Sholay 4K re-release restores original vision and James Bond line

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Ramesh Sippy’s Sholay returns in an enhanced 4K version titled Sholay – The Final Cut, releasing on December 12 across more than a thousand theatres in its fully restored form, literally. The controversial replacement in the trailer of “James Bond” with “Tatya Tope” has also been reversed. Clarifying the issue, Neeraj Joshi, in charge of Marketing & Strategy, says, “It was ‘Tatya Tope’ in the original version, and then ‘James Bond’ came in to give the dialogue a more viewer-friendly thrust. Now in the version being released, it’s ‘James Bond’ again.” The new edition of this timeless classic, piloted by director Ramesh Sippy’s nephew Shehzad Sippy, retains its legendary stature, with exquisite production values, dialogues that have become an intrinsic part of India’s pop culture, and performances that remain endlessly resplendent. Three vital sequences have been added in this restored version, viz. a scene where a brave Sachin Pilgaonkar confronts the dreaded Gabbar. (In the orig...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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