Paresh Rawal claims OMG 2 was based on his original idea; says he walked away after script changes: “There was no need for a divine character”

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Paresh Rawal has claimed that the original idea behind OMG 2 came from him, adding that the film underwent significant changes after Akshay Kumar came on board. Speaking to Vickey Lalwani, the veteran actor also alleged that he did not receive credit for the story or concept despite being closely involved in its early development. Paresh Rawal recalls developing the original concept Rawal said he first approached filmmaker Amit Rai with the idea after watching Road to Sangam. He asserted, "I had approached Amit Rai, the director of Road to Sangam, and asked him if he was planning another film. I admire him a lot. I told him, 'I have an idea. Let's sit and write it.' I told him I wasn't a writer, but I could contribute ideas and help identify where we were going wrong because I understand screenplay to some extent." He went on to reveal, "The story was about a boy who gets caught masturbating, and a video of the incident goes viral, making his life miser...
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Saw X review – torture porn horror returns with more blood, less value

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Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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