Evil Dead Burn review – wildly gory horror tears a grieving family to pieces

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The latest new chapter in Sam Raimi’s classic franchise goes harder than ever before but there’s something missing With the release of Evil Dead Burn, there are now just as many Evil Dead movies not directed by Sam Raimi or starring Bruce Campbell as there are entries with that original team in place. The next film, Evil Dead Wrath, is already set for a 2028 release, when it will officially tip the balance toward non-Raimi film-makers. And unlike the non-James Cameron Terminators or the Spielberg-free Jaws sequels, these post-Raimi Evil Dead movies (which retain the director’s services as a seemingly enthusiastic producer) have so far enjoyed box office success, decent critical notices and appreciation from their horror fanbase. Yet all three of the post-Raimi Evil Deads still feel as if they take place in the shadows of what came before – specifically, the original 1983 indie horror classic about a bunch of young people who stumble upon the Book of the Dead in a cabin and accidentally...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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