Shiv Sena (UBT) warns Shah Rukh Khan over signing a Bangladeshi cricketer in his IPL team KKR

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A political storm is brewing around Shah Rukh Khan’s IPL team Kolkata Knight Riders (KKR) after the franchise signed Bangladeshi fast bowler Mustafizur Rahman ahead of the Indian Premier League (IPL) 2026 season. The controversial decision has drawn sharp criticism not only from political leaders but also from the Shiv Sena (Uddhav Balasaheb Thackeray faction) — which warned that the player’s IPL earnings could potentially be diverted to fund terrorism. The issue erupted after KKR selected Mustafizur Rahman, the only Bangladeshi cricketer picked in the 2026 IPL auction for Rs 9.2 crores. While some commentators have framed the move as a purely sporting decision, it quickly became a political flashpoint, with critics linking the signing to broader concerns about national security and religious sentiments. Mumbai, Maharashtra: On KKR buying a Bangladeshi player, Shiv Sena (UBT) spokesperson Anand Dubey says, "...If Shah Rukh Khan removes him from his team, we will all respect him,...
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American Graffiti at 50: a classic hangout comedy with a surprising melancholy

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George Lucas’s 60s-set tale of California teens offers some freewheeling fun but also a lingering sadness

Ninety-nine times out of 100, the postscripts that get tucked in before the closing credits, telling us where the characters’ lives have gone from there, are totally unnecessary, especially in a fictional story where their fates are better left to the viewer’s imagination. But in George Lucas’s American Graffiti, which turns 50 this week, they are the most important part of the film, not least because two of the four characters don’t have much longer to live. We can feel that darkness lingering around the edges of Lucas’ dusk-till-dawn nostalgia piece about the last night of summer vacation in 1962 Modesto, California, even while its teenagers are getting into mostly light-hearted forms of trouble. This night has to end, and when the sun comes up, their entire world turns back into a pumpkin.

From the opening shot of Mel’s Drive-In, set to Bill Haley and His Comets’ Rock Around the Clock, American Graffiti seems to unfold inside a snow globe, an idealized past with invisible borders that separate it not only from the outside world, but from the future itself. It’s one of those films, like its spiritual successor Dazed and Confused, that has the quality of a hangout comedy, loose-limbed and goofily episodic, but laced with an air of melancholy that’s so subtle you miss it entirely. (That’s why the postscript is such a slap in the face.) It aches for a scene that had passed just a decade earlier, before the tumult of the Vietnam war and counter-culture, but must have seemed, even then, like ancient history.

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