Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace

Adèle Exarchopoulos: ‘Film shoots are like little summer love stories’

The French star of Blue Is the Warmest Colour and new film Passages talks sex scenes, avoiding Hollywood and eating Toblerones in Jane Birkin’s bath

For Adèle Exarchopoulos, her first taste of film stardom was the literal taste of Toblerone. Then 13 years old, the young Parisian had just been cast in her first film, Jane Birkin’s autobiographical directing debut Boxes, and was invited round to the icon’s home. “I went to the bathroom to wash my hands,” Exarchopoulos recalls. “And I saw for the first time in my life a claw-foot tub. With a bowl of mini Toblerones next to it. And I was like: ‘Why are you eating chocolate when you’re taking a bath? This is so cool.’ And Jane said: ‘You want to sleep over? You can take a bath and eat some chocolate.’”

She beams at the memory. We’re talking, via Zoom, days after Birkin died aged 76; Exarchopoulos remembers her fondly as “the first person who gave me a chance – really benevolent, kind and loving”. They’d seen each other again over the years, but the close-quarters shoot is what sticks in her mind: “Cinema is about living really intense stuff with people, for a certain period of time, and afterwards you all go back to your daily lives. It’s like a mini death after, suddenly no longer sharing that intimacy, but you have this kind of forever tenderness for those people. Film shoots are like little summer love stories.”

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