SCREEN launches SCREEN academy to nurture India’s next generation of Filmmakers

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The Indian Express Group and SCREEN on Wednesday announced the launch of SCREEN Academy, a not-for-profit initiative aimed at supporting and highlighting emerging talent in Indian cinema. With an exciting and fast-growing list of diverse members including Cannes and Oscar winners, Guneet Monga, Payal Kapadia and Resul Pookutty, and veteran screenwriter Anjum Rajabali, the Academy, working with India’s top film institutes, will identify and empower the next generation of filmmakers through education, representation, and recognition. Established with the generous support of Founding Patron Abhishek Lodha of the Lodha Foundation, SCREEN Academy will annually provide postgraduate fellowships to students nominated by their film schools, who demonstrate exceptional storytelling potential but lack the financial resources to pursue formal film education. Chief Minister of Maharashtra Shri Devendra Fadnavis said the timing and the lo...
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My friend Billy: Mark Kermode remembers The Exorcist director William Friedkin

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The Observer film critic on his hero, who died last week aged 87, a man dedicated to telling stories his way and who had a wicked sense of humour

In his excellent 1990 biography, Hurricane Billy: The Stormy Life and Films of William Friedkin, writer Nat Segaloff quotes the Oscar-winning film-maker as wryly observing: “You know what it’s going to say on my tombstone? It’s going to say ‘The Man Who Directed The Exorcist.’” As someone who has spent a lifetime declaring The Exorcist (1973) to be the greatest movie ever made, I understand how it might perhaps have overshadowed a career that was as long as it was varied.

Yet Friedkin, whom I first met back in the 1990s when I was a starstruck fan (which I remained), did so much more than helm the movie that changed my life – and the lives of many others. He proved himself one of the most fearless and inventive directors of his generation, working in a string of genres – from musical comedy to serious psychodrama; political satire to police thriller; stage play adaptations to tales of supernatural terror – with equal ease and enthusiasm.

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