Raja Shivaji sells 40,000 tickets in advance booking; Pune goes on overdrive as 7:00 am shows open due to huge demand

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Two days ago, Bollywood Hungama reported that the ticket sales of The Devil Wears Prada 2 were very encouraging. Raja Shivaji releases on the same day as the Hollywood comedy drama and this film, too, seems all set for a flying start, especially in its Marathi version. According to data accessed by Bollywood Hungama, Raja Shivaji had sold more than 40,000 tickets as of 8:00 am on April 29. By 4:30 pm on April 28, PVR Inox sold 9,800 tickets for the historical entertainer’s Marathi version. Cinepolis sold 3,000 tickets, MovieMax saw sales of 2,400, while Miraj Cinemas sold more than 4,100 tickets. The Marathi version has far more appeal due to its local flavour, ensemble cast, and the correct release period. Raja Shivaji releases on May 1, which is Maharashtra Day. Hence, the film will enjoy a three-day weekend in the state. Several films have been made on Chhatrapati Shivaji Maharaj in Marathi, but Raja Shivaji seems like the grandest of them all. This has further encouraged audience...
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Nightmare review – atmospheric property horror treads line between dreams and reality

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A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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