Anurag Kashyap, Nikkhil Advani, Vikramaditya Motwane, Vasan Bala-backed Dug Dug locks May 8 India release

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Filmmaker Ritwik Pareek’s comedy mystery satire Dug Dug is set to release in Indian theatres on May 8 following a widely appreciated run across international film festivals. The film now has the backing of filmmakers Anurag Kashyap, Nikkhil Advani, Vikramaditya Motwane and Vasan Bala, who have come on board as executive producers ahead of its India release. Inspired by true events, Dug Dug follows a strange development in a village where a deceased man’s motorbike begins to be worshipped after locals believe it can grant wishes if devotees pray to it and offer alcohol. As reports of wishes being fulfilled spread, the belief gradually turns into a full-fledged commercialised religion. The feature is produced by Bottle Rocket Pictures, led by Prerna Pareek and Ritwik Pareek, and will be released theatrically in India in association with Ranjan Singh’s Flip Films. Speaking about the film, Anurag Kashyap said, “I was blown away by Dug Dug, its storytelling, cinematography and music. It ...
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Nightmare review – atmospheric property horror treads line between dreams and reality

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A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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