Voicemails for Isabelle review – Netflix romcom picks creepy over cute

Zoey Deutch and Nick Robinson stumble in this mushy, overlong story of a woman leaving voicemails for her dead sister There’s a fine line between romantic comedy and creepy thriller, and while redefining the genre’s lovelorn leads as often incredibly oddball stalkers is nothing new (see the Sleepless in Seattle trailer recut as a horror movie 20 years ago), an online deluge of memes and thinkpieces have elevated post-movie bar jokes to commonly accepted theory. Some film-makers have slowly tried to catch up and capitalise – last year’s dark comedy I Love You Forever showed how epic acts of romance can be rooted in manipulation while a great deal of what makes current box office record-breaker Obsession so effective is its horror movie perversion of the day-to-day realities of all-consuming true love. Netflix’s latest romcom Voicemails for Isabelle is made with some awareness of how unsettling its premise is, as if it was originally written in the 2000s and then dusted off and tweake...

It Lives Inside review – standard-issue schlock horror has its moments

This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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