‘I feel both thrilled and ruined by this’: Olivia Wilde and Edward Norton on making sex comedy The Invite

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Their movie about marital bed death is this summer’s buzziest, funniest film. Its director and her co-star talk self-loathing, psychosexuality and unexpected eruptions Earlier this week, Edward Norton took a night flight from Los Angeles to London and felt so dreadful the next day he decided to get a massage. “I hadn’t had one in such a long time,” he says, “and I almost started crying. You’re like: ‘Oh! Ah!’” He has heard similar sounds from cinemas screening his new movie, The Invite, which is about the devastating impact of marriage on your sex life. “People are almost tearful. They’re like: ‘I haven’t had a good, adult laugh that made me feel seen in a long time.’” Continue reading... from Film | The Guardian https://ift.tt/bkTH0gN via IFTTT
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Saw X review – torture porn horror returns with more blood, less value

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Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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