‘Outrageous’: Rebel Wilson denies she was behind Snapchat leak of actor’s nude photo, court hears

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The Pitch Perfect star is being sued for defamation by Charlotte MacInnes, the lead actor of Wilson’s directorial debut, The Deb Follow our Australia news live blog for latest updates Get our breaking news email , free app or daily news podcast Hollywood star Rebel Wilson has slammed as “outrageous” an accusation she directed a cyber attack on her co-star’s social media account that led to a nude photo leak. The Pitch Perfect star is being sued for defamation by Charlotte MacInnes, the 27-year-old lead actor of the musical comedy The Deb, which is Wilson’s directorial debut. In Australia, support is available at Full Stop Australia (1800 385 578). In the UK, Rape Crisis offers support on 0808 500 2222. In the US, Rainn offers support on 800-656-4673. Other international helplines can be found at ibiblio.org/rcip/internl.html Continue reading... from Film | The Guardian https://ift.tt/4ZaVG1y via IFTTT
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Celine Song on adapting her life for surprise hit Past Lives: ‘It becomes its own story’

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Less a love story than a meditation on what-ifs, the film has propelled its debut director to a rarefied strata of acclaim – and away from her own past life

Past Lives opens with a conundrum. A trio perches at a bar: a woman and two men. They’re loosened by wine and conversation, and yet a faint melancholy floats through the air. They trade furtive glances and longing stares; it’s difficult to tell who’s looking at who. Soon we’ll find out who they are: playwright Nora (Greta Lee), her American husband Arthur (John Magaro) and Hae Sung, her childhood sweetheart from South Korea (Teo Yoo). For now, though, all we hear is a background conversation between a pair of perplexed onlookers trading guesses into their relationship. Are they co-workers? Tourists? Lovers? Which guy is she with?

This might be the most explicitly autobiographical moment in Past Lives, a film which follows Nora as she reconnects with Hae Sung multiple times across multiple decades and continents. Less a love story than a meditation on what-ifs, it has propelled its debut director Celine Song to a rarefied strata of acclaim, accruing both rave reviews and early, frantic Oscars buzz since its Sundance premiere earlier this year. The idea for the film came to Song when she too was sitting in an East Village cocktail joint, sandwiched between an old flame from Seoul, who spoke only Korean, and her husband, the screenwriter Justin Kuritzkes, who spoke only English.

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