EXCLUSIVE: In a SHOCKING development, CBFC deletes a WHOPPING 8 minutes of Sydney Sweeney’s frontal nudity scenes in The Housemaid

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The year 2026 will begin on a thrilling and erotic note for Indian cinegoers, thanks to the release of The Housemaid. The film released in the West on December 19 and has been appreciated for its subject, twists and turns and performances, especially that of Sydney Sweeney and Amanda Seyfried. However, Indian audiences may be disappointed to learn that the Central Board of Film Certification (CBFC) has edited out a significant portion of the film’s intimate scenes. The CBFC awarded The Housemaid an ‘A’ certificate on December 4 after asking for some modifications. The words ‘b***h’, ‘c**t’ and ‘motherf****r’ were muted, as per the recommendations of the Examining Committee. Secondly, the studio partner was asked to delete ‘nudity visuals of women's breasts…whenever it occurs’. As a result, a whopping 8 minutes of screen time have been axed, the longest cut due to censor diktats in recent times. Bollywood Hungama has learned that a long, intense lovemaking scene involving Sydney S...
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End of Term review – art-school horror is fusion of slasher and country-house whodunnit

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Weird goings-on in a basement lead to Cluedo-ish suspects and piecemeal flashbacks, but here it is the audience that suffers in the name of art

‘So, you call yourself conceptualists, do you?” says the straight-arrow detective quizzing Melissa (Chelsea Edge), a cool-customer art student with three long lacerations on her face. “Mostly. Ashley wasn’t,” Melissa replies. “Unless anti-conceptualism is a concept. She was always about being in the moment. Expressionism. Impressionism.” End of Term has a fondness for bandying around the art-theory big talk, but this silly but stolidly genre project could sorely use a conceptual cutting edge itself.

Melissa is getting questioned after being found strapped to a chair in the blood-splattered basement of Ford Barrington art school. Strangely, there are no bodies – except for that of snooty art critic Damian Self (Ronald Pickup) in the nearby space for the students’ end-of-term exhibition. In Usual Suspects-style piecemeal flashbacks, Melissa fills in the police on the buildup to the butchery and the halls of residence gallery of Cluedo-ish suspects, including her vampish one-time lover Ashley (Nicole Posener), the suave Professor Leigh (Peter Davison, a former Doctor in Doctor Who), and wild card Garth Stroman (Ivan Kaye), a rumoured ghost of a Byronic artist obsessed with a credo that art must involve pain.

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