Delhi High Court issues notices to ‘Kala Hiran’ makers after Salman Khan moves court over personality rights

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The Delhi High Court on Friday issued notices to the makers of Kala Hiran: The Battle for Legacy after superstar Salman Khan approached the court seeking to stop the film’s release. Justice Neena Bansal Krishna directed notices to be served to producer Amit Jani, Jani FireFox Films, director Bharat Shrinate, casting director Akshay Pandey, and other concerned parties. The matter has now been scheduled for further hearing on June 19. Representing Salman Khan, advocate Nizam Pasha informed the court that a promotional poster released on May 29 featured a character bearing a strong resemblance to the actor. He pointed out that the individual in the poster was also shown wearing a bracelet similar to the one widely associated with Khan. According to the counsel, the film allegedly breaches a Delhi High Court order dated December 11, 2025, which safeguarded the actor’s personality rights. During the proceedings, Pasha reiterated that the project was in violation of the earlier judicial ord...
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The Future Tense review – film-makers’ complex reverie of English and Irish identities

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Semi-dramatised essay film by Joe Lawlor and Christine Molloy explores complicated national loyalties alongside those of an extraordinary rebel

The intriguing, complex movies of the married writer-directors Joe Lawlor and Christine Molloy have always been about imposture, concealment, double lives and alternative existences – particularly in what I think may be their masterpiece, the drama-thriller Rose Plays Julie. Now they have composed this fiercely personal essay movie about themselves and their family histories, loosely structured around the idea of a plane journey between London and Dublin. Lawlor and Molloy are shown separately narrating into microphones, and “interviewing” people filmed in separate locations, a conceit apparently imposed during lockdown.

It is a semi-dramatised reverie and revelation which exposes a painful new insight into their experiences as Irish expatriate artists in the UK; they are considering a return to Ireland now that post-Brexit England seems increasingly reactionary and xenophobic, while also being aware of the reactionary forces at work in Irish politics. They are also aware that their daughter, having been brought up in England, may not wish to join them. Have they also been concealing double lives as Irish people in England?

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