Jodie Foster, who began her career aged three, calls acting ‘a cruel job’ she never would have chosen

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Actor, who started working in commercials before making her first film at six, calls acting a job that was ‘chosen’ for her Jodie Foster has spoken out about parents who encourage their children to act, saying she “know[s] how dangerous it is”. Speaking at the Marrakesh film festival, Foster said that she “would never have chosen to be an actor, I don’t have the personality of an actor. I’m not somebody that wants to dance on a table and, you know, sing songs for people.” Continue reading... from Film | The Guardian https://ift.tt/bspl0X4 via IFTTT
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End of Term review – art-school horror is fusion of slasher and country-house whodunnit

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Weird goings-on in a basement lead to Cluedo-ish suspects and piecemeal flashbacks, but here it is the audience that suffers in the name of art

‘So, you call yourself conceptualists, do you?” says the straight-arrow detective quizzing Melissa (Chelsea Edge), a cool-customer art student with three long lacerations on her face. “Mostly. Ashley wasn’t,” Melissa replies. “Unless anti-conceptualism is a concept. She was always about being in the moment. Expressionism. Impressionism.” End of Term has a fondness for bandying around the art-theory big talk, but this silly but stolidly genre project could sorely use a conceptual cutting edge itself.

Melissa is getting questioned after being found strapped to a chair in the blood-splattered basement of Ford Barrington art school. Strangely, there are no bodies – except for that of snooty art critic Damian Self (Ronald Pickup) in the nearby space for the students’ end-of-term exhibition. In Usual Suspects-style piecemeal flashbacks, Melissa fills in the police on the buildup to the butchery and the halls of residence gallery of Cluedo-ish suspects, including her vampish one-time lover Ashley (Nicole Posener), the suave Professor Leigh (Peter Davison, a former Doctor in Doctor Who), and wild card Garth Stroman (Ivan Kaye), a rumoured ghost of a Byronic artist obsessed with a credo that art must involve pain.

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