‘It needs to be loud’: Jozef Van Wissem’s one-man mission to make the lute rock again

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The Dutch ex-punk and Jim Jarmusch bandmate talks about his passion to free up a hidebound repertoire and make its strings ‘a real pop instrument’ Nobody can accuse Jozef Van Wissem of doing things by halves. The musician, very likely the world’s most notorious contemporary lutenist, owns a sonic arsenal of eight of the string instruments: some bespoke, and all boasting remarkable features. With them he has created a huge body of work, nearly 50 titles to date. Another album, This Is My Blood is released this May. Each Easter, Van Wissem settles down to compose a new record. He finds the peace of Warsaw, where everyone has “gone away for the holidays”, more amenable for work than “noisy” Rotterdam, where he also has a flat. Continue reading... from Film | The Guardian https://ift.tt/lIktvjD via IFTTT
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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