‘Death always feels imminent’: a moving Netflix documentary on prison, music and forgiveness

In Songs from the Hole, a man convicted of murder when he was a teenager finds healing in music during his sentence In 2014, a sergeant at a California state prison sent James “JJ’88” Jacobs, who was 25 at the time, to “the hole” – solitary confinement in a 6-by-6 cell. One bunk, one strip of a window. Jacobs had already been incarcerated for a decade by then; at 15, he was given a double life sentence for second-degree murder. Alone in the hole, Jacobs thought, as he always did, about the most devastating month of his life, April 2004: on the 16th, he shot and killed a fellow teenager outside a nightclub in his home town of Long Beach, California. Three days later, another young man shot and killed his beloved older brother Victor. For years, Jacobs was caught in a terrible cycle of grief – for what he had done, for what had been done to him. In the hole, Jacobs would lie on the floor, eyes closed, and imagine his life outside prison. He’d make beats by pounding on his bunk or chest...

Saw X review – torture porn horror returns with more blood, less value

Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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