‘Outrageous’: Rebel Wilson denies she was behind Snapchat leak of actor’s nude photo, court hears

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The Pitch Perfect star is being sued for defamation by Charlotte MacInnes, the lead actor of Wilson’s directorial debut, The Deb Follow our Australia news live blog for latest updates Get our breaking news email , free app or daily news podcast Hollywood star Rebel Wilson has slammed as “outrageous” an accusation she directed a cyber attack on her co-star’s social media account that led to a nude photo leak. The Pitch Perfect star is being sued for defamation by Charlotte MacInnes, the 27-year-old lead actor of the musical comedy The Deb, which is Wilson’s directorial debut. In Australia, support is available at Full Stop Australia (1800 385 578). In the UK, Rape Crisis offers support on 0808 500 2222. In the US, Rainn offers support on 800-656-4673. Other international helplines can be found at ibiblio.org/rcip/internl.html Continue reading... from Film | The Guardian https://ift.tt/4ZaVG1y via IFTTT
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Behind the scenes with Sofia Coppola: memories from a life in film

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The celebrated director looks back at her career, sharing the inspirations and experiences that shaped films from Lost in Translation to her forthcoming biopic, Priscilla​. Words by Sofia Coppola, introduction by Kathryn Bromwich

There is a particular aesthetic that runs through Sofia Coppola’s work, whether she is turning her gauzy, feminised lens on the southern gothic of The Beguiled or urban alienation in Lost in Translation, the rococo excesses of Marie Antoinette or disaffected suburban youths in The Bling Ring. Coppola is adept at creating heady atmospheres and worlds that feel fully realised, her characters veering between emptiness, desire and repression; the frames in her films have a painterly quality, straddling the line between beauty and claustrophobia. Her singular style has influenced much of contemporary popular culture, from Lana Del Rey’s wistful music videos to Emma Cline’s novels about lonely and potentially dangerous young women.

Coppola’s first book, Archive, collects behind-the-scenes ephemera from her films, starting with her 1999 directorial debut, The Virgin Suicides, and ending with her forthcoming biopic of Elvis Presley’s young bride, Priscilla. Holed up at home in Napa, California, during the pandemic, Coppola started to go through boxes of old material: Polaroids, early scripts, clippings, letters, doodles. These discarded objects had taken on a nostalgic quality over the years, and so Coppola put together the most meaningful mementoes from each project, accompanying them with musings and personal recollections. Speaking to journalist Lynn Hirschberg in the book’s introduction, Coppola reflects on Priscilla, which premieres at the Venice international film festival next month. “Across all my films, there is a common quality: there is always a world and there is always a girl trying to navigate it. That’s the story that will always intrigue me.” Kathryn Bromwich

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