Chickenhare and the Secret of the Groundhog review – time-travel fun for plucky hybrid critters

A half-chicken half-hare, a skunk and a tortoise go in search of a 3,000-year-old groundhog in this wholesome animation with a surprisingly complex plot Although this animated feature doesn’t have a title as utterly awesome as its predecessor, Chickenhare and the Hamster of Darkness , it’s still a perfectly adequate 90-ish minutes of creamy pastel-coloured picaresque entertainment. It feels like it’s skewed in the direction of younger viewers given the simple character designs, general wholesomeness and easy-on-the-jokes tone, but the plot is surprisingly complicated. The lead character is named Chickenhare because of course he is half-chicken half-hare, although in practice he looks more like a hare than a chicken other than a tuft of feathers on the crown of his head. He is best friends with a skunk named Meg, equipped with the awesome power of stink and who is very butch-coded with her waistcoat, faux-hawk and tomboy characteristics; there is also a tortoise named Abe, who as you mi...

Nightmare review – atmospheric property horror treads line between dreams and reality

A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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