Christopher Nolan's The Odyssey to open IMAX ticket sales in India from June 8

On June 8, Indian fans will be amongst the first in the world to secure their seats for The Odyssey. Shot across the world using brand new IMAX® film technology, The Odyssey is the first feature film shot entirely with IMAX® cameras, opening in cinemas worldwide and across India on July 17, 2026. Written and directed by Academy Award-winning filmmaker Christopher Nolan, the film brings Homer's foundational epic to the screen in a way that has never been attempted before. The story of Odysseus, King of Ithaca, and his perilous journey home after the fall of Troy is brought to life by Matt Damon as Odysseus, Tom Holland as Telemachus, and Anne Hathaway as Penelope, alongside Zendaya, Robert Pattinson, Lupita Nyong'o, Charlize Theron, and Jon Bernthal. The Odyssey opens in cinemas across India in all formats on July 17, 2026. Speaking about the opening of IMAX ticket bookings for The Odyssey in India, Denzil Dias, Vice President and Managing Director, Warner Bros. Discovery India...

Nightmare review – atmospheric property horror treads line between dreams and reality

A young woman is tormented in her sleep in this crepuscular debut feature from Norwegian writer-director Kjersti Helen Rasmussen

If there is one place you would have thought a sleep-deprived person might be able to stop herself dropping off, it’s in a lecture about sleep. But that’s what this atmospheric but somewhat heavy-handed debut feature from Norway has its protagonist Mona (Eili Harboe) do as she is introduced by dishevelled academic Aksel (Dennis Storhøi) to the possibility that she has become the victim of the mythical incubus Mare. This may explain a recent run of freakish dreams in which she’s tormented by a vampiric doppelganger of her caring boyfriend Robby (Herman Tømmeraas).

Nightmare also belongs to the school of property horror already occupied by The Tenant and Mother! Left alone by Robby, a high-flyer preoccupied with some kind of algorithmic investment venture, Mona is charged with renovating their sprawling new apartment which they acquired on the cheap after its previous occupant, who was pregnant, died in a mysterious accident. Their neighbours, who have a newborn baby and are prone to staring eerily across the courtyard, seem to have issues, too. But none of this rings any alarm bells until Mona – vaguely thinking about having kids with Robby – begins sleepwalking.

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