The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

Cats of Malta review – purr-inducing documentary aims to encourage compassion

Interviewing the humans who help strays in their Maltese neighbourhood, this is a hazy but enjoyable slice of life with cats

Social media, for all its sins, has achieved at least one thing in this crazy, mixed-up world: it’s raised everyone’s game when it comes to cat videos. What artist Louis Wain did for cat illustration in the 19th century, YouTube, Instagram and TikTok have done for our feline friends in the 21st, celebrating their strangeness, comic absurdity, and capacity for grumpiness. Meanwhile, there’s a growing genre of documentary films about cats and their relationship with humans, some of which add to the cat-people Venn-diagram-overlap an extra subset concerned with specific places, such as the magnificent Kedi, which profiled the street cats of Istanbul and their human friends.

Cats of Malta, as its unambiguous title suggests, wants to do for Malta what Kedi did for Istanbul. It celebrates these very territorial creatures that share the streets of ancient neighbourhoods, with their history recounted by director Sarah Jayne’s voiceover. The cats are mostly unconcerned with the human residents except when they have needs to be met, such as hunger or medical emergencies. And so we get stories told straight to camera by kindly humans who had to help when, for example, an aggressive kick by a passing dog owner ended up costing one tom a front leg. Another person created a little cat village next to a historic stretch of wall built by the Knights Templar – a lovely conjunction of antiquity and super-tacky plastic cat shelters – but was forced to take it down by developers with plans for the site. Many of the humans, including the cat-village builder, English-Maltese actor Polly Marsh and 13-year-old natural comic Isaac Muscat, voluntarily spend huge chunks of their free time feeding the cats. They also, when possible, trap them so that they can be neutered or spayed, thus reducing the feral population.

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