Rocky Horror creator Richard O’Brien: ‘The Spice Girls couldn’t sing. But lovely girls’

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The actor, writer and musician on growing up on a sheep farm in New Zealand, being in Spice World and a lovely afternoon with Aretha Franklin Get our weekend culture and lifestyle email Strange Journey: The Story Of Rocky Horror is out to celebrate 50 years of The Rocky Horror Picture Show. What’s the strangest journey Rocky Horror has taken you on? I was at the 30th anniversary at Queen’s Theatre in Shaftesbury Avenue. After the show, I was in the downstairs bar, chatting to a couple of people. I turned around and going up the stairs was a man in such high heels – these fetish shoes – that he couldn’t walk in them. He had a leather thong up his arse, and I thought to myself: “I suppose I’m responsible for that, aren’t I?” Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning Continue reading... from Film | The Guardian https://ift.tt/MB3IwpX via IFTTT
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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