Bone Keeper review – there’s a critter in the caves in serviceable Brit horror

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An unconvincing group of friends is briskly picked off one-by-one while searching for a beastie that hitched a ride to Earth on a meteorite You get the measure early on of the tentacled predator in this British horror film when it makes mincemeat out of a hairy tough-guy Neanderthal. The movie opens with some punching-above-its budget special effects explaining the origins of the flesh-eater, which crash landed on Earth with a meteorite. Like Neil Marshall’s The Descent, it’s a creature that makes its home in caves – though unlike the earlier movie, Bone Keeper lacks a sense of sweat-trickling-down-your-back claustrophobia, despite a couple of good scares. Sarah Alexandra Marks plays Olivia, whose journalist grandfather vanished in the 1970s while investigating reports of a creature in a cave somewhere in the UK. Now years later, Olivia’s mother has disappeared while searching for him. So Olivia heads to the caves with a group of mates, who feel as if they’ve been dreamed up in a 20-...
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Cats of Malta review – purr-inducing documentary aims to encourage compassion

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Interviewing the humans who help strays in their Maltese neighbourhood, this is a hazy but enjoyable slice of life with cats

Social media, for all its sins, has achieved at least one thing in this crazy, mixed-up world: it’s raised everyone’s game when it comes to cat videos. What artist Louis Wain did for cat illustration in the 19th century, YouTube, Instagram and TikTok have done for our feline friends in the 21st, celebrating their strangeness, comic absurdity, and capacity for grumpiness. Meanwhile, there’s a growing genre of documentary films about cats and their relationship with humans, some of which add to the cat-people Venn-diagram-overlap an extra subset concerned with specific places, such as the magnificent Kedi, which profiled the street cats of Istanbul and their human friends.

Cats of Malta, as its unambiguous title suggests, wants to do for Malta what Kedi did for Istanbul. It celebrates these very territorial creatures that share the streets of ancient neighbourhoods, with their history recounted by director Sarah Jayne’s voiceover. The cats are mostly unconcerned with the human residents except when they have needs to be met, such as hunger or medical emergencies. And so we get stories told straight to camera by kindly humans who had to help when, for example, an aggressive kick by a passing dog owner ended up costing one tom a front leg. Another person created a little cat village next to a historic stretch of wall built by the Knights Templar – a lovely conjunction of antiquity and super-tacky plastic cat shelters – but was forced to take it down by developers with plans for the site. Many of the humans, including the cat-village builder, English-Maltese actor Polly Marsh and 13-year-old natural comic Isaac Muscat, voluntarily spend huge chunks of their free time feeding the cats. They also, when possible, trap them so that they can be neutered or spayed, thus reducing the feral population.

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