Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...

‘Everything became a lie, a performance’ – Werner Herzog on Soviet Russia

The German director is championing Georgian film-maker Rezo Gigineishvili’s movie about the dying days of the USSR. But, he says, he won’t be drawn into contemporary political debates

What was Stalin like when he was ill? Did he have stomach pains? Did it make him sad? In Rezo Gigineishvili’s film Patient #1, a frail communist leader in the 1980s Soviet Union seeks urgent answers to these questions as he feels his life slipping from him. But the comrade he calls from his hospital bed provides no reassurance: Stalin was never ill, he was only ever strong.

Spurred on to live up to the dictator they called the Man of Steel, the general secretary brushes off his doctors’ concerns and orders to be driven to the Kremlin. But he dozes off before his limousine starts rolling, and the motorcade merely circles the hospital grounds: a melancholy image of a Russian empire locked in ever-repeating cycles of history.

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