Delhi High Court issues notices to ‘Kala Hiran’ makers after Salman Khan moves court over personality rights

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The Delhi High Court on Friday issued notices to the makers of Kala Hiran: The Battle for Legacy after superstar Salman Khan approached the court seeking to stop the film’s release. Justice Neena Bansal Krishna directed notices to be served to producer Amit Jani, Jani FireFox Films, director Bharat Shrinate, casting director Akshay Pandey, and other concerned parties. The matter has now been scheduled for further hearing on June 19. Representing Salman Khan, advocate Nizam Pasha informed the court that a promotional poster released on May 29 featured a character bearing a strong resemblance to the actor. He pointed out that the individual in the poster was also shown wearing a bracelet similar to the one widely associated with Khan. According to the counsel, the film allegedly breaches a Delhi High Court order dated December 11, 2025, which safeguarded the actor’s personality rights. During the proceedings, Pasha reiterated that the project was in violation of the earlier judicial ord...
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Roman Holiday at 70: Audrey Hepburn’s star-making role remains luminous

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The 1953 romantic comedy may lack heft but the Oscar-winner’s charming lead turn makes it an escape worth taking again

When Roman Holiday was released, 70 summers ago, the monarchy was having a fashionable moment. Two months before, the world had watched the coronation of Queen Elizabeth II, a relatively young, glamorous face for a fusty institution: the first such event to be globally televised, it made the very principle of royalty seem less like the realm of ancient history. I say “relatively”: the frilly pomp and ceremony of English royalty can’t have been much sexier in 1953 than it was in 2023, though at least they didn’t have official broad-bean quiche to contend with.

There was certainly ample scope for Hollywood to prettify the notion a bit, which is where Roman Holiday proved most fortuitously timed. A romantic comedy that set a quasi-fantasy template for the genre that has endured to the modern era – take Notting Hill, a veritable homage – it played on a mid-century fascination with real-world princesses, with all the duller formalities taken out. Its protagonist, crown princess Ann, is a blank slate on to which any number of princessy ideals could be projected: she’s beautiful, gracious and charismatic, with an all-purpose Euro glamour that can’t be tied to any specific identity, since the screenwriter Dalton Trumbo had elected to make her from a vague imaginary nation. Beside her, England’s young new queen looked positively, rain-soddenly drab.

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