As his debut film Once Were Warriors showed, Lee Tamahori was a director of guts and flair

Tamahori was the outstanding director of Along Came a Spider and Die Another Day – but his first film was his greatest work In 1994, the New Zealand film-maker Lee Tamahori made one of the biggest debuts of the decade, firing on all six cylinders with his gut-wrenching social-realist melodrama Once Were Warriors. The Mekes are a working-class Maori family in South Auckland: Temuera Morrison is the boozing, brawling, bragging alpha-male welfare claimant Jake, who comes home from drinking in the pub with his pathetic sycophant mates to terrorise and assault his wife Beth, played by Rena Owen, and their five children. He is entirely indifferent to the fate of his two elder sons who have drifted into gangland culture and crime, as well as his sensitive daughter Grace, who has talent as a writer. One son gets gang tattoos; the other is taken to a juvenile reformatory where he is at least tutored in the ways of Maori culture – the haka and the taiaha warrior spear – and learns dignity and s...

Nightmare review – atmospheric property horror treads line between dreams and reality

A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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