‘It feels like flying!’ Sadie Sink and Noah Jupe on child stardom, passion and the heady rush of Romeo and Juliet

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Fresh from Stranger Things and Hamnet, the pair are surprised to find themselves playing Shakespeare’s star-crossed lovers in the West End. They talk chemistry, dating apps – and what they’ve taught director Robert Icke Noah Jupe and Sadie Sink are comparing their CVs. “Noah has more Shakespeare experience than me, for sure,” says Sink. “Oh yes, I think so,” replies Jupe. “How many lines?” asks Sink. “Quite a few, actually,” he reports. “More than 10!” If Jupe wanted to flex, he could say in all truth that he played Hamlet when he was only 19. That was two summers ago, when he stood on the stage in a replica of Shakespeare’s Globe theatre and asked “To be or not to be?” in Chloé Zhao’s Oscar-nominated adaptation of Hamnet . Continue reading... from Film | The Guardian https://ift.tt/qIM3rWk via IFTTT
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Saw X review – torture porn horror returns with more blood, less value

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Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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