Saif Ali Khan reveals he bought rights to Nilanjana Roy’s Black River for film adaptation; calls it “emotional piece”

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Saif Ali Khan has never shied away from speaking about his love for literature, and in a recent conversation with Esquire India, the actor offered rare insight into the books that have left a lasting impact on him—stories that are poetic, emotional, and deeply reflective of society and history. Speaking about a novel that struck a particularly strong chord, Saif revealed that Black River by Nilanjana Roy is among his most cherished reads. Describing it as far more than a conventional crime novel, he said, “It’s kind of a police procedural murder mystery, but it’s also really emotional and kind of moving about the murder of a very young little girl.” The actor added that the story resonated with him so deeply that he went on to acquire the rights to the book. “I love the story so much that I bought the rights to the book and we're trying to make a movie out of it,” Saif shared, while acknowledging that the adaptation process is taking time. He described the novel as “lyrical,” “dr...
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End of Term review – art-school horror is fusion of slasher and country-house whodunnit

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Weird goings-on in a basement lead to Cluedo-ish suspects and piecemeal flashbacks, but here it is the audience that suffers in the name of art

‘So, you call yourself conceptualists, do you?” says the straight-arrow detective quizzing Melissa (Chelsea Edge), a cool-customer art student with three long lacerations on her face. “Mostly. Ashley wasn’t,” Melissa replies. “Unless anti-conceptualism is a concept. She was always about being in the moment. Expressionism. Impressionism.” End of Term has a fondness for bandying around the art-theory big talk, but this silly but stolidly genre project could sorely use a conceptual cutting edge itself.

Melissa is getting questioned after being found strapped to a chair in the blood-splattered basement of Ford Barrington art school. Strangely, there are no bodies – except for that of snooty art critic Damian Self (Ronald Pickup) in the nearby space for the students’ end-of-term exhibition. In Usual Suspects-style piecemeal flashbacks, Melissa fills in the police on the buildup to the butchery and the halls of residence gallery of Cluedo-ish suspects, including her vampish one-time lover Ashley (Nicole Posener), the suave Professor Leigh (Peter Davison, a former Doctor in Doctor Who), and wild card Garth Stroman (Ivan Kaye), a rumoured ghost of a Byronic artist obsessed with a credo that art must involve pain.

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