Celina Jaitly responds after Delhi High Court disposes plea over brother’s refusal to communicate

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Actor Celina Jaitly has reacted after the Delhi High Court dismissed her petition seeking communication and legal assistance for her brother, Major (Retd.) Vikrant Jaitly, who is currently detained in the United Arab Emirates. According to a reports, the court disposed of the plea after being informed that Vikrant Jaitly had declined to communicate with his sister and preferred to make legal decisions in consultation with his wife, Charul Jaitly. The court was also told that he had been granted consular access on multiple occasions and had refused legal representation offered to him, including pro bono assistance. Responding to the development, Celina Jaitly shared a note on Instagram expressing concern while acknowledging the court’s decision. She wrote, “Today was the last hearing of my writ petition. I had approached the Hon’ble Court out of deep concern for the safety, security & well being of my brother.” She added, “He is in a foreign nation & as his sister, I felt it w...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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