‘Touch Buddy’ from Dacoit out now: Pawan Singh, Jonita Gandhi and Adivi Sesh bring high energy dance track to life

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Ever since the makers of Dacoit announced ‘Touch Buddy’, a song featuring Pawan Singh, Adivi Sesh and Jonita Gandhi, fans knew they were in for a power-packed musical treat. The recently released teaser only amplified the buzz, adding a whole new level of hype to the high-energy track. Finally, the makers have dropped this banger, with Pawan Singh and Jonita lending their vocals to the much-awaited song. The song was shot in Telugu as well as Hindi. Sung by the powerful duo Pawan Singh and Jonita Gandhi, the fiery lyrics are penned by Vayu Shrivastava, with music composed by Bheems Ceciroleo. Adding a touch of his own signature swag. Adivi Sesh will be seen shaking a leg alongside Pawan Singh and Jonita Gandhi, with the trio lighting up the screen with their moves, making ‘Touch Buddy’ the dance number of the season. Speaking about the song, Bhojpuri King Pawan Singh shared, “I love experimenting with my music, and when Adivi Sesh came to me with the idea, I instantly knew the kind o...
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Saw X review – torture porn horror returns with more blood, less value

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Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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