I won’t apologise for The Lost King – Leicester University’s treatment of Philippa Langley is a profound injustice | Steve Coogan

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I was sued over my film that gave a voice to the committed ‘amateur’ whose pivotal role in the search for the remains of Richard III was drowned out by louder voices in academia About 15 years ago, Philippa Langley set out on a mission to find the remains of King Richard III, the last Plantagenet king of England. Almost everyone regarded this as an impossible task. His remains had gone undiscovered for more than 500 years. It was a folly, a fool’s errand. She was out of her depth, an amateur. No letters after her name. But Philippa diligently did the work and did her research. She had an inner conviction that she would find him, and she did. It was a staggering achievement, and yet when the news broke of this startling discovery, and it was beamed round the world, there was little to no mention of her. Continue reading... from Film | The Guardian https://ift.tt/4YOoyvH via IFTTT
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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