BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

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A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
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The Future Tense review – film-makers’ complex reverie of English and Irish identities

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Semi-dramatised essay film by Joe Lawlor and Christine Molloy explores complicated national loyalties alongside those of an extraordinary rebel

The intriguing, complex movies of the married writer-directors Joe Lawlor and Christine Molloy have always been about imposture, concealment, double lives and alternative existences – particularly in what I think may be their masterpiece, the drama-thriller Rose Plays Julie. Now they have composed this fiercely personal essay movie about themselves and their family histories, loosely structured around the idea of a plane journey between London and Dublin. Lawlor and Molloy are shown separately narrating into microphones, and “interviewing” people filmed in separate locations, a conceit apparently imposed during lockdown.

It is a semi-dramatised reverie and revelation which exposes a painful new insight into their experiences as Irish expatriate artists in the UK; they are considering a return to Ireland now that post-Brexit England seems increasingly reactionary and xenophobic, while also being aware of the reactionary forces at work in Irish politics. They are also aware that their daughter, having been brought up in England, may not wish to join them. Have they also been concealing double lives as Irish people in England?

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