‘I think my mum’s going to like it’: Alexander Skarsgård on his gay biker ‘dom-com’ Pillion

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In May, Cannes went weak at the knees for Harry Lighton’s tale of BDSM and bootlicking in suburbia. Ahead of its release, the director and his stars reveal the explicit shots snipped from the final cut and discuss why Pride has become too sanitised Harry Melling knows the secret to being a good boot-licker. “You want to give a decent, satisfying, sexy lick,” says the 36-year-old actor, who has the umlaut eyes and nasal tones of Nicholas Lyndhurst. “Once you get to the toe-cap, you need to make sure they can really feel your tongue through the leather.” Melling, barely recognisable from his childhood role as wretched Dudley Dursley in the Harry Potter films, learned this new skill while preparing for the award-winning BDSM romcom Pillion. He plays Colin, a timid traffic warden who becomes the willing submissive to a taciturn biker named Ray. Listening intently to Melling’s boot-licking tips in this London hotel room are his Pillion partners-in-kink: Harry Lighton, the film’s 33-year-o...
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Saw X review – torture porn horror returns with more blood, less value

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Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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