Fjord review - Cristian Mungiu at sea with strange child abuse drama starring Renate Reinsve and Sebastian Stan

Cannes film festival: The Palme laureate here makes a misstep with an odd, disquieting film that leaves too many issues unresolved Romanian director and Palme laureate Cristian Mungiu – the winner here in 2007 with his stunning 4 Months, 3 Weeks and 2 Days – comes to Cannes with an anticlimactic, underpowered movie which it seems to me could be part of an odd phenomenon at this year’s festival, detectable also in films here by Kantemir Balagov and Ryusuke Hamaguchi: auteurs making coproduction movies outside their home turf and mother tongue with big foreign stars, perhaps as a result of creative conversations at international film festivals with admirers from all over the world – and losing focus. Fjord is an odd film, bearing Mungiu’s signature, certainly, with enigmatic long shots and avoidance of closeups, and one very distinctive crowding of faces in a dinner-scene tableau. But the ostensible pain and trauma of its story is conveyed without the rewarding complexity that we have...

Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

All of our Edinburgh festival reviews

Continue reading...

from Film | The Guardian https://ift.tt/Vke5pQ8
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”