Bombay High Court dismisses PIL seeking change in Raja Shivaji’s title

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The Bombay High Court has dismissed a public interest litigation (PIL) that sought a stay on the theatrical release of the Marathi-Hindi bilingual film Raja Shivaji, clearing the way for the movie’s scheduled release on May 1, 2026. The petition had objected to the omission of the honorific “Chhatrapati” from the film’s title and claimed it was disrespectful to the legacy of Chhatrapati Shivaji Maharaj. The plea was filed by NGO Sree Chhatrapati Shivaji Maharaj Foundation, which argued that leaving out the title “Chhatrapati” hurt the sentiments of followers of the iconic Maratha ruler. The petitioner requested the court to direct the makers to rename the film Chhatrapati Raja Shivaji and also sought restrictions on the release, screening, and public exhibition of the movie until changes were made. A division bench led by Chief Justice Shree Chandrashekhar and Justice Gautam Ankhad rejected the petition, observing that the matter did not involve any real public cause. The court also n...
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Adèle Exarchopoulos: ‘Film shoots are like little summer love stories’

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The French star of Blue Is the Warmest Colour and new film Passages talks sex scenes, avoiding Hollywood and eating Toblerones in Jane Birkin’s bath

For Adèle Exarchopoulos, her first taste of film stardom was the literal taste of Toblerone. Then 13 years old, the young Parisian had just been cast in her first film, Jane Birkin’s autobiographical directing debut Boxes, and was invited round to the icon’s home. “I went to the bathroom to wash my hands,” Exarchopoulos recalls. “And I saw for the first time in my life a claw-foot tub. With a bowl of mini Toblerones next to it. And I was like: ‘Why are you eating chocolate when you’re taking a bath? This is so cool.’ And Jane said: ‘You want to sleep over? You can take a bath and eat some chocolate.’”

She beams at the memory. We’re talking, via Zoom, days after Birkin died aged 76; Exarchopoulos remembers her fondly as “the first person who gave me a chance – really benevolent, kind and loving”. They’d seen each other again over the years, but the close-quarters shoot is what sticks in her mind: “Cinema is about living really intense stuff with people, for a certain period of time, and afterwards you all go back to your daily lives. It’s like a mini death after, suddenly no longer sharing that intimacy, but you have this kind of forever tenderness for those people. Film shoots are like little summer love stories.”

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