Ranbir Kapoor starrer Animal set for Japan release in 2026; Rs 1000 crores mark back in play amid Dhurandhar storm

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Ranbir Kapoor and Sandeep Reddy Vanga’s Animal is returning to theatres in a new market two years after its original release, with a Japanese release date now confirmed. The makers announced that the action drama will open in cinemas across Japan on February 13, 2026. Production house Bhadrakali Films shared a specially designed poster for the Japanese audience on X (formerly Twitter), featuring Ranbir Kapoor’s intense portrayal of Ranvijay Singh, alongside a Japanese tagline that translates to “This man cannot be stopped.” The announcement highlighted the film as a memorable cinematic experience beyond its initial home market. この男は誰にも止められない。🔥 Kono otoko wa Darenimo Tomerarenai🔥 The most talked-about, debated, and unforgettable cinematic experience is coming to Japan.🪓 Animal releases in Japanese theatres on February 13, 2026. 🇯🇵🇮🇳#Animal #AnimalinJapan #AnimalTheFilm #RanbirKapoor… pic.twitter.com/0ppdkqtd0W — Bhadrakali Pictures (@VangaPictures) December 24, 2025 Animal w...
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Saw X review – torture porn horror returns with more blood, less value

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Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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