The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Bradley Cooper’s prosthetic nose not antisemitic, Anti-Defamation League says

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Jewish organisation defends actor after he was accused of performing in ‘Jewface’ for Maestro, his biopic of conductor Leonard Bernstein

The Anti-Defamation League (ADL) has defended Bradley Cooper’s decision to wear a prosthetic nose to play Leonard Bernstein in his upcoming biopic about the legendary composer, after the actor was accused of performing in “Jewface”.

The US-based international Jewish organisation, which fights antisemitism and bigotry, issued a statement on Monday stating that the use of prosthetics was not inherently antisemitic.

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