The Strangers: Chapter 3 review – pointless remake trilogy ends with a sputter

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Renny Harlin’s thankless trio of movies, taking a simple story and extending it for no creative reason, is at least finally over If you’re wondering how this shrug-along horror series has got this far, Renny Harlin shot all three back-to-back in Bratislava in late 2022; reshoots followed the indifferent response to the first chapter in 2024, which didn’t much alleviate the even more indifferent response to last year’s second . We’re getting them whether we wanted them or not: the modest resources had been spent, and so we now arrive at the last knockings which comprise this year’s most dutiful carnage. The mistake is to expand a morally gloomy universe that was better off self-contained; the more light Harlin and collaborators let in, the more their set-up presents as generic runaround, hopelessly out of place amid the recent horror renaissance. We’re deep into Strangers lore now, but last girl standing Maya (Riverdale graduate Madelaine Petsch, who surely hoped this was her Neve Ca...
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It Lives Inside review – standard-issue schlock horror has its moments

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This Indian American monster movie has interesting touches of cultural specificity but it’s a mostly familiar formula

There’s a swirl of the old and the new in the hokey pre-Halloween horror It Lives Inside, a balance that could have benefited from a lot more of the latter – because when the first-time director Bishal Dutta does try to add freshness to the familiarity of formula, he manages to carve his film its own place within two overstuffed subgenres, flashes of intrigue as he veers between schlocky curse and even schlockier monster movie.

A wide-releasing horror film centered on an Indian American teenager already gives the film a certain distinction. Dutta, also acting as writer, tries to thread themes of assimilation and identity through a predictable procession of mostly ineffective jump scares and slightly more effective set pieces, the film working better when it’s trying to chill rather than shock. Never Have I Ever and Missing’s Megan Suri plays Samidha, or Sam as she prefers to be called, a girl trying to fit in at a predominantly white high school despite her mother keenly trying to keep traditions an integral part of her life. It’s led to a distance from her other Indian American friend, Tamira and, like Heathers and Fright Night before it, explores that interesting fracture of leaving one friend behind to climb higher socially.

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