MEGA EXCLUSIVE: After Vikrant Massey’s White, Narcos cinematographer Juan Carlos Gil signs Ranveer Singh’s Pralay

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In an exciting development for Bollywood, two major upcoming films will share the same international cinematographer. Bollywood Hungama has exclusively learnt that Juan Carlos Gil, the acclaimed DOP of Netflix’s global series Narcos and who has shot Vikrant Massey’s big-scale political drama White, has come on board for Ranveer Singh’s upcoming mega-budget film Pralay. A source told Bollywood Hungama, “The team of Pralay is mounting the film on a lavish scale and wants it to have a Hollywood-style visual treatment. Juan Carlos Gil fits the bill perfectly. He is equally excited to come on board, while the team is thrilled to have him shoot this ambitious zombie film.” About Pralay Pralay is highly awaited not just because it’s a mega-budget zombie thriller but also because its Ranveer Singh’s immediate next after the all-time blockbuster, Dhurandhar. It is directed by Jai Mehta and produced by Birla Studios and Hansal Mehta. About White Vikrant Massey’s White is a big-scale human polit...
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Nightmare review – atmospheric property horror treads line between dreams and reality

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A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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