Oscars changes allow for double acting nominations while banning AI

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The Academy of Motion Pictures Arts and Sciences has also rewritten rules on international film eligibility The Academy of Motion Picture Arts and Sciences announced a number of major changes for the Oscars on Friday, including a new policy allowing multiple nominations for a single actor in one category, as well as barring acting and writing awards for work done by AI. According to new statutes decreed by the group’s board of governors, only performances “demonstrably performed” by humans with their consent will be eligible for acting Oscars, while only human-authored screenplays can be up for any writing awards. Continue reading... from Film | The Guardian https://ift.tt/wktSfcp via IFTTT
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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