Béla Tarr’s quest for cinematic perfection made him my ideal, impossible mentor | László Nemes

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The Son of Saul director recalls how getting his first job as assistant to the austere master was a hard but inspiring lesson in the most ambitious kind of movie-making News: Hungarian director Béla Tarr dies aged 70 The last time I saw Béla Tarr was a few years ago at the Nexus conference in Amsterdam. We were invited to speak about the state of the world and of the arts. We both thought light and darkness existed in the world, even if our perception about them differed. Béla was already weakened in his body, but the spirit was still ferocious, rebellious, furious. We sat down to talk. It seemed fairly obvious this would be our ultimate, and most heartfelt, conversation. As the former apprentice, I was able to see the master one last time, with all his rage, sorrow, love and hate. I first met Béla in 2004 when he was preparing The Man from London. I wanted to learn film-making and applied to become an assistant on the film. He gave me my first real job: as an assistant, I had to fi...
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It’s a rap: what are the greatest hip-hop movies?

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The genre, which turns 50 this month, has led to surprisingly few movies but the best include a black-and-white comedy and a starry documentary

Fifty years ago, on 11 August 1973, a young woman named Cindy Campbell hosted a small party in the Bronx. Her brother DJ Kool Herc was spinning some records, using two turntables to loop a breakbeat. That moment is said to have given birth to hip-hop. No one made a movie about it.

The landscape for hip-hop movies is starved, all things considered. We’re talking about a musical genre, currently celebrating its golden anniversary, where the aspirational stories of overcoming struggle and systemic oppression, building community and, eventually, dominating pop culture, are rarely told on the big screen.

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