Peter Asher on being music’s incredible ‘Everywhere Man’: ‘The secret is simple’

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As the musician and producer reaches 82, a new documentary reveals his life working with everyone from James Taylor to Carole King to Paul McCartney Peter Asher didn’t want to do this interview. He had the same reaction several years ago when directors Dayna Goldfine and Dan Geller approached him about making a documentary about his life and career. “I don’t think so,” he recalled telling them in our interview, which wound up taking place only after several entreaties from the film’s publicist that he do this one sit-down. “My life has been startlingly devoid of the standard rock’n’roll drug-and-sex dramas,” Asher said. “So I thought a documentary about me isn’t something people will want to see. It sounds boring.” On the contrary, Asher’s story stands among the most dramatic and consequential in music history, spurred by achievements that shifted the course of pop more than once. Through Asher’s pivotal role in the lives of stars like James Taylor and Carole King, he played a key role...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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