Several single-screen cinemas yet to open bookings for Bhooth Bangla from April 17 due to show-sharing dispute with Dhurandhar The Revenge

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The horror-comedy Bhooth Bangla was scheduled for release on April 10, but it was pushed by a week after it failed to secure the desired number of shows amid the Dhurandhar The Revenge wave. The makers, as well as the industry at large, hoped that with Bhooth Bangla releasing on April 17, there would be no issues with regard to showcasing. However, that’s not the case. Less than 24 hours remains for the release and yet, most of the single screens are yet to commence bookings. A trade source told Bollywood Hungama, “Jio Studios has requested that Dhurandhar The Revenge be allotted 50% showcasing in single screens. Their argument is that the film continues to perform well and still has a lot of gas left in the tank. The fact that it collected Rs. 6.50 crores on Tuesday has further strengthened their case for retaining shows. On the other hand, Bhooth Bangla’s distribution team has requested full showcasing. They believe that Dhurandhar The Revenge has already enjoyed a dream run for fou...
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Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

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Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

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