REVEALED in Madras High Court order: Scenes in Vijay’s Jana Nayagan that triggered CBFC complaint – National Flag visuals, Army references, foreign powers provoking religious conflict

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On Friday, January 9, the Madras High Court ruled in favour of Jana Nayagan’s makers and asked the CBFC (Central Board of Film Certification) to grant the film a U/A 16+ certificate. The CBFC immediately challenged that decision and requested a fresh review. Following the appeal, the court put its earlier order on hold for now. It also noted that the producers of the Vijay-starrer appeared to have created an unnecessary sense of urgency about the film’s release date, which may have pressured the court, as reported by Live Law. The case will be heard again on January 21, which puts a question mark on whether the much-awaited flick would be able to make it in cinemas this month. Bollywood Hungama has a copy of the court order, which revealed that the producer had applied for certification on December 18, 2025. The film was screened for the Examining Committee on December 19, and the committee unanimously recommended U/A 16+ subject to modifications. The makers carried out the cuts and s...
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Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

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Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

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