Ramayana creates HISTORY at San Diego Comic-Con: 'International superstars' Ranbir Kapoor and Yash to unveil trailer with live performances and exclusive surprises in MASSIVE 4,800-seater Ballroom 20

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A few days remain before the release of the Ramayana trailer, and excitement is tremendous. Yesterday, we reported that a 4-minute-15-second-long trailer of Ramayana was cleared by the Central Board of Film Certification (CBFC) on July 15 with a 'U' certificate. Now, we bring to you some exciting details of the trailer launch event that would take place at San Diego Comic-Con. San Diego Comic-Con is the world’s largest annual pop culture and comic book convention. On July 23, the trailer of Ramayana will be screened at the prestigious event in the presence of the film’s team. The panel will be held from 3:15 pm to 4:15 pm PDT (Pacific Daylight Time), which translates to 3:45 am to 4:45 am IST (Indian Standard Time) on Friday, July 24. According to the official website of San Diego Comic-Con, producer Namit Malhotra and director Nitesh Tiwari will be joined by 'international superstars Ranbir Kapoor (Rama) and Yash (Ravana)'. The website further states that 'The pan...
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Fear the Night review – Neil LaBute on losing streak with atrocious home invasion thriller

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The director of In the Company of Men continues his run of terrible films with this awfully acted, ungripping drama

In the most dismaying possible way, Neil LaBute has done it again. The dramatist and film-maker who gave us the 90s toxic masculinity classic In the Company of Men and the interesting and undervalued Samuel L Jackson thriller Lakeview Terrace in 2008, seems now to be going through a period of churning out exploitation content like a hack-for-hire. Last year we had the dismal revenge horror House of Darkness; now it’s this terrible home invasion thriller, with awful acting, clunking dialogue cues and drearily ungripping action and suspense sequences, along with a ChatGPT-ish title.

Maggie Q plays Tess, a military veteran who has seen action in Iraq and is now a recovering alcoholic struggling with a return to civilian life. She agrees to come to her sister’s bachelorette party (despite being out of place with all the girly types), and the bride-to-be has implausibly decreed this should take place in the big old remote house once occupied by her recently deceased parents, a place where there is – in accordance with time-honoured movie tradition – no mobile phone coverage. They all show up and find themselves under attack for a bizarrely elaborate reason. Much later, a gloomy epilogue has a misogynist sheriff disbelieve Tess’s version of events, which is not completely unreasonable of him. It could be a screenwriting way of sneakily conceding how weirdly contrived it has all been.

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