Disha Patani rents out Khar West home at Rs 2.85 lakhs monthly rent: Report

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Actor Disha Patani has added another notable transaction to her real estate portfolio. The actor has leased out her luxury apartment in Mumbai's upscale Khar West locality at a starting monthly rent of Rs 2.85 lakhs. According to property registration documents accessed through Zapkey, the leave-and-license agreement was officially registered on June 1, 2026. The lease has been signed for a period of two years. The apartment is located in Rustomjee Paramount, one of the premium residential developments in Khar West. The property measures over 1,000 square feet and is situated on one of the higher floors of the residential tower. As per the registration documents, the apartment has been rented to Kamlaben Mangalbhai Gujjar. The tenant has paid a security deposit of Rs 8.55 lakh, which is equivalent to three months' rent. The agreement also includes a rent escalation clause. While the monthly rent for the first year has been fixed at Rs 2.85 lakhs, it will increase by 5 percent ...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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