SCOOP: Ranveer Singh buys the rights for The Immortal of Meluha trilogy for Rs. 40 crores from Amish Tripathi

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After the success of the Dhurandhar franchise, Ranveer Singh has become the new King of the Indian Film Industry. With back-to-back all-time grossers under his kitty, the young actor has officially secured the tag of a superstar, and all eyes are now on his next move. While several speculations on the financials of Pralay continue to grab chatters in the industry circles, Bollywood Hungama has exclusively learnt that Ranveer Singh has quietly acquired the rights for The Immortals of Meluha.  "Ranveer Singh was to lead Immortals of Meluha for Sanjay Leela Bhansali. However, the project never materialised. But the actor was always fascinated by the world, and had the dream of playing Lord Shiva in the spectacle. The minute rights of Immortal of Meluha expired on Sanjay Leela Bhansali, Ranveer went ahead and procured it under his own banner - Maa Kasam Films," a source told Bollywood Hungama. The source also informs that the sum splurged by Ranveer Singh to bag the rights is ...
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The Idiots review – Lars von Trier’s appalling-taste Dogme satire is irritatingly original

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Whether intended as a satire of bourgeois hypocrisy or not this tale of boorish nihilists announced von Trier as a consummate provocateur

Lars von Trier’s film from 1998 is re-released as part of the ongoing retrospective dedicated to this director, a film pioneeringly shot on digital video according to the minimalist guidelines of the Dogme 95 collective, which undoubtedly helped create an affordability-revolution in indie film-making. After a quarter of a century, The Idiots looks as cheerfully shallow, smug and manipulative as anything he has ever done, yet revisiting this needlingly insistent and epically tiresome film does bring into focus the way in which the debate around disability representation has changed, and also the subversive prank aesthetic that has to some degree governed the entire career of this unique film-maker.

The Idiots is about people playing tricks, gigglingly pretending to have cerebral palsy or some form of learning disability in order to freak out the uptight bourgeois in their restaurants and workplaces – and, of course, the cinema auditorium. They callously call it “spassing”, or use the English phrase “mentally retarded”. Karen (Bodil Jørgensen) is a deeply unhappy woman, in shock after a tragedy in her life which is explained only at the very end. Dining alone in a restaurant one day, she is intrigued at what appears to be a group of disabled adults there, minimally controlled by their carer and embarrassing the other diners, whose fastidious politeness prevents them from expressing their obvious disapproval and disgust. Karen goes back with these people to their house, where she finds they are simply pretending: a commune-cult led by the charismatic Stoffer (Jens Albinus) whose wealthy uncle owns their HQ and believes his nephew to be house-sitting the property prior to it being sold off.

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