Louise Lasser, star of cult sitcom Mary Hartman, Mary Hartman and Woody Allen comedies, dies aged 87

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The 1970s soap parody made a household name of Lasser, who was also known for her collaborations with ex-husband Allen and later films including Requiem for a Dream Louise Lasser, star of cult 70s sitcom Mary Hartman, Mary Hartman and early films by Woody Allen (to whom she was married for four years), has died aged 87. The New York Times reported she died “at home in Manhattan” . Lasser’s role as a satirically conceived housewife in suburban Ohio in Mary Hartman, Mary Hartman, designed as a parody of daytime soap operas, made her a national star, landing her on the cover of People magazine and Rolling Stone. The series lasted a year and a half, between January 1976 and July 1977, but due to its five-days-a-week schedule squeezed more than 300 episodes out of its two season run. Lasser’s Hartman, with her signature pigtails, was preoccupied with domestic minutiae but found herself in unsettling and disturbing situations, including bizarre deaths. The show was intended to explore the ch...
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Nightmare review – atmospheric property horror treads line between dreams and reality

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A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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