Lalit Modi DENIES Bigg Boss 20 participation, calls reports “fake news” and issues legal notice

Reports claiming that IPL founder and businessman Lalit Modi will enter the Bigg Boss 20 house have been denied by Modi, who has also issued a legal notice to publications and social media accounts that carried the claim. The clarification came a day after several social media accounts reported his alleged participation in the upcoming season of the Salman Khan-hosted reality show. Taking to X early on Saturday morning, Modi categorically rejected the reports and said he has neither been approached for the show nor intends to participate in it. “FAKE NEWS. PERIOD. I have NOT been approached for Bigg Boss 20. I am NOT participating in Bigg Boss 20. And I have NO intention of doing so. Amazing how a completely fabricated story can become ‘news’ without anyone bothering to ask the person concerned,” he wrote. Modi also shared a legal notice issued by his lawyers, Hirani & Associates, and warned the publications and social media accounts that had carried the reports. “Perhaps next tim...

Fear the Night review – Neil LaBute on losing streak with atrocious home invasion thriller

The director of In the Company of Men continues his run of terrible films with this awfully acted, ungripping drama

In the most dismaying possible way, Neil LaBute has done it again. The dramatist and film-maker who gave us the 90s toxic masculinity classic In the Company of Men and the interesting and undervalued Samuel L Jackson thriller Lakeview Terrace in 2008, seems now to be going through a period of churning out exploitation content like a hack-for-hire. Last year we had the dismal revenge horror House of Darkness; now it’s this terrible home invasion thriller, with awful acting, clunking dialogue cues and drearily ungripping action and suspense sequences, along with a ChatGPT-ish title.

Maggie Q plays Tess, a military veteran who has seen action in Iraq and is now a recovering alcoholic struggling with a return to civilian life. She agrees to come to her sister’s bachelorette party (despite being out of place with all the girly types), and the bride-to-be has implausibly decreed this should take place in the big old remote house once occupied by her recently deceased parents, a place where there is – in accordance with time-honoured movie tradition – no mobile phone coverage. They all show up and find themselves under attack for a bizarrely elaborate reason. Much later, a gloomy epilogue has a misogynist sheriff disbelieve Tess’s version of events, which is not completely unreasonable of him. It could be a screenwriting way of sneakily conceding how weirdly contrived it has all been.

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