Sharmila Tagore on missing out on Rocky Aur Rani Kii Prem Kahaani with Dharmendra, “I fell ill and couldn’t do the film”

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“We shared the same birthday. He was my co-star in seven films. I knew he was not keeping good health. But the news of his passing is still very saddening,” said Sharmila Tagore, who worked in films as far-ranging as Satyakam and Chupke Chupke with Dharmendra. She reflected on their screen togetherness. “We first worked together in Devar and then during the same year in Anupama. Two very serious subjects, followed by an out-and-out commercial film Mere Humdum Mere Dost. Shooting with him was a breeze. He was as effortless on screen as he was off it. He was never ‘The Star’ on the sets, always his natural self. There was nothing put-on about him.” Sharmila Tagore recalled her first meeting with Dharmendra. “Before we worked together, we met when I was shooting with Yash Chopra’s Waqt. I don’t know in what context he was there. But I remember he was dressed… how shall I put it… not like a star at all. When s...
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Comandante review – fun, if you ignore the voice in your head telling you it’s wrong

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Edoardo de Angelis’s war movie was made in collaboration with the Italian navy, which clarifies the pervasive sense that it’s attempting to launder Italy’s wartime reputation

Hollywood knows exactly how to play it when it comes to portraying a second world war German officer. Get an actor like Christoph Waltz, stick him in a Nazi uniform, and have him strangle a kitten for fun before the opening credits finish. But when it comes to Italian characters from the same period, you can sometimes sense some cultural confusion kicking in. Surely Italy is that nice place with the gnocchi and olive oil? Hard to imagine they were … fascists?

Comandante, the new film from Edoardo De Angelis, won’t do much to clarify that disconnect, even though it actually hails from Italy and might be expected to do a bit more soul-searching. Naval officer Salvatore Todaro (Pierfrancesco Favino) is very much the friendly face of the Italian war effort. Set for the most part aboard the submarine Comandante Cappellini in the early 1940s, it is a dramatisation of the sinking of the Kabalo, a Belgian ship carrying British war supplies, and the subsequent rescue of 26 shipwrecked Belgian mariners from a watery grave by Todaro and his crew.

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