EXCLUSIVE: Awarapan 2 sparks distributor frenzy; Dharma, Zee Studios, AA Films and others meet Mukesh Bhatt for theatrical rights

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Awarapan (2007) underperformed at the box office during its theatrical run but went on to achieve cult status over the years, thanks to its unforgettable soundtrack, touching storyline, memorable dramatic and action moments and, of course, Emraan Hashmi in an intense, never-seen-before avatar. As a result, the trade and industry are confident about the prospects of Awarapan 2. Last week, some of the biggest distributors in the Hindi film industry were seen at the Vishesh Films office, keen to acquire the film’s all-India theatrical rights. A trade source told Bollywood Hungama, “You name it and that distributor was seen at the Vishesh Films office last week – be it Zee Studios, Anil Thadani’s AA Films, Pen Marudhar, Jio Studios, Star Studio18, Cinepolis, etc. That’s not all. Dharma Productions, which now has its own distribution arm, also met Mukesh Bhatt. Lastly, Ananya Birla’s Birla Studios plans to not only produce but also distribute films in the future. Their representative also ...
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Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

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Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

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