EXCLUSIVE: Dhurandhar completes its glorious run in IMAX as Avatar: Fire And Ash takes over; single screens, Gaiety-Galaxy SKIP Hollywood biggie; continue with Ranveer Singh-starrer

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Dhurandhar, which is all set to become the biggest hit of the year, enters the third week of its release today. The film overperformed in its second week and is now all set for another huge week from today. The Ranveer Singh-starrer also had a release in the IMAX version. However, its IMAX run ended yesterday, on December 18. This is because Avatar: Fire And Ash has now taken over all the IMAX screens across India and also the world. Directed by James Cameron, the fantasy drama is known for its spellbinding visuals. Hence, it makes for an ideal watch in IMAX theatres. It's no wonder that its shows in the IMAX cinemas got filled first. Nevertheless, Dhurandhar had a glorious run in the IMAX version. The film also had a big screen appeal which enticed people to check it out in IMAX. Interestingly, the film didn’t get a release in IMAX on the day of its release due to late delivery of prints. But once the issue settled, the film managed to score big time in the wide-screen cinemas. ...
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‘Audiences don’t want to be challenged’: director Cristian Mungiu on exploring bigotry – and giving up film

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His Palme d’Or-winner explored abortion in his native Romania, and in RMN the director is tackling anti-immigrant sentiment head on. He explains why Europe should pay attention and whether cinema is dead

“Let us mind our words, the west is watching,” says the local mayor, hoping to calm a worked-up crowd of Transylvanian villagers. But the villagers don’t mind their words. Gathered in a packed cultural centre to vent their anger about three Sri Lankans hired by the local bakery, they are angry at everything: the closure of the nearby mine; the villagers who have left for better-paid jobs in Germany and the workload in those jobs that remain; the west’s supposed assault on the nuclear family; the hypocritical European Union. “We got rid of the gypsies,” one irate man in the crowd bellows, “and now we fight over foreigners?”

It’s just one scene from RMN, the new film by Cristian Mungiu, a Palme d’Or-winning director whose work has opened up his homeland Romania to the scrutinising gaze of western European cinema audiences. When Mungiu toured the film around European festivals last year, some people in the Q&A sessions afterwards assumed that the opinions of the villagers were also his.

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