EXCLUSIVE: Kartik Aaryan-starrer Naagzilla wraps shoot on a sweet note; Ravi Kishan and team celebrate as Mahaveer Jain, Mrighdeep Singh Lamba say, "Dharma is the BEST company to partner with"

Bollywood Hungama has been at the forefront of breaking news on Naagzilla. We have now exclusively learned that it’s a wrap on the film’s shoot. Moreover, we also stumbled upon an exclusive picture of the cake that was cut on the last day of filming. A source told Bollywood Hungama, “Most of the shoot of Naagzilla had been completed, but one day of filming remained. It took place yesterday, Sunday, July 26, in Mumbai. Ravi Kishan was present along with director Mrighdeep Singh Lamba, writer Gautam Mehra and co-producer Divyansh Jain. They were jubilant about the wrap but also emotional, as they had shared a fun-filled and memorable journey while making the film. It was a hectic yet highly exciting shoot for the cast and crew.” The source further said, “To celebrate the occasion, a cake bearing the words ‘Naagzilla Film Wrap’ was brought in and enjoyed by the cast and crew. Incidentally, July 25 was director Mrighdeep Singh Lamba’s birthday, which further added to the celebratory mood ...

Tokyo Story review – Yasujiro Ozu’s exquisite family tale stands the test of time

An elderly couple visit their grownup children in this stunning work of art from 1953, now re-released for its 70th anniversary

The exquisite sadness of Yasujiro Ozu’s 1953 film, now re-released for its 70th anniversary, does not get any more bearable or less overwhelming with time. With each repeated viewing, the film of tears obscuring my own view of its star Setsuko Hara appears earlier and earlier, making her heartbreakingly decent, courageous smile shimmer and wobble. Ozu’s distinctive and stylised idiom, with low shooting angles and direct sightlines into camera, creates something mesmerically formal to match the drama’s emotional restraint, which is more devastating when the dam is breached. When Hara’s smile finally drops, it is like a gunshot.

Chieko Higashiyama and Ozu’s repertory stalwart Chishu Ryu play the elderly Tomi and Shukichi, who live in the quiet town of Onomichi; they are gentle country mice, almost childlike in the calm, smiling way they address each other. This heartbreakingly modest couple have taken the decision in the evening of their lives (although apparently only in their 60s: Ryu was in fact just 49 when the film was first released) to make the arduous and bewildering journey to Tokyo in the sweltering summer to visit their grownup children.

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