EXCLUSIVE: Bhooth Bangla team contemplates postponing release from April 10 to April 17 due to Dhurandhar The Revenge wave

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Dhurandhar The Revenge is doing record business and the way it has held strongly on Monday proves that the film will not lose its hold even in the weekdays. As a result, the team of Bhooth Bangla have begun contemplating whether they should bring the horror comedy on April 10 or whether it should be postponed by a week.” “A source told Bollywood Hungama, “The way Dhurandhar The Revenge is performing, it is clear that the craze is not going to die down anytime soon. Bhooth Bangla also looks like an exciting film. But since Dhurandhar 2 is doing historic business, there’s a strong possibility that it could perform exceptionally well even in its fourth week, which coincides with the release of Bhooth Bangla. Meanwhile, there’s no Hindi film currently scheduled for release on April 17.” The source added, “At the same time, Dhurandhar The Revenge would have exhausted most of its business by the end of four weeks. Hence, it could also work in Bhooth Bangla’s favour to arrive on April 10, b...
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‘Audiences don’t want to be challenged’: director Cristian Mungiu on exploring bigotry – and giving up film

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His Palme d’Or-winner explored abortion in his native Romania, and in RMN the director is tackling anti-immigrant sentiment head on. He explains why Europe should pay attention and whether cinema is dead

“Let us mind our words, the west is watching,” says the local mayor, hoping to calm a worked-up crowd of Transylvanian villagers. But the villagers don’t mind their words. Gathered in a packed cultural centre to vent their anger about three Sri Lankans hired by the local bakery, they are angry at everything: the closure of the nearby mine; the villagers who have left for better-paid jobs in Germany and the workload in those jobs that remain; the west’s supposed assault on the nuclear family; the hypocritical European Union. “We got rid of the gypsies,” one irate man in the crowd bellows, “and now we fight over foreigners?”

It’s just one scene from RMN, the new film by Cristian Mungiu, a Palme d’Or-winning director whose work has opened up his homeland Romania to the scrutinising gaze of western European cinema audiences. When Mungiu toured the film around European festivals last year, some people in the Q&A sessions afterwards assumed that the opinions of the villagers were also his.

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