BREAKING: Akshay Kumar’s Cape of Good Films issues public notice; asserts exclusive worldwide rights over Hera Pheri 3; cautions industry against dealing with third parties

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Akshay Kumar’s production house, Cape of Good Films LLP, has issued a public notice in the July 4, 2026 issue of Complete Cinema magazine, asserting that it is the sole and exclusive holder of the rights to produce and commercially exploit the much-awaited comedy, Hera Pheri 3. The notice has been addressed to the public at large as well as stakeholders across the Indian film trade. The notice specifically addresses distributors, exhibitors, cinema chains, OTT and streaming platforms, television broadcasters, digital platforms, advertisers, licensors, licensees, aggregators and syndicators, among others. Cape of Good Films LLP has claimed that it holds an “irrevocable, worldwide, perpetual and unencumbered licence” to produce, distribute, market, exploit, commercialize and otherwise deal with the cinematograph film presently titled Hera Pheri 3. The company has stated that its rights extend across all modes, media, platforms, technologies and formats, whether currently known or develo...
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Nightmare review – atmospheric property horror treads line between dreams and reality

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A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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