Samantha lights up Thassadiya as Maa Inti Bangaaram gears up for release

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The makers of Maa Inti Bangaaram have unveiled the film’s first single, “Thassadiya,” offering a vibrant glimpse into the much-anticipated action-comedy family drama led by Samantha Ruth Prabhu. Backed by Tralala Moving Pictures, the film is slated for a worldwide theatrical release on May 15, 2026. Composed by Santhosh Narayanan, “Thassadiya” is a high-energy wedding track that blends festive beats with a contemporary groove. Penned by Rehman and sung by Chinmayi Sripada and Punya Selva, the song captures the spirit of celebration, love, and togetherness. Samantha commands the screen with dynamic choreography and a striking presence, setting the tone for the film’s lively narrative. Sharing her excitement, Samantha said, “‘Thassadiya’ is pure celebration. It’s the kind of song that instantly lifts your mood, and shooting it was an absolute blast. We wanted it to reflect the warmth and chaos of a big family wedding.” Composer Santhosh Narayanan added, “We aimed to create something ro...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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