Kangana Ranaut defends Aishwarya Rai Bachchan amid Cannes criticism: “She is not here to please you”

Actor Kangana Ranaut has come out in support of Aishwarya Rai Bachchan after the latter faced criticism on social media over her appearance at the Cannes Film Festival 2026. Responding to the online discourse surrounding Aishwarya’s fashion choices, Kangana shared a strongly worded note defending the actor and speaking about individuality, self-expression, and the scrutiny faced by women in the public eye. Taking to her Instagram Stories, Kangana posted a photo from Aishwarya’s first Cannes red carpet appearance this year, where the actor was seen wearing a striking blue gown. Sharing her thoughts on the criticism, Kangana wrote, “Fashion and style is a self expression, it is one's own interpretation of life and their attitude, no woman owes anything to anyone, Ash looks great!!” The actor further criticised those judging Aishwarya’s appearance and questioned the unrealistic standards often imposed on women, especially senior actresses. “Those of you who want to see her any other ...

It Lives Inside review – standard-issue schlock horror has its moments

This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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