BREAKING: Korean producer Hyunwoo Thomas Kim approaches Akshay Kumar for an exciting project: “Sujoy Ghosh has already worked on its draft”

Since almost 10 years, Korean producer Hyunwoo Thomas Kim of Kross Pictures has quietly set up base in Mumbai and has been making some interesting, out-of-the-box Indian films like Te3n (2016), Jaane Jaan (2023), Blind (2023), Saakini Daakini (2022) etc. An article in Mid-Day, by Mayank Shekhar, documented his journey in India and a lot more. Hyunwoo Thomas Kim explained how he decided to set up an office in India. He revealed that in 2014, he regularly received emails from a company named 'Balaji' and he initially assumed that it was spam! One day, when he opened the mail, he realized that the prominent production house, Balaji Motion Pictures, has been mailing and asking for the rights of The Devotion Of Suspect X for a Hindi remake. Hyunwoo Thomas Kim wanted to know who would direct the remake. He was told that Sujoy Ghosh has been signed. Hyunwoo saw Sujoy’s Kahaani (2012) and was so impressed that he flew down to Mumbai to meet Sujoy and others. After the meeting, he gav...

It Lives Inside review – standard-issue schlock horror has its moments

This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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