Boney Kapoor adds Mercedes-Benz V-Class worth up to Rs 1.7 crore to his garage

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Film producer Boney Kapoor has expanded his garage with the addition of a premium new vehicle, the Mercedes-Benz V-Class, a model widely known for its emphasis on comfort, space and chauffeur-driven luxury. The acquisition reflects a growing preference among film personalities for high-end multi-purpose vehicles designed to double as mobile work and relaxation spaces. A luxury MPV designed for comfort and privacy The Mercedes-Benz V-Class is often described as a private lounge on wheels because of its spacious cabin layout and executive-focused interiors. It is especially popular among celebrities and business leaders who rely on chauffeur-driven travel and require both comfort and discretion during commutes. In India, the vehicle is available in multiple variants, with prices typically ranging between Rs 1.4 crore and Rs 1.7 crore depending on specifications and customization options. Premium interiors with executive seating One of the defining highlights of the V-Class is its six-s...
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Tokyo Story review – Yasujiro Ozu’s exquisite family tale stands the test of time

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An elderly couple visit their grownup children in this stunning work of art from 1953, now re-released for its 70th anniversary

The exquisite sadness of Yasujiro Ozu’s 1953 film, now re-released for its 70th anniversary, does not get any more bearable or less overwhelming with time. With each repeated viewing, the film of tears obscuring my own view of its star Setsuko Hara appears earlier and earlier, making her heartbreakingly decent, courageous smile shimmer and wobble. Ozu’s distinctive and stylised idiom, with low shooting angles and direct sightlines into camera, creates something mesmerically formal to match the drama’s emotional restraint, which is more devastating when the dam is breached. When Hara’s smile finally drops, it is like a gunshot.

Chieko Higashiyama and Ozu’s repertory stalwart Chishu Ryu play the elderly Tomi and Shukichi, who live in the quiet town of Onomichi; they are gentle country mice, almost childlike in the calm, smiling way they address each other. This heartbreakingly modest couple have taken the decision in the evening of their lives (although apparently only in their 60s: Ryu was in fact just 49 when the film was first released) to make the arduous and bewildering journey to Tokyo in the sweltering summer to visit their grownup children.

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