Salman Khan takes sarcastic dig at AR Murugadoss for saying he arrived at 8 PM on Sikandar sets: “Madharaasi is a bigger blockbuster”

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Actor Salman Khan, who’s currently hosting Bigg Boss 19, didn’t hold back as he addressed director AR Murugadoss’s recent comments accusing him of reporting late to the sets of their film Sikandar. The actor used the popular reality show’s Weekend Ka Vaar episode to respond with his trademark wit and characteristic candour. The Background: Murugadoss's Allegation Earlier, Sikandar director AR Murugadoss had told Valaipechu Voice that working with a major Bollywood star posed challenges. He claimed Salman would “arrive only by 8 PM,” forcing the crew to shoot even day scenes at night. Murugadoss described the schedule as chaotic, saying it affected child actors who had to film late into the night. Despite acknowledging his own creative shortcomings, the director hinted that the erratic timing contributed to the film’s underperformance. Salman’s Retort on Bigg Boss 19 Addressing the issue head-on during Bigg Boss 19, Salman responded to a question from comedian Ravi Gupta about film...
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Tokyo Story review – Yasujiro Ozu’s exquisite family tale stands the test of time

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An elderly couple visit their grownup children in this stunning work of art from 1953, now re-released for its 70th anniversary

The exquisite sadness of Yasujiro Ozu’s 1953 film, now re-released for its 70th anniversary, does not get any more bearable or less overwhelming with time. With each repeated viewing, the film of tears obscuring my own view of its star Setsuko Hara appears earlier and earlier, making her heartbreakingly decent, courageous smile shimmer and wobble. Ozu’s distinctive and stylised idiom, with low shooting angles and direct sightlines into camera, creates something mesmerically formal to match the drama’s emotional restraint, which is more devastating when the dam is breached. When Hara’s smile finally drops, it is like a gunshot.

Chieko Higashiyama and Ozu’s repertory stalwart Chishu Ryu play the elderly Tomi and Shukichi, who live in the quiet town of Onomichi; they are gentle country mice, almost childlike in the calm, smiling way they address each other. This heartbreakingly modest couple have taken the decision in the evening of their lives (although apparently only in their 60s: Ryu was in fact just 49 when the film was first released) to make the arduous and bewildering journey to Tokyo in the sweltering summer to visit their grownup children.

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