Shirley Valentine gave Pauline Collins a role to match her talent. She seized it with style and glee

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The film for which the actor, who has died aged 85 , is best-remembered is also that in which she was afforded most airtime. If only more film-makers had managed to channel her warm, sharp charm Pauline Collins was the smart, funny, cherubically sexy female actor in the 1970s who became a recognisable star on both sides of the Atlantic in the smash hit British TV show Upstairs, Downstairs, the Downton Abbey of its day. She played Sarah, the pert-yet-vulnerable parlour maid with a dodgy past, who has a relationship with the handsome chauffeur Thomas, played by Collins’s real-life husband, John Alderton. It was a TV marriage that the public loved and which carried on into spinoff shows Thomas and Sarah and No, Honestly. Continue reading... from Film | The Guardian https://ift.tt/maOthdj via IFTTT
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Saw X review – torture porn horror returns with more blood, less value

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Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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