BREAKING! Post-midnight shows of Dhurandhar added in Mumbai, Pune, Ahmedabad due to unprecedented demand

The buzz around Dhurandhar has been translating into packed theatres, with post-midnight shows being introduced across Maharashtra due to overwhelming public demand. In Mumbai, cinemas have begun screening the film from as late as 12:45 am onwards, marking a rare but telling response to the unstoppable excitement surrounding the release. The decision to add post-midnight shows was taken after advance bookings surged across multiplexes and single screens alike. The move underlines the strong word-of-mouth and pre-release anticipation that Dhurandhar has managed to generate. The trend is not limited to Mumbai alone. Pune has also joined the celebration, with post-midnight shows commencing from 12:20 am onwards starting today due to similar reasons—heavy booking and consistent inquiries from moviegoers keen to catch the film at the earliest possible hour. Similarly, the trend of post-midnight shows is also seen in Ahmedabad. But this is not the first time that Dhurandhar’s post-midnight ...

Saw X review – torture porn horror returns with more blood, less value

Stomachs will churn once again in an attempt to rewind the clock for the fatigued franchise but there’s ultimately little of worth here

It’s a strange existential feeling to be seated in front of a Saw film once again, a return not just to a franchise but an entire torture porn subgenre. As a screaming woman is forced to cut off her leg and suck out a litre of blood from her fresh wound in order to save her head from being sliced off by serrated wire, one might start wondering the hows and whys of what got us here.

While financial greed is the obvious studio motivator (cheaply made horror still the most reliably profitable genre in Hollywood), it’s curious to ponder why we might want to endure another two hours of stomach-churning gore especially when served on such a musty old platter. The decision to kill the series big bad Jigsaw in Saw III was fitting given the franchise obsession with cattle-prod shock value but it also left the makers in a trap they then struggled to get out of. Ensuing sequels were flashback-heavy, filling in an increasingly convoluted backstory, making each new Saw film feel more like daytime soap opera. In an attempt to swerve away from a timeline that even the most devoted Saw fan would struggle to explain, 2021’s Chris Rock-led Spiral tried to spin the story off into a detective thriller with a different villain but it was an embarrassingly junky disaster, a new low for a series that was already in the gutter.

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