Anees Bazmee reacts to rumours about the exit of Diljit Dosanjh from No Entry 2; says, “I’m just happy that the film is getting made”

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Director Anees Bazmee has broken his silence on the reported exit of Diljit Dosanjh from No Entry 2, the long-awaited sequel to the 2005 comedy hit. While the news of Diljit walking out of the project has made headlines, Bazmee maintains that his focus remains on getting the film made, regardless of casting shifts. Speaking to News18, Anees Bazmee said, “I’m just happy that the film is getting made. There’s no bigger joy than that. At this point, woh hi ho raha hai jo upar waala chahta hai (Whatever is happening is the will of God). I work with a lot of earnestness and I leave the rest to God.” Bazmee also reflected on the reality of filmmaking, noting that ideal casting doesn’t always work out. “It’s not like I’ve only worked with actors who’ve been my first choices on the films I’ve done so far. I’ve had to work with actors who were my second and even third choices. But once these films got released, audiences felt that those actors fit the characters perfectly and nobody else could...
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Comandante review – fun, if you ignore the voice in your head telling you it’s wrong

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Edoardo de Angelis’s war movie was made in collaboration with the Italian navy, which clarifies the pervasive sense that it’s attempting to launder Italy’s wartime reputation

Hollywood knows exactly how to play it when it comes to portraying a second world war German officer. Get an actor like Christoph Waltz, stick him in a Nazi uniform, and have him strangle a kitten for fun before the opening credits finish. But when it comes to Italian characters from the same period, you can sometimes sense some cultural confusion kicking in. Surely Italy is that nice place with the gnocchi and olive oil? Hard to imagine they were … fascists?

Comandante, the new film from Edoardo De Angelis, won’t do much to clarify that disconnect, even though it actually hails from Italy and might be expected to do a bit more soul-searching. Naval officer Salvatore Todaro (Pierfrancesco Favino) is very much the friendly face of the Italian war effort. Set for the most part aboard the submarine Comandante Cappellini in the early 1940s, it is a dramatisation of the sinking of the Kabalo, a Belgian ship carrying British war supplies, and the subsequent rescue of 26 shipwrecked Belgian mariners from a watery grave by Todaro and his crew.

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