The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

Comandante review – fun, if you ignore the voice in your head telling you it’s wrong

Edoardo de Angelis’s war movie was made in collaboration with the Italian navy, which clarifies the pervasive sense that it’s attempting to launder Italy’s wartime reputation

Hollywood knows exactly how to play it when it comes to portraying a second world war German officer. Get an actor like Christoph Waltz, stick him in a Nazi uniform, and have him strangle a kitten for fun before the opening credits finish. But when it comes to Italian characters from the same period, you can sometimes sense some cultural confusion kicking in. Surely Italy is that nice place with the gnocchi and olive oil? Hard to imagine they were … fascists?

Comandante, the new film from Edoardo De Angelis, won’t do much to clarify that disconnect, even though it actually hails from Italy and might be expected to do a bit more soul-searching. Naval officer Salvatore Todaro (Pierfrancesco Favino) is very much the friendly face of the Italian war effort. Set for the most part aboard the submarine Comandante Cappellini in the early 1940s, it is a dramatisation of the sinking of the Kabalo, a Belgian ship carrying British war supplies, and the subsequent rescue of 26 shipwrecked Belgian mariners from a watery grave by Todaro and his crew.

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