Anees Bazmee reacts to rumours about the exit of Diljit Dosanjh from No Entry 2; says, “I’m just happy that the film is getting made”

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Director Anees Bazmee has broken his silence on the reported exit of Diljit Dosanjh from No Entry 2, the long-awaited sequel to the 2005 comedy hit. While the news of Diljit walking out of the project has made headlines, Bazmee maintains that his focus remains on getting the film made, regardless of casting shifts. Speaking to News18, Anees Bazmee said, “I’m just happy that the film is getting made. There’s no bigger joy than that. At this point, woh hi ho raha hai jo upar waala chahta hai (Whatever is happening is the will of God). I work with a lot of earnestness and I leave the rest to God.” Bazmee also reflected on the reality of filmmaking, noting that ideal casting doesn’t always work out. “It’s not like I’ve only worked with actors who’ve been my first choices on the films I’ve done so far. I’ve had to work with actors who were my second and even third choices. But once these films got released, audiences felt that those actors fit the characters perfectly and nobody else could...
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Celine Song on adapting her life for surprise hit Past Lives: ‘It becomes its own story’

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Less a love story than a meditation on what-ifs, the film has propelled its debut director to a rarefied strata of acclaim – and away from her own past life

Past Lives opens with a conundrum. A trio perches at a bar: a woman and two men. They’re loosened by wine and conversation, and yet a faint melancholy floats through the air. They trade furtive glances and longing stares; it’s difficult to tell who’s looking at who. Soon we’ll find out who they are: playwright Nora (Greta Lee), her American husband Arthur (John Magaro) and Hae Sung, her childhood sweetheart from South Korea (Teo Yoo). For now, though, all we hear is a background conversation between a pair of perplexed onlookers trading guesses into their relationship. Are they co-workers? Tourists? Lovers? Which guy is she with?

This might be the most explicitly autobiographical moment in Past Lives, a film which follows Nora as she reconnects with Hae Sung multiple times across multiple decades and continents. Less a love story than a meditation on what-ifs, it has propelled its debut director Celine Song to a rarefied strata of acclaim, accruing both rave reviews and early, frantic Oscars buzz since its Sundance premiere earlier this year. The idea for the film came to Song when she too was sitting in an East Village cocktail joint, sandwiched between an old flame from Seoul, who spoke only Korean, and her husband, the screenwriter Justin Kuritzkes, who spoke only English.

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