The Bad Guys 2 review – gang of cuddly animal criminals get pulled back in for one last heist

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Snappier, funnier and more relaxed than the first film, this caper sees the crew dragged back to villainy by a ‘MacGuffinite’ plot Here’s one of the few animated kids’ sequels you can approach without strapping into a hazmat suit for protection. DreamWorks’s franchise hits its stride with this minor upgrade – a snappier, funnier and more relaxed movie than the original. It begins like a Bond or Bourne with a death-defying car chase around Cairo after the gang of criminal predators pull off yet another a splashy heist. Behind the wheel of the getaway car is ringleader Mr Wolf (voiced by Sam Rockwell, and doing such a decent Clooney impersonation that George should shake him down for royalties). Actually, the chase is a flashback to five years ago. Right now, in the present, Mr Wolf, Mr Snake, Mr Shark and the gang have gone straight. But their fresh start as good guys is scuppered by a snow leopard and a frame-up for a series of daring heists involving a precious metal called MacGuffi...
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Celine Song on adapting her life for surprise hit Past Lives: ‘It becomes its own story’

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Less a love story than a meditation on what-ifs, the film has propelled its debut director to a rarefied strata of acclaim – and away from her own past life

Past Lives opens with a conundrum. A trio perches at a bar: a woman and two men. They’re loosened by wine and conversation, and yet a faint melancholy floats through the air. They trade furtive glances and longing stares; it’s difficult to tell who’s looking at who. Soon we’ll find out who they are: playwright Nora (Greta Lee), her American husband Arthur (John Magaro) and Hae Sung, her childhood sweetheart from South Korea (Teo Yoo). For now, though, all we hear is a background conversation between a pair of perplexed onlookers trading guesses into their relationship. Are they co-workers? Tourists? Lovers? Which guy is she with?

This might be the most explicitly autobiographical moment in Past Lives, a film which follows Nora as she reconnects with Hae Sung multiple times across multiple decades and continents. Less a love story than a meditation on what-ifs, it has propelled its debut director Celine Song to a rarefied strata of acclaim, accruing both rave reviews and early, frantic Oscars buzz since its Sundance premiere earlier this year. The idea for the film came to Song when she too was sitting in an East Village cocktail joint, sandwiched between an old flame from Seoul, who spoke only Korean, and her husband, the screenwriter Justin Kuritzkes, who spoke only English.

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