Hera Pheri 3 Row: Vijay Kumar claims ‘100 percent’ IP ownership amid legal battle with Firoz Nadiadwala

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A legal tussle surrounding the Hera Pheri franchise has come into focus, with Vijay Kumar asserting complete ownership over the intellectual property, as his dispute with producer Firoz Nadiadwala continues in court. In a candid interaction with Pinkvilla, Vijay Kumar laid out his stance on the matter, claiming that the rights to the franchise have always remained with his side. Addressing the ongoing case, he confirmed, “We have the total rights for Hera Pheri franchise clean and clear, everything. And guess what? This man did the second instalment without permission.” According to Vijay, the issue dates back to the sequel itself. While a one-time remake right for the Hindi version was granted, he alleges that subsequent developments took place without consent. “We had only given a one-time remake right for the Hindi version. He made that, but then proceeded with a second film without our consent or knowledge,” he stated, adding that the matter was not pursued legally at the time. ...
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Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

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Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

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