‘A reminder that we can resist’: hard-hitting documentary takes aim at anti-trans rhetoric

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Heightened Scutiny is a new film premiering at Sundance looking at the troubling rise in anti-trans legislation and the mainstream media outlets who have helped stoke the fire A new documentary at the Sundance film festival delves into the fight to preserve access to gender-affirming care for minors via the US supreme court, with a major decision due in June 2025, and details the mainstream media’s role in legitimizing anti-trans legislation. Heightened Scrutiny, directed by Sam Feder, argues that the fear-based ideology underlying bans on hormone therapy or puberty blockers for minors has been pushed not only by conservative activists but center-left publications such as the New York Times, the Atlantic and the Wall Street Journal, whose articles have fixated on surgery, potential regret or risks. As the film notes, such therapies, with the same side effects and risks, are prescribed for other conditions and only raise alarms when applied to trans youths, and the rate of “detransiti...
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Tokyo Story review – Yasujiro Ozu’s exquisite family tale stands the test of time

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An elderly couple visit their grownup children in this stunning work of art from 1953, now re-released for its 70th anniversary

The exquisite sadness of Yasujiro Ozu’s 1953 film, now re-released for its 70th anniversary, does not get any more bearable or less overwhelming with time. With each repeated viewing, the film of tears obscuring my own view of its star Setsuko Hara appears earlier and earlier, making her heartbreakingly decent, courageous smile shimmer and wobble. Ozu’s distinctive and stylised idiom, with low shooting angles and direct sightlines into camera, creates something mesmerically formal to match the drama’s emotional restraint, which is more devastating when the dam is breached. When Hara’s smile finally drops, it is like a gunshot.

Chieko Higashiyama and Ozu’s repertory stalwart Chishu Ryu play the elderly Tomi and Shukichi, who live in the quiet town of Onomichi; they are gentle country mice, almost childlike in the calm, smiling way they address each other. This heartbreakingly modest couple have taken the decision in the evening of their lives (although apparently only in their 60s: Ryu was in fact just 49 when the film was first released) to make the arduous and bewildering journey to Tokyo in the sweltering summer to visit their grownup children.

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