Shirley Valentine gave Pauline Collins a role to match her talent. She seized it with style and glee

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The film for which the actor, who has died aged 85 , is best-remembered is also that in which she was afforded most airtime. If only more film-makers had managed to channel her warm, sharp charm Pauline Collins was the smart, funny, cherubically sexy female actor in the 1970s who became a recognisable star on both sides of the Atlantic in the smash hit British TV show Upstairs, Downstairs, the Downton Abbey of its day. She played Sarah, the pert-yet-vulnerable parlour maid with a dodgy past, who has a relationship with the handsome chauffeur Thomas, played by Collins’s real-life husband, John Alderton. It was a TV marriage that the public loved and which carried on into spinoff shows Thomas and Sarah and No, Honestly. Continue reading... from Film | The Guardian https://ift.tt/maOthdj via IFTTT
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It’s a rap: what are the greatest hip-hop movies?

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The genre, which turns 50 this month, has led to surprisingly few movies but the best include a black-and-white comedy and a starry documentary

Fifty years ago, on 11 August 1973, a young woman named Cindy Campbell hosted a small party in the Bronx. Her brother DJ Kool Herc was spinning some records, using two turntables to loop a breakbeat. That moment is said to have given birth to hip-hop. No one made a movie about it.

The landscape for hip-hop movies is starved, all things considered. We’re talking about a musical genre, currently celebrating its golden anniversary, where the aspirational stories of overcoming struggle and systemic oppression, building community and, eventually, dominating pop culture, are rarely told on the big screen.

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