How being crushed by a 14,000lb snowplough made Jeremy Renner a nicer person: ‘I’ve never been more vulnerable, open and loving’

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He was known as a tightly wound Hollywood tough guy, on and off screen – and then the star found himself fighting for his life. He talks about ‘bullying his body’ into recovery, and how the accident changed him Six ribs broken in 14 places. Three breaks in the lower pelvis. Right and left ankle broken. Left tibia broken. Left wrist fractured. Left toes, three breaks. Right clavicle broken. Right shoulder blade cracked. Eye socket, jaw, mandible, all broken. Major laceration back of head. Lung collapsed. Liver pierced from rib bone. The inventory of Jeremy Renner’s injuries, documented by the twice Oscar-nominated movie star himself, was exhaustive. It was a miracle that the actor had survived; he had no right to. Renner had been crushed by his own 14,000lb (6,350kg) snowplough on New Year’s Day 2023. A neighbour who helped him at the scene believes he died momentarily. So does Renner. He tells me it was a very special moment. “What I experienced when I passed...
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Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

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Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

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