EXCLUSIVE: Has Paresh Rawal signed Drishyam 3? Actor clarifies, “Not true. The makers did approach me…its script is VERY good…”

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Drishyam (2015) was a box office success, and as the years passed, it developed a cult following. This resulted in a fabulous opening for Drishyam 2 (2022), shocking the trade and industry. As the film emerged as a blockbuster, all eyes are now on Drishyam 3. It's all set to release on October 2, 2026 and the film was in the news recently after it was reported that Paresh Rawal might be a part of the cast. However, it turns out that the veteran actor has not signed Drishyam 3. Bollywood Hungama exclusively spoke to him recently and when asked if he has bagged a role in the thriller as speculated, he replied, “No, I have not. There’s no truth to these reports at all.” Was he offered a role in Drishyam 3? Paresh Rawal said, “Yes, the makers did approach me. But I didn’t feel that the rule was suitable for me. Maza nahin aaya (on reading about my part).” Paresh Rawal added, “But the script is very good. I was really impressed. But even in a compelling script, you need a role that y...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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