SCOOP: Sunny Deol-Aamir Khan-Rajkumar Santoshi's Lahore 1947 likely to be renamed Batwara 1947

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In February 2026, Bollywood Hungama had reported that the makers of Lahore 1947 are looking for a change of title. We have now learned from sources that the film is likely to be rechristened as Batwara 1947. An article in Mid-Day on April 17 mentioned that the period drama has been tentatively titled as Batwara 1947. A source told Bollywood Hungama, "The makers prefer the title Batwara 1947. In all probability, this would be the title of the film once all the stakeholders agree to it. A clearer picture will emerge in a few weeks on this front." In February 2026, Bollywood Hungama carried a quote from a source that stated, "Lahore 1947 is based on the famous play ‘Jis Lahore Nai Dekhya’. Since the film is set in the Pakistani city and during the Independence period, the title Lahore 1947 was initially deemed suitable. But now the makers feel that there can be a better title that is apt for the story of the film." The film will release in cinemas on August 13, that...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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