Boney Kapoor adds Mercedes-Benz V-Class worth up to Rs 1.7 crore to his garage

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Film producer Boney Kapoor has expanded his garage with the addition of a premium new vehicle, the Mercedes-Benz V-Class, a model widely known for its emphasis on comfort, space and chauffeur-driven luxury. The acquisition reflects a growing preference among film personalities for high-end multi-purpose vehicles designed to double as mobile work and relaxation spaces. A luxury MPV designed for comfort and privacy The Mercedes-Benz V-Class is often described as a private lounge on wheels because of its spacious cabin layout and executive-focused interiors. It is especially popular among celebrities and business leaders who rely on chauffeur-driven travel and require both comfort and discretion during commutes. In India, the vehicle is available in multiple variants, with prices typically ranging between Rs 1.4 crore and Rs 1.7 crore depending on specifications and customization options. Premium interiors with executive seating One of the defining highlights of the V-Class is its six-s...
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The Future Tense review – film-makers’ complex reverie of English and Irish identities

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Semi-dramatised essay film by Joe Lawlor and Christine Molloy explores complicated national loyalties alongside those of an extraordinary rebel

The intriguing, complex movies of the married writer-directors Joe Lawlor and Christine Molloy have always been about imposture, concealment, double lives and alternative existences – particularly in what I think may be their masterpiece, the drama-thriller Rose Plays Julie. Now they have composed this fiercely personal essay movie about themselves and their family histories, loosely structured around the idea of a plane journey between London and Dublin. Lawlor and Molloy are shown separately narrating into microphones, and “interviewing” people filmed in separate locations, a conceit apparently imposed during lockdown.

It is a semi-dramatised reverie and revelation which exposes a painful new insight into their experiences as Irish expatriate artists in the UK; they are considering a return to Ireland now that post-Brexit England seems increasingly reactionary and xenophobic, while also being aware of the reactionary forces at work in Irish politics. They are also aware that their daughter, having been brought up in England, may not wish to join them. Have they also been concealing double lives as Irish people in England?

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