Rubina Dilaik and Abhinav Shukla win big at Colors’ Dhamaal With Pati Patni Aur Panga; say, “It was a superb way for us to spend time together without life rushing by us”

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Colors’ Dhamaal With Pati Patni Aur Panga signed off its debut season with Rubina Dilaik and Abhinav Shukla emerging as the Sarvagun Sampann Jodi. The reality series, positioned as a light-hearted look into the dynamics of marriage, quickly became one of the channel’s standout non-fiction successes of the year, offering a mix of humour, emotional moments, and candid exchanges between celebrity couples. Hosted by Sonali Bendre and Munawar Faruqui, the show brought together seven celebrity jodis who participated in challenges designed to reflect the everyday quirks, conflicts, and warmth that shape married life. Over several weeks, audiences saw the couples navigate unexpected tasks, revisit personal milestones, and address the relatable push-and-pull that accompanies long-term partnerships. The season culminated in a grand finale styled like a big fat Indian wedding, where the couples dressed as dulha and dulhan to symbolically renew their vows in a celebratory setting. For fans of Ru...
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Saw X review – torture porn horror returns with more blood, less value

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Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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