“Truth started getting labelled as propaganda”: Sandeep Reddy Vanga DEFENDS Dhurandhar duology; Aditya Dhar REACTS!

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Months after the release of Dhurandhar in December 2025 and its sequel, Dhurandhar The Revenge, on March 19, 2026, the Aditya Dhar-directed duology continues to remain part of industry conversations. The latest filmmaker to weigh in on the debate surrounding the films is Sandeep Reddy Vanga, who strongly reacted to those labelling the project as propaganda. Vanga recently attended a screening of Dhurandhar: The Revenge at Allu Arjun’s theatre in Hyderabad, along with Prabhas, who is set to headline his upcoming directorial, Spirit. After watching the film, the filmmaker took to X to share his thoughts and defend the makers. In his post, Vanga wrote, “Writers & actors built careers on propaganda, and the industry stayed quiet like cats. Now the same clan mock Dhurandhar. You don’t get to call yourself liberal if your first instinct is to Mock. Don’t know when truth started getting labeled as propaganda...... strange times.” He further added, “I want to tell @AdityaDharFilms &...
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Nightmare review – atmospheric property horror treads line between dreams and reality

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A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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