Mohammed Zeeshan Ayub distances himself from Shraddha Kapoor starrer Eetha; says his voice was used without context

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Actor Mohammed Zeeshan Ayub has publicly distanced himself from the upcoming Shraddha Kapoor-starrer Eetha, claiming that his voice was used in the film's teaser without his knowledge of the context. The actor took to social media to issue a detailed clarification, asserting that he has no association with the project and had objected to the use of his voice immediately after the teaser was released. Although Zeeshan Ayub did not explicitly mention the name of the film in his note, it was widely inferred that he was referring to Eetha, whose teaser had opened with a narration in his voice. According to the actor, he had agreed to dub a single line months ago after being approached by people he knew personally, without being informed about the larger context in which it would eventually be used. Sharing his statement on X aka Twitter, Mohammed Zeeshan Ayub wrote, “Few weeks back, a film teaser released with the opening line in my voice. I wish to put on record that I am not part of...
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Nightmare review – atmospheric property horror treads line between dreams and reality

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A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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