The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...

Saw X review – torture porn horror returns with more blood, less value

Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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