Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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End of Term review – art-school horror is fusion of slasher and country-house whodunnit

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Weird goings-on in a basement lead to Cluedo-ish suspects and piecemeal flashbacks, but here it is the audience that suffers in the name of art

‘So, you call yourself conceptualists, do you?” says the straight-arrow detective quizzing Melissa (Chelsea Edge), a cool-customer art student with three long lacerations on her face. “Mostly. Ashley wasn’t,” Melissa replies. “Unless anti-conceptualism is a concept. She was always about being in the moment. Expressionism. Impressionism.” End of Term has a fondness for bandying around the art-theory big talk, but this silly but stolidly genre project could sorely use a conceptual cutting edge itself.

Melissa is getting questioned after being found strapped to a chair in the blood-splattered basement of Ford Barrington art school. Strangely, there are no bodies – except for that of snooty art critic Damian Self (Ronald Pickup) in the nearby space for the students’ end-of-term exhibition. In Usual Suspects-style piecemeal flashbacks, Melissa fills in the police on the buildup to the butchery and the halls of residence gallery of Cluedo-ish suspects, including her vampish one-time lover Ashley (Nicole Posener), the suave Professor Leigh (Peter Davison, a former Doctor in Doctor Who), and wild card Garth Stroman (Ivan Kaye), a rumoured ghost of a Byronic artist obsessed with a credo that art must involve pain.

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