Dhurandhar The Revenge faces legal heat; plea seeks ban on the film’s release ahead of Tamil Nadu elections

In a significant development ahead of the upcoming Tamil Nadu Assembly elections, a plea has been raised before the Madras High Court seeking a ban on the recently released film Dhurandhar The Revenge in the state. The matter was mentioned urgently on Monday, March 23, with concerns that the film’s politically charged narrative could influence voters during the crucial election period. Advocate Sheela brought the issue before a bench comprising Chief Justice SA Dharmadhikari and Justice G Arul Murugan. The counsel argued that the film contains strong political undertones and may impact voter sentiment, especially with elections scheduled to take place on April 23, 2026. Highlighting the timing of the release, the advocate pointed out that the Model Code of Conduct is currently in force following the March 15 announcement by the Election Commission of India. She urged the court to restrain the screening of the film in Tamil Nadu until the completion of polling, suggesting that its exh...

Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

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