EXCLUSIVE: Sunny Deol-starrer Gabru postponed; won’t release on May 8

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Sunny Deol's stardom went on another level with the blockbuster success of Gadar 2 (2023). His next, Jaat (2025), also had a decent trend at the box office, proving that the success of Gadar 2 was not a fluke. The veteran star began 2026 on a rocking note with the Rs. 300 crore plus grosser, Border 2. As a result, expectations are tremendous for his next film, Gabru. The film was scheduled for release on May 8 and fans will have to wait a little more to experience the emotional drama as it has been pushed further ahead. A source told Bollywood Hungama, “Gabru has been postponed and won’t arrive in cinemas on May 8. The makers plan to lock the new release date in a few days, after which they’ll make an official announcement.” Earlier, Gabru was supposed to release on March 13 and was postponed to May 8, possibly because the holy month of Ramzan was going on and moreover, the much-awaited film, Dhurandhar The Revenge, was to arrive in cinemas 6 days later, on March 19. Gabru is di...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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