Eek-cute: the rebirth of the frothy romcom sociopath

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The online era is pushing screen romantics to alarming extremes. Whether posing as a stranger’s fiancee or framing someone as an obsessive stalker, happy endings look harder than ever to find It’s a long-running romcom trope that the couples we’re supposed to root for are often hiding lies that threaten the chances of any happy relationship blossoming. From classics such as The Shop Around the Corner to modern blockbusters such as How to Lose a Guy in 10 Days, the genre thrives whenever it presents the audience with the most alarming red flags it conceals from its characters, raising the stakes by seeing if sparks can still fly when an ulterior motive behind each meet-cute is hidden in plain sight. In the romantic comedies we’ve seen so far this year, this trope has not only been revived but pushed far beyond its breaking point, cementing a new romcom archetype: the unlucky-in-love sociopath. This week’s new release Finding Emily is the starkest example to date, introducing psychology...
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It’s a rap: what are the greatest hip-hop movies?

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The genre, which turns 50 this month, has led to surprisingly few movies but the best include a black-and-white comedy and a starry documentary

Fifty years ago, on 11 August 1973, a young woman named Cindy Campbell hosted a small party in the Bronx. Her brother DJ Kool Herc was spinning some records, using two turntables to loop a breakbeat. That moment is said to have given birth to hip-hop. No one made a movie about it.

The landscape for hip-hop movies is starved, all things considered. We’re talking about a musical genre, currently celebrating its golden anniversary, where the aspirational stories of overcoming struggle and systemic oppression, building community and, eventually, dominating pop culture, are rarely told on the big screen.

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