SCOOP: Rajkumar Santoshi in talks for Sidharth Malhotra’s next, produced by Mahaveer Jain

Bollywood Hungama was one of the first ones to break the news that Sidharth Malhotra has bagged an out-and-out commercial entertainer, which will be produced by Mahaveer Jain's Mahaveer Jain Films. Now, Bollywood Hungama brings to you another exciting update about this film. We have learned that none other than Rajkumar Santoshi is expected to come on board for this film as a director. A trade source told us, “Rajkumar Santoshi’s forte is not just hard-hitting flicks like Ghayal (1990), Damini (1993), Ghatak (1996), Khakee (2004) etc., but also entertainers like Andaz Apna Apna (1994), Ajab Prem Ki Ghazab Kahani (2009) etc. He knows how to make a wholesome entertainer and this film is right up his alley. The discussions are going on with him at an advanced stage.” Rajkumar Santoshi is currently providing finishing touches to his dream project, Lahore 1947, starring Sunny Deol, Preity Zinta, Shabana Azmi and Ali Fazal. Aamir Khan serves as the film’s producer and he would also fea...

It Lives Inside review – standard-issue schlock horror has its moments

This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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