Sharmila Tagore on missing out on Rocky Aur Rani Kii Prem Kahaani with Dharmendra, “I fell ill and couldn’t do the film”

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“We shared the same birthday. He was my co-star in seven films. I knew he was not keeping good health. But the news of his passing is still very saddening,” said Sharmila Tagore, who worked in films as far-ranging as Satyakam and Chupke Chupke with Dharmendra. She reflected on their screen togetherness. “We first worked together in Devar and then during the same year in Anupama. Two very serious subjects, followed by an out-and-out commercial film Mere Humdum Mere Dost. Shooting with him was a breeze. He was as effortless on screen as he was off it. He was never ‘The Star’ on the sets, always his natural self. There was nothing put-on about him.” Sharmila Tagore recalled her first meeting with Dharmendra. “Before we worked together, we met when I was shooting with Yash Chopra’s Waqt. I don’t know in what context he was there. But I remember he was dressed… how shall I put it… not like a star at all. When s...
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Can Zack Snyder’s Rebel Moon prove there’s life beyond Star Wars for the space opera genre?

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Snyder’s epic-looking Netflix effort comes complete with lightsabers and exotic space princesses. Can it revive a neglected style of film-making?

For a genre that pretty much inspired the entire blockbuster era, space opera has become weirdly hard to get hold of beyond Star Wars. After the original trilogy’s barnstorming success in the late 70s for Lucasfilm, there were umpteen abortive attempts by other studios to grab themselves some of that good space fantasy dollar, but nobody really got anywhere useful. Disney’s appalling The Black Hole is barely remembered these days, while Roger Corman’s Battle Beyond the Stars is perhaps memorable only for giving a certain James Cameron an early break on special effects. There was even a James-Bond-in-space movie, Roger Moore’s Moonraker, although it hardly registers as one of 007’s most scintillating adventures.

Flash forward to the present day, and space opera seems to have become the preserve of the small screen, thanks to Disney+’s endlessly satisfying conveyor belt of Star Wars spin-offs and retreads. We are promised more movies set in a galaxy far, far away, but there are no definitive start dates for production and certainly no mooted release dates. Ever since 2019’s incredibly disappointing, trilogy-killing The Rise of Skywalker, the only way to watch space opera at the multiplex has been to catch the latest Guardians of the Galaxy episode or sign up for retro screenings of the old classics.

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