My Father’s Diaries review – haunting home-video excavates trauma of Srebrenica massacre

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Ado Hasanović’s moving documentary transforms footage filmed during the Bosnian war into a devastating portrait of memory, survival and inherited grief For years, film-maker Ado Hasanović has wanted to ask his father, Bekir, about his harrowing experiences during the Bosnian war but their conversations usually ended with curt, abrupt answers that obscured rather than illuminated the past. Bekir might be uncommunicative, but his collection of self-taped films and diary entries recorded during the height of the conflict tells a different story. Culled from this powerful personal archive, Hasanović’s poignant documentary forges a dialogue not just with history, but also across generations. In 1993, along with two other friends, Bekir formed a film-making collective called John, Ben & Boys in the small mountain town of Srebrenica. As the war escalated, what began as a playful amateur exercise quickly transformed into intentional documentation, as if Bekir was already aware of the genoc...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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