Dhurandhar’s first part a RARE film in post-Covid era to complete 100 days in cinemas; becomes the ONLY film ever to run in cinemas until its sequel’s release

The much-awaited Dhurandhar: The Revenge is all set to release in less than a week, on March 19. To capitalize on the excitement, Jio Studios decided to organize paid previews on Wednesday, March 18, from 5:00 pm onwards. The response to the ticket sales is historic. Despite the exorbitant ticket rates, shows are filling fast across the country. Meanwhile, from Thursday, March 12, Jio decided to increase the shows of Dhurandhar’s first part and also re-release it in several cinemas where it was discontinued. It’s interesting to note that Dhurandhar’s Part 1, which was released on December 5, 2025, continued to play in several cinemas throughout this period. In fact, today marks the film’s 99th day in theatres, and tomorrow, March 14, it will complete a glorious 100-day run. There was a time when blockbuster films routinely achieved such milestones, but over the years, such feats have become increasingly rare. Hence, Dhurandhar stands out as a rare post-Covid film to enjoy such a long ...

Saw X review – torture porn horror returns with more blood, less value

Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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