‘Death always feels imminent’: a moving Netflix documentary on prison, music and forgiveness

In Songs from the Hole, a man convicted of murder when he was a teenager finds healing in music during his sentence In 2014, a sergeant at a California state prison sent James “JJ’88” Jacobs, who was 25 at the time, to “the hole” – solitary confinement in a 6-by-6 cell. One bunk, one strip of a window. Jacobs had already been incarcerated for a decade by then; at 15, he was given a double life sentence for second-degree murder. Alone in the hole, Jacobs thought, as he always did, about the most devastating month of his life, April 2004: on the 16th, he shot and killed a fellow teenager outside a nightclub in his home town of Long Beach, California. Three days later, another young man shot and killed his beloved older brother Victor. For years, Jacobs was caught in a terrible cycle of grief – for what he had done, for what had been done to him. In the hole, Jacobs would lie on the floor, eyes closed, and imagine his life outside prison. He’d make beats by pounding on his bunk or chest...

It Lives Inside review – standard-issue schlock horror has its moments

This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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