‘Not many people had gay dads who died of Aids’: Andrew Durham and Sofia Coppola on movie memoir Fairyland

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Fairyland is a bittersweet film about a girl brought up by her gay father in a blizzard of glitter and feather boas in 1970s San Francisco. Its makers discuss its resonance, its tragedies – and their own boho childhoods When Sofia Coppola logs on to our video call, her friend and fellow film-maker Andrew Durham – whose directorial debut, Fairyland , she has produced – is telling me about being nine or 10 years old, and accidentally outing his father as gay. “Have you heard this story, Sofia?” he asks breezily from Los Angeles. “About Pietro? The Italian guy that my dad was maybe having an affair with when we lived in England?” At home in New York, Coppola furrows her brow. “Uh, yeah. A long time ago, I think. I forgot …” Continue reading... from Film | The Guardian https://ift.tt/UyASfjW via IFTTT
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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