REVEALED: Not Emraan Hashmi or Akshay Kumar, this actor plays Bade Sahab in Dhurandhar The Revenge

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The all-time grosser Dhurandhar (2025) ended on a high. Viewers wondered who Bade Sahab is and most importantly, which actor would essay the role of the mysterious figure. In the months that followed, speculations arose that Emraan Hashmi or Akshay Kumar had been signed to play Bade Sahab. It has now come to light that these reports were false and its actor, Danish Iqbal, who essays the said part. Danish Iqbal has previously worked in significant films and shows like Maharani, Aranyak, Faraaz, Aakhri Sach, Bhakshak, Haq, The Hunt: The Rajiv Gandhi Assassination Case etc. Last week, viewers saw him in the role of K C Majumdar in Prakash Jha's recently released web series, Sankalp. Like Dhurandhar, the political revenge drama was also produced by Jio Studios. Speaking of Dhurandhar The Revenge, it is the sequel to Dhurandhar (2025), which starred Ranveer Singh, Akshaye Khanna, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun and others. It tells the story of an Indian who infiltra...
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American Graffiti at 50: a classic hangout comedy with a surprising melancholy

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George Lucas’s 60s-set tale of California teens offers some freewheeling fun but also a lingering sadness

Ninety-nine times out of 100, the postscripts that get tucked in before the closing credits, telling us where the characters’ lives have gone from there, are totally unnecessary, especially in a fictional story where their fates are better left to the viewer’s imagination. But in George Lucas’s American Graffiti, which turns 50 this week, they are the most important part of the film, not least because two of the four characters don’t have much longer to live. We can feel that darkness lingering around the edges of Lucas’ dusk-till-dawn nostalgia piece about the last night of summer vacation in 1962 Modesto, California, even while its teenagers are getting into mostly light-hearted forms of trouble. This night has to end, and when the sun comes up, their entire world turns back into a pumpkin.

From the opening shot of Mel’s Drive-In, set to Bill Haley and His Comets’ Rock Around the Clock, American Graffiti seems to unfold inside a snow globe, an idealized past with invisible borders that separate it not only from the outside world, but from the future itself. It’s one of those films, like its spiritual successor Dazed and Confused, that has the quality of a hangout comedy, loose-limbed and goofily episodic, but laced with an air of melancholy that’s so subtle you miss it entirely. (That’s why the postscript is such a slap in the face.) It aches for a scene that had passed just a decade earlier, before the tumult of the Vietnam war and counter-culture, but must have seemed, even then, like ancient history.

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