Luke Hemsworth: ‘I have to be very specific about which brother I am. But it still gets confusing’

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The star on his famous acting family, wrestling Chris and Liam, the best advice from Anthony Hopkins and being traumatised by The Exorcist Get our weekend culture and lifestyle email In Beast, your new film about an MMA fighter, you play Gabriel: a dirtbag guy with a dirtbag goatee. Did you base him off any dirtbags you’ve met? Oh, that’s all me. I’m channelling my inner dirtbag. He has some inadequacy issues. He’s like a used car salesman; he looks fair and feels foul. But there are parts of me in him – I’m wearing my own snake skin boots for the whole film. I ended up actually keeping one of his suits, which I might have worn to a couple of premieres, which is pretty funny! [Laughs] Continue reading... from Film | The Guardian https://ift.tt/twlXANL via IFTTT
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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