Breakfast with Gosling, grilled by Spielberg, burned by Star Wars: Lord and Miller are cinema’s hottest duo

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From directing The Lego Movie to becoming a single entity, Phil Lord and Chris Miller have had quite the ascent. Now, sending one of the globe’s best actors to his cosmic doom in Project Hail Mary, they’re aiming for the stars When Phil Lord and Christopher Miller were starting out in Hollywood – long before they became a popcorn-flick industry unto themselves with The Lego Movie, the Jump Street films, the Spider-Verse franchise and their latest, Project Hail Mary – the duo found themselves summoned before a panel at the formidable Directors Guild of America (DGA). Lord and Miller wanted to be credited, as they would be for the rest of their career, as co-directors, and that was something the DGA – which, as Miller puts it, prefers “one set of hands on the steering wheel” – was uneasy about. In order to get approval, the pair would have to plead their case to some very famous peers. “It was like a Senate hearing,” says Miller, his eyes widening at the memory. “Steven Spielberg and J...
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Saw X review – torture porn horror returns with more blood, less value

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Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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