EXCLUSIVE: Vadh 2 trailer to drop on January 27; Luv Ranjan reveals why it's not a "forced sequel": "When a small film does well, makers try to make the sequel grand…we haven't changed the grain"

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Vadh 2 is all set to release on February 6 and in an exclusive interview with Bollywood Hungama, talented and enterprising producer Luv Ranjan spoke about the Sanjay Mishra-Neena Gupta starrer, when its trailer will be out, what Luv Films stands for, his love for Gurugram’s Cyber Hub and a lot more. When did you decide that a sequel to Vadh would be a good idea? Jaspal Singh Sandhu sir and I were discussing what to do next. We realized that there can’t be a true sequel as such to this film. The story of the two characters in the first part had come to an end. However, the concept of ‘vadh’ can be revisited by exploring another social evil and how a simple man fights it to protect someone he loves. With Vadh’s first part, the appreciation was slow, but suddenly, it got a lot of love and also awards. That also motivated us to try for a second part. Jaspal sir cracked a story which we all loved and we felt that its worth doing. Vadh released when the Drishyam 2 wave was going strong. A...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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