After Naagzilla with Kartik Aaryan, Karan Johar sets up another creature universe with Rajkummar Rao

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Rajkummar Rao is on a roll, signing films left right and centre after the success of Stree 2. While Maalik is all set to release on July 12, we have exclusively learnt that Rajkummar Rao has signed a one of its kind creature film for Karan Johar to be directed by Sandeep Modi. Reliable sources confirm that the film will go on floors towards the end of 2025, with a start-to-finish schedule. "Rajkummar Rao has signed on for Karan Johar's next with director Sandeep Modi. It's a creature-based thriller, to be mounted on a big scale and the makers are looking to create a franchise out of the same," a source shared with Bollywood Hungama. The source further informed us that the film will go on floors around November 2025, and the director, Sandeep Modi, has already begun pre-production. “Rajkummar Rao has signed the film for an agreed sum of Rs. 12 crores, which is his biggest pay cheque to date. He is excited to partner with Karan Johar on the project,” the source added....
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Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

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Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

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