top hip-hop talent. While judging a contestant’s performance, Malaika noticed the young dancer directing inappropriate gestures her way, including winking and blowing flying kisses. Clearly taken aback, the actress and fitness icon didn’t hold back her disapproval. In the now-viral footage, she can be heard reprimanding the teenager, sternly demanding, “Mummy ka phone number do!” (Giv...
Read more