Karan Johar, Vicky Kaushal, Ananya Panday and others attend day 2 of the 100-year celebration event of RSS in Mumbai

The Rashtriya Swayamsevak Sangh (RSS) completed 100 years in 2025. As part of its centenary celebrations, a grand two-day event is being held at a sprawling auditorium in Mumbai. The first day of the event took place on Saturday, February 7, with several prominent personalities from various fields in attendance. The Bollywood film fraternity was not far behind and many celebs attended the first day of the event like superstars Salman Khan and Ranbir Kapoor, filmmakers Mohit Suri, Subhash Ghai, Nitesh Tiwari, Mahaveer Jain, Om Raut, Vikram Malhotra, lyricist Prasoon Joshi and others. The second day of the event was also star-studded. While Ranbir attended the first day of the event, his Love & War co-star Vicky Kaushal made his presence felt on day 2. Karan Johar and Ananya Panday were also present and they were joined by veteran actor Jackie Shroff, the evergreen Raveena Tandon and Shilpa Shetty, music composer Pritam Chakraborty, singer Adnan Sami, television star Rupali Ganguly,...

Fear the Night review – Neil LaBute on losing streak with atrocious home invasion thriller

The director of In the Company of Men continues his run of terrible films with this awfully acted, ungripping drama

In the most dismaying possible way, Neil LaBute has done it again. The dramatist and film-maker who gave us the 90s toxic masculinity classic In the Company of Men and the interesting and undervalued Samuel L Jackson thriller Lakeview Terrace in 2008, seems now to be going through a period of churning out exploitation content like a hack-for-hire. Last year we had the dismal revenge horror House of Darkness; now it’s this terrible home invasion thriller, with awful acting, clunking dialogue cues and drearily ungripping action and suspense sequences, along with a ChatGPT-ish title.

Maggie Q plays Tess, a military veteran who has seen action in Iraq and is now a recovering alcoholic struggling with a return to civilian life. She agrees to come to her sister’s bachelorette party (despite being out of place with all the girly types), and the bride-to-be has implausibly decreed this should take place in the big old remote house once occupied by her recently deceased parents, a place where there is – in accordance with time-honoured movie tradition – no mobile phone coverage. They all show up and find themselves under attack for a bizarrely elaborate reason. Much later, a gloomy epilogue has a misogynist sheriff disbelieve Tess’s version of events, which is not completely unreasonable of him. It could be a screenwriting way of sneakily conceding how weirdly contrived it has all been.

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