Delroy Lindo thankful for ‘love and support’ after N-word incident at Baftas

Lindo speaks out after man with Tourette syndrome shouted slur while actor was on stage with Michael B Jordan British-American actor Delroy Lindo expressed gratitude for “the support and love” he and Michael B Jordan have received after a man with Tourette syndrome (TS) shouted the N-word as the two men presented a Bafta award. “We appreciate all the support and love that we have been shown,” Lindo – who, like Jordan, is Black – said on stage at the annual NAACP Image awards in Los Angeles. He called it “a classic case of something that could be very negative becoming very positive”. Continue reading... from Film | The Guardian https://ift.tt/Ac1LaQo via IFTTT

It Lives Inside review – standard-issue schlock horror has its moments

This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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