SCOOP: Ranveer Singh buys the rights for The Immortal of Meluha trilogy for Rs. 40 crores from Amish Tripathi

After the success of the Dhurandhar franchise, Ranveer Singh has become the new King of the Indian Film Industry. With back-to-back all-time grossers under his kitty, the young actor has officially secured the tag of a superstar, and all eyes are now on his next move. While several speculations on the financials of Pralay continue to grab chatters in the industry circles, Bollywood Hungama has exclusively learnt that Ranveer Singh has quietly acquired the rights for The Immortals of Meluha.  "Ranveer Singh was to lead Immortals of Meluha for Sanjay Leela Bhansali. However, the project never materialised. But the actor was always fascinated by the world, and had the dream of playing Lord Shiva in the spectacle. The minute rights of Immortal of Meluha expired on Sanjay Leela Bhansali, Ranveer went ahead and procured it under his own banner - Maa Kasam Films," a source told Bollywood Hungama. The source also informs that the sum splurged by Ranveer Singh to bag the rights is ...

Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

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