The Moment review – Charli xcx struggles through defanged Brat summer satire

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Sundance film festival: There’s a smart idea at play here, with the star playing a hellish version of herself fighting against corporate forces, but there’s not a lot else In April 2025, the pop singer Charli xcx posted a TikTok reflecting on nearly a year of her seminal album Brat : “It’s really hard to let go of Brat and let go of this thing that is so inherently me and become my entire life, you know?” she said. “I started thinking about culture, and the ebbs and flows and lifespan of things … ” She acknowledged that over-saturation is perilous, and that maybe she should stop, but “I’m also interested in the tension of staying too long. I find that quite fascinating.” The frank, informal admission fit with Brat, a pop culture-shifting album that channeled, with stunning immediacy, the imperious ego and bristling insecurity of an artist keenly aware of her own precarious level of fame . Her ambivalence was understandable – Brat rapidly turned Charli, who spent over a decade as a...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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