PIL targets The Kerala Story 2, seeks removal of ‘Kerala’ from title amid communal concerns

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A new Public Interest Litigation (PIL) has been filed before the Kerala High Court challenging the title and release of the recently released film The Kerala Story 2. The petition, submitted on March 3 by a retired social science teacher and a practicing lawyer, calls for the removal of the word “Kerala” from the film’s title, arguing that it unfairly associates the State with sensitive and controversial themes. According to the plea, the petitioners contend that the film’s title and subject matter risk portraying Kerala in a negative light. They have alleged that the narrative reportedly depicts the State as a centre for forced religious conversions, a portrayal they believe could damage its social and cultural image. The petition also references an ongoing legal tussle involving the filmmakers. It notes that the producers have approached a Division Bench of the High Court challenging a recent interim order issued by a Single Bench, which had temporarily stayed the film’s release. T...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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