28 Years Later: The Bone Temple review – Ralph Fiennes is phenomenal in best chapter yet of zombie horror

A murderous Clockwork-Orangey gang take on the zombies in this gruesome and energised fourquel. It’s the finest of the 28 franchise by a blood-curdling mile It’s very rare for a fourquel to be the best film in a franchise, but that’s how things stand with the chequered 28 Days Later series. In this one, which follows immediately on from the previous episode, 28 Years Later , Ralph Fiennes and Jack O’Connell bring pure death-metal craziness. There is real energy and drama in this latest iteration of the post-apocalyptic zombie horror-thriller saga, created by director Danny Boyle and screenwriter Alex Garland back in 2003, with Nia DaCosta taking over directing duties for this film. Fiennes’s dance to Iron Maiden’s The Number of the Beast is basically one of the most extraordinary moments of his career. At the screening I attended, we were on our feet, looking for a speaker bin to headbang into. The band surely has to rerelease this track with Fiennes’s performance as a new official v...

It Lives Inside review – standard-issue schlock horror has its moments

This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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