Bhushan Kumar and Anurag Singh announce exclusive joint venture after the blockbuster box office response for Border 2

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In a major development for Bollywood, producer Bhushan Kumar and filmmaker Anurag Singh have officially joined hands for an exclusive joint venture aimed at developing multiple large-scale films. The announcement comes close on the heels of the massive success of Border 2, which has not only struck a chord with audiences but also emerged as one of the biggest box office drivers of early 2026. The association between Bhushan Kumar and Anurag Singh is being envisioned as a long-term creative partnership. Under the joint venture, Anurag Singh will helm the upcoming projects, while the films will be produced under the banner of T-Series Films, continuing the collaborative framework that proved successful with Border 2. Industry sources suggest that the focus will remain on scale-driven, emotionally rooted cinema designed for theatrical impact. Border 2, which released on January 23 in the Republic Day week, arrived at a time when patriotic fervour traditionally runs high across the count...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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