Elastic limbs, fantastical accents and crackling sexual chemistry: Dick Van Dyke turns 100

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The goofy star of Mary Poppins becomes a centenarian on Saturday. And what a precocious performer he has proved, sustaining scrappy mischief through seven decades of mainstream entertainment All Hollywood stars grow old and die except perhaps one - Dick Van Dyke - who turns 100 today. The real world Peter Pan who used to trip over the ottoman on The Dick Van Dyke Show is still standing. The man who impersonated a wind-up toy in Chitty Chitty Bang Bang hasn’t wound down just yet. He has outlived mentors, co-stars, romantic partners and several studios. He’s even outlived the jokes about his performance in Mary Poppins. These days his mangled cockney accent is regarded with more fondness than contempt. It’s seen as one of the great charms of the 1964 classic, along with the carousel chase or the cartoon dancing penguins. Charm is the magic ingredient of every popular entertainer and few have possessed it in such abundance as Van Dyke, the impoverished son of a travelling cookie salesm...
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Nightmare review – atmospheric property horror treads line between dreams and reality

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A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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