Valentine's Day 2026: Dilwale Dulhania Le Jayenge, Veer-Zaara, and Saiyaara among 12 films in PVR INOX Valentine’s special showcase

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PVR INOX, one of India’s leading multiplex chains, has announced its ‘Valentine’s Special Showcase’, a curated re-release of 12 popular romantic films across Hindi, Tamil, Telugu, and Malayalam. The initiative aims to bring timeless love stories back to the big screen, offering both nostalgia for long-time viewers and discovery for younger audiences. The line-up features a mix of Hindi blockbusters and regional classics, including Dilwale Dulhania Le Jayenge, Veer-Zaara, Mohabbatein, Saiyaara, Devdas, Sanam Teri Kasam and Yeh Dil Aashiqanaa. The Tamil titles include Minnale, Mounam Pesiyadhe, Kadhalar Dhinam and Uyirullavarai Usha, while the Telugu romantic drama Love Story and the Malayalam hit Premam complete the pan-Indian selection. Shah Rukh Khan’s romance returns to theatres Several films in the showcase prominently feature Shah Rukh Khan, whose performances in Dilwale Dulhania Le Jayenge, Veer-Zaara, Mohabbatein, and Devdas have played a defining role in shaping mainstream Hin...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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