Post your questions for Martin Clunes

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His credits range from Men Behaving Badly to Wuthering Heights, and now he’s playing Huw Edwards. What would you dearly love to know about the actor and documentary presenter? It’s delightful that Martin Clunes has won so many plaudits for his performance in this year’s Wuthering Heights, alongside Margot Robbie’s Cathy and Jacob Elordi’s Heathcliff. He plays Cathy’s drunk but generous, cruel yet humorous father in a part that could easily have drifted into the background. But he makes such an impression that the Guardian’s Peter Bradshaw reckons he “ pretty much pinches the whole film ”. It’s not as if Clunes hasn’t brushed shoulders with the Hollywood A-list before. You might remember him as Richard Burbage, opposite Gwyneth Paltrow, Joseph Fiennes and Judi Dench, in 1998’s Shakespeare in Love – a role with added resonance given that his father, Alec Clunes, who died when Clunes was eight, was a distinguished Shakespearean actor. Other roles include 1992’s Carry On Columbus (the la...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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