Dear filmmakers, don’t let another Dil Pe Mat Le Yaar happen: Prasad Film Laboratories gives owners 30 days to collect negatives before PERMANENT destruction

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Prasad Film Laboratories has issued a public notice in the June 20, 2026 issue of Complete Cinema magazine asking rightful owners to collect film negatives and other celluloid materials lying unclaimed at its premises in Chennai, Trivandrum, Bengaluru and Hyderabad. According to the notice, the concerned materials must be claimed within 30 days of the date of publication. The company has cautioned that any negatives or celluloid assets left uncollected after the stipulated period may be permanently destroyed in accordance with prevailing pollution-control norms. The announcement is significant for producers, studios, distributors, financiers and legal heirs who may have deposited original negatives, prints or related film material with the laboratories over the years. Since many older films were preserved primarily on physical stock, failure to retrieve such material could potentially result in the irreversible loss of valuable cinematic assets. Stakeholders have therefore been advise...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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