Ranbir Kapoor's ARKS launches its first fragrance 'ARKS Day', expanding into the world of scents

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Ranbir Kapoor’s premium lifestyle brand, ARKS, has taken a significant stride beyond fashion and footwear with the launch of its debut fragrance—ARKS Day. Known for redefining everyday essentials through the lens of minimalism and quiet confidence, ARKS now explores the world of fine fragrances, marking a new chapter in its evolving identity. ARKS Day is designed as the finishing touch to one’s daily ensemble— “the final, invisible layer before you step out the door.” Gender-inclusive and timeless, the fragrance embodies ARKS' signature ethos of subtle sophistication. It opens with a fresh citrusy burst, layered with warm woody undertones, and settles into a musky finish—mirroring the brand’s philosophy of balance, simplicity, and inner strength. “ARKS Day brings back a lot of memories from my childhood—the places I felt drawn to, the people who made me feel at home. We wanted to capture that essence in this first bottle. It's familiar, grounding, and made for those who carry...
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Behind the scenes with Sofia Coppola: memories from a life in film

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The celebrated director looks back at her career, sharing the inspirations and experiences that shaped films from Lost in Translation to her forthcoming biopic, Priscilla​. Words by Sofia Coppola, introduction by Kathryn Bromwich

There is a particular aesthetic that runs through Sofia Coppola’s work, whether she is turning her gauzy, feminised lens on the southern gothic of The Beguiled or urban alienation in Lost in Translation, the rococo excesses of Marie Antoinette or disaffected suburban youths in The Bling Ring. Coppola is adept at creating heady atmospheres and worlds that feel fully realised, her characters veering between emptiness, desire and repression; the frames in her films have a painterly quality, straddling the line between beauty and claustrophobia. Her singular style has influenced much of contemporary popular culture, from Lana Del Rey’s wistful music videos to Emma Cline’s novels about lonely and potentially dangerous young women.

Coppola’s first book, Archive, collects behind-the-scenes ephemera from her films, starting with her 1999 directorial debut, The Virgin Suicides, and ending with her forthcoming biopic of Elvis Presley’s young bride, Priscilla. Holed up at home in Napa, California, during the pandemic, Coppola started to go through boxes of old material: Polaroids, early scripts, clippings, letters, doodles. These discarded objects had taken on a nostalgic quality over the years, and so Coppola put together the most meaningful mementoes from each project, accompanying them with musings and personal recollections. Speaking to journalist Lynn Hirschberg in the book’s introduction, Coppola reflects on Priscilla, which premieres at the Venice international film festival next month. “Across all my films, there is a common quality: there is always a world and there is always a girl trying to navigate it. That’s the story that will always intrigue me.” Kathryn Bromwich

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