SCOOP: Aamir Khan's next with Rajkumar Hirani hits a roadblock; Perfectionist asks for script to be rewritten

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Aamir Khan and Rajkumar Hirani's reunion on the Dadasaheb Phalke biopic created a stir like never before. And why not? Two stalwarts are teaming up for the third time after cults like 3 Idiots and PK. But we have some disappointing news for all the fans of this duo. According to very reliable sources close to the actor, the Dadasaheb Phalke Biopic has been put on hold. A source informed Bollywood Hungama on anonymity, "Aamir Khan heard the script of Dadasaheb Phalke from Rajkumar Hirani and Abhijat Joshi. He felt that the script didn't have enough elements to make for a theatrical watch. He expected Raju and Abhijat to have a typical approach of mixing laughter with emotion and drama. But the script was devoid of comedy. This raised a doubt in the mind of Aamir, and he requested Raju to rewrite the script and come back." The source tells us further, "Raju and Abhijat were shocked by Aamir's reaction, and are now figuring out what to do next. The film, which...
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A Year in a Field review – calming, meditative film cycles through the Cornish seasons

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Christopher Morris filmed a field in southwest England for one year for a documentary that wants us to stop and think about the environment

The title says it all: beginning at the winter solstice in 2020, academic and film-maker Christopher Morris filmed a barley field in west Cornwall for one year. A field. That’s it. For 86 minutes this thoughtful, meditative documentary reveals the comings and goings: sunsets, sunrises, the midnight frolics of bunnies, the odd crisp packet blowing in. It’s unlikely to be storming a multiplex near you – though the opening scene does feature the close-up of a corpse. The unfortunate creature in question however is a field mouse that appears – limbs present and correct – to have expired from natural causes. The film’s paciest action scene is a three-minute-plus sequence of slugs slithering across lichen on a standing stone.

This eight-foot stone is more than 4,000 years old. “Carved by an alien civilisation – not from outer space, but outer time,” Morris says. “So long ago that who they were and what this means is lost to us with any certainty.” His voiceover has an elegant turn of phrase, finding poetry in the science of the moon slowly drifting away from Earth, or the complexity of the pale green lichen that makes its home on the ancient monolith.

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