Two Much With Kajol and Twinkle sparks social media backlash: Viewers call it “unnecessary” and “try hard” after controversial remarks

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Kajol and Twinkle Khanna’s chat show Two Much With Kajol and Twinkle was launched as a refreshing, candid space where two outspoken personalities would bring out the unfiltered side of celebrity guests. But instead of earning applause for its frank conversations, the show has found itself at the centre of criticism as several comments made by the hosts and celebrities are now circulating widely on social media—sparking intense backlash. A popular page, The Indian Idiot, shared a compilation of controversial statements from the show, triggering a wave of disapproval from users. Some of the clips show Twinkle Khanna making remarks that many viewers found insensitive or dismissive. Among the quotes drawing attention was her take on modern dating, where she said, “Today's kids change their partners faster than they change their outfits" — "And I think it's a good thing.” In another exchange with Ananya Panday, she quipped, “What emotions! They are traumatised by everythi...
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Fear the Night review – Neil LaBute on losing streak with atrocious home invasion thriller

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The director of In the Company of Men continues his run of terrible films with this awfully acted, ungripping drama

In the most dismaying possible way, Neil LaBute has done it again. The dramatist and film-maker who gave us the 90s toxic masculinity classic In the Company of Men and the interesting and undervalued Samuel L Jackson thriller Lakeview Terrace in 2008, seems now to be going through a period of churning out exploitation content like a hack-for-hire. Last year we had the dismal revenge horror House of Darkness; now it’s this terrible home invasion thriller, with awful acting, clunking dialogue cues and drearily ungripping action and suspense sequences, along with a ChatGPT-ish title.

Maggie Q plays Tess, a military veteran who has seen action in Iraq and is now a recovering alcoholic struggling with a return to civilian life. She agrees to come to her sister’s bachelorette party (despite being out of place with all the girly types), and the bride-to-be has implausibly decreed this should take place in the big old remote house once occupied by her recently deceased parents, a place where there is – in accordance with time-honoured movie tradition – no mobile phone coverage. They all show up and find themselves under attack for a bizarrely elaborate reason. Much later, a gloomy epilogue has a misogynist sheriff disbelieve Tess’s version of events, which is not completely unreasonable of him. It could be a screenwriting way of sneakily conceding how weirdly contrived it has all been.

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