Tamil Nadu CM’s M.K. Stalin’s grandson backs Kamal–Rajinikanth’s big-screen comeback

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In KH x RK, Kamal Haasan and Rajinikanth will share screen space for the first time in forty-eight years. The film is being produced by 21-year-old Inban Udhayanidhi, grandson of Tamil Nadu Chief Minister M.K. Stalin and son of Deputy Chief Minister Udhayanidhi Stalin. Kamal Haasan currently heads his own political party, while Rajinikanth is not affiliated with any political party. Inban is the CEO of the film production company Red Giant Movies. It is rumoured that Kamal Haasan and Rajinikanth have been paid equal remuneration, reportedly close to Rs. 70 crore each. Also Read: Kamal Haasan – Rajinikanth to share screen space after 47 years with Nelson Dilipkumar as director; announcement video inside from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama https://ift.tt/HoNJKQz via IFTTT
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Chuck Chuck Baby review – whimsy and realism combine in big-hearted romance

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Louise Brealey is put-upon Helen, a chicken factory worker who gets a second chance at love, in Pugh’s generous and gritty film

Here’s a rousing empowerment-anthem of a movie that’s not afraid to paint its romance plotline in big, bold brushstrokes; occasionally it overdoes things but the rush of emotion carries everything along in its path, helped by the deployment of radio-friendly standards by Neil Diamond and the like that turns the film into an impromptu musical and allows writer-director Janis Pugh to stage (relatively) elaborate dance sequences and big emotional scenes.

The central figure is put-upon chicken-processing factory worker Helen (played by Louise Brealey) who has a complicated domestic situation: she lives in the same crummy terrace as her oafish husband Gary, from whom she is separated but seemingly not actually divorced, and shares the place with his new, much younger, girlfriend Amy (Emily Fairn) and their newly arrived baby. Also on the premises is Gary’s terminally ill mother Gwen (Sorcha Cusack), for whom Helen acts a carer but is the quasi-maternal figure that Helen appears to long for. There’s also a rowdy Greek chorus of Helen’s fellow factory workers who are perhaps designed as a counterpoint to Helen’s introverted, clenched unhappiness, at least at first.

Chuck Chuck Baby screened at the Edinburgh film festival

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