‘The emotion you get from the game is insane’: the Roy Keane bust-up film leading a new type of football movie

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Saipan, about Keane’s infamous World Cup row with manager Mick McCarthy, has become a hit film in its native Ireland – as it opens in the UK screenwriter Paul Frasier explains how he aimed to avoid the mistakes of the past The best bit of football action in Saipan happens on a tennis court. The forthcoming movie about the schism between Mick McCarthy and Roy Keane that led to the latter departing the 2002 World Cup before it started does not attempt to recreate any of the action from the tournament. In fact, it largely takes place in a decrepit hotel. But we do get one exception: Keane, played by Éanna Hardwicke, practising alone in the grounds. At the back of a court, the sullen, spartan athlete stands as a ball is fired up and over the net towards him. He tracks it with his eyes, opens up his right foot, takes the ball on his instep and kills it dead. And with that, his sporting bona fides are confirmed. Saipan is a movie about masculinity, about men and their egos. It’s also about...
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End of Term review – art-school horror is fusion of slasher and country-house whodunnit

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Weird goings-on in a basement lead to Cluedo-ish suspects and piecemeal flashbacks, but here it is the audience that suffers in the name of art

‘So, you call yourself conceptualists, do you?” says the straight-arrow detective quizzing Melissa (Chelsea Edge), a cool-customer art student with three long lacerations on her face. “Mostly. Ashley wasn’t,” Melissa replies. “Unless anti-conceptualism is a concept. She was always about being in the moment. Expressionism. Impressionism.” End of Term has a fondness for bandying around the art-theory big talk, but this silly but stolidly genre project could sorely use a conceptual cutting edge itself.

Melissa is getting questioned after being found strapped to a chair in the blood-splattered basement of Ford Barrington art school. Strangely, there are no bodies – except for that of snooty art critic Damian Self (Ronald Pickup) in the nearby space for the students’ end-of-term exhibition. In Usual Suspects-style piecemeal flashbacks, Melissa fills in the police on the buildup to the butchery and the halls of residence gallery of Cluedo-ish suspects, including her vampish one-time lover Ashley (Nicole Posener), the suave Professor Leigh (Peter Davison, a former Doctor in Doctor Who), and wild card Garth Stroman (Ivan Kaye), a rumoured ghost of a Byronic artist obsessed with a credo that art must involve pain.

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