Oscars changes allow for double acting nominations while banning AI

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The Academy of Motion Pictures Arts and Sciences has also rewritten rules on international film eligibility The Academy of Motion Picture Arts and Sciences announced a number of major changes for the Oscars on Friday, including a new policy allowing multiple nominations for a single actor in one category, as well as barring acting and writing awards for work done by AI. According to new statutes decreed by the group’s board of governors, only performances “demonstrably performed” by humans with their consent will be eligible for acting Oscars, while only human-authored screenplays can be up for any writing awards. Continue reading... from Film | The Guardian https://ift.tt/wktSfcp via IFTTT
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The Innocent review – enjoyably French romcom heist caper

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A lonely young widower is drawn into a dangerous plot to pilfer caviar and negotiates pleasingly barmy plot twists

With his fourth feature directing, mop-haired actor-director Louis Garrel puts a French stamp on the Hollywood heist movie. The Innocent is a screwball romcom-caper starring Garrel himself as a guy who gets caught up in a plot to pilfer a job lot of caviar (you don’t get more Gallic than that). It’s a broad, enjoyable, lighthearted movie with a fair few not-insignificant plot holes, but a genuinely surprising storyline that keeps you guessing to the end.

Garrel plays Abel, a young widower, just 32, who’s been emotionally dormant since his wife died. Though he is is close to his mum, Sylvie, a charismatic, warm chaotic actor played with fizzing comic energy by Anouk Grinberg. Sylvie has a thing for bad guys; her latest squeeze is suave thief Michel (Roschdy Zem). They met in prison when she was teaching an acting workshop and he was banged up for a five-stretch. Head over heels, they get married and after Michel is released, open a florist together.

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