EXCLUSIVE: Batwara 1947 trailer to be launched at Jaipur’s iconic single-screen cinema, Raj Mandir, on July 28; Mumbai event on July 29

With less than three weeks to go for its release, the promotions of Batwara 1947 will be taken to the next level this week, as the trailer of the much-awaited film will finally be unveiled in a few days. In a unique initiative, the launch will be held in two different cities on two consecutive days. A source told Bollywood Hungama, “On Tuesday, July 28, the trailer of Batwara 1947 will be unveiled in the iconic single-screen cinema, Raj Mandir in Jaipur, Rajasthan. Fans and local media will be invited to catch the trailer and also catch a glimpse of Sunny Deol and Rajkumar Santoshi.” The source added, “Raj Mandir serves as the perfect venue for such events in Rajasthan. It has hosted several launches previously, so the management has experience handling fans and stars. Moreover, the single-screen is one-of-a-kind in the country in terms of ambience, screen and sound quality, etc. Also, it’s a theatre close to Sunny Deol’s heart. He promoted the re-release of his cult classic, Gadar – ...

It Lives Inside review – standard-issue schlock horror has its moments

This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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