EXCLUSIVE: Siddharth Anand shares a special moment with Gurudev Sri Sri Ravi Shankar; says “White is the story of the GLORY of India”

In a significant meeting on January 20, India’s premier blockbuster filmmaker Siddharth Anand met global spiritual leader Gurudev Sri Sri Ravi Shankar along with producer Mahaveer Jain. Both Siddharth Anand and Gurudev Sri Sri Ravi Shankar have had several conversations before but this meeting was special. It was held in an atmosphere of deep reflection and vision, centred around the upcoming international thriller White, a project that marks a unique milestone in Indian cinema. The film, which features National Award winner Vikrant Massey alongside an international cast, is inspired by the incredible true story of the 52-year-long civil conflict in Colombia and its historic resolution through non-violence and peace. Reflecting on the film’s vision after his meeting with Gurudev, Siddharth Anand shared his excitement for the film, “In many ways, White is the story of the glory of India. At a time when the world is grappling with unprecedented division, this film is truly the need of ...

‘Everything became a lie, a performance’ – Werner Herzog on Soviet Russia

The German director is championing Georgian film-maker Rezo Gigineishvili’s movie about the dying days of the USSR. But, he says, he won’t be drawn into contemporary political debates

What was Stalin like when he was ill? Did he have stomach pains? Did it make him sad? In Rezo Gigineishvili’s film Patient #1, a frail communist leader in the 1980s Soviet Union seeks urgent answers to these questions as he feels his life slipping from him. But the comrade he calls from his hospital bed provides no reassurance: Stalin was never ill, he was only ever strong.

Spurred on to live up to the dictator they called the Man of Steel, the general secretary brushes off his doctors’ concerns and orders to be driven to the Kremlin. But he dozes off before his limousine starts rolling, and the motorcade merely circles the hospital grounds: a melancholy image of a Russian empire locked in ever-repeating cycles of history.

Continue reading...

from Film | The Guardian https://ift.tt/Dxpbf05
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton