Tiger Shroff and Vidyut Jammwal to star together in Milap Zaveri’s next action romance: Report

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Bollywood action stars Tiger Shroff and Vidyut Jammwal are set to share screen space for the first time in director Milap Zaveri’s upcoming film, according to a recent report by PinkVilla. The project, which remains untitled, is shaping up as an action-romance and is expected to go on floors in February 2026. Sources familiar with the development say the film is designed to leverage the distinct on-screen personas of both actors, who are among Hindi cinema’s most physically commanding performers. The pairing of Shroff and Jammwal has generated significant interest among fans, as audiences have long anticipated seeing the two action stars together. According to the report, Kirti Shetty has been roped in as the female lead, marking another notable project in her growing filmography. “Kirti Shetty has been roped in as the female lead, which will mark another big Bollywood outing for her,” a source told the portal. “This film is designed as a full-fledged, intense action love story. The ...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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