SHOCKING: Despite tough negotiations, Project Hail Mary secures shows in ONLY 6 out of 34 IMAX screens in India; efforts underway to increase showcasing

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Yesterday morning, Bollywood Hungama reported that Project Hail Mary is struggling to secure screens in IMAX properties in India. Dhurandhar The Revenge was released in an IMAX version on Thursday, March 19, in the country, and due to its historic performance, it was expected that both films would share shows in IMAX. In a shocking turn of events, that hasn’t happened in most IMAX screens. As of 8:00 am on March 26, only six out of 34 IMAX theatres in the country are playing Project Hail Mary. The anger among the fans of the Hollywood film is quite visible on social media. A source told Bollywood Hungama, “Project Hail Mary is filmed for IMAX and hence for many moviegoers, it is a must-watch in the IMAX theatres. Issues over screen-sharing are very common and it was expected that they would get resolved on the night of Wednesday, March 25. Sadly, that didn’t happen as the studio backing Dhurandhar The Revenge refused to let go of the shows in IMAX. Finally, late at night, Sony Picture...
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Nightmare review – atmospheric property horror treads line between dreams and reality

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A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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