Shah Rukh Khan and Kajol unveil DDLJ bronze statue in London’s Leicester Square

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Bollywood icons Shah Rukh Khan and Kajol marked a memorable moment on December 4, 2025, by unveiling a bronze statue of their legendary characters Raj and Simran from the 1995 classic Dilwale Dulhania Le Jayenge (DDLJ) at London’s famed Leicester Square. Despite cold, rainy weather, the pair captivated the gathered audience and media, recreating the film’s iconic pose with radiant smiles. Shah Rukh Khan looked sharp in a black suit, while Kajol radiated grace in a mint-green saree. The new bronze statue is the first ever dedicated to an Indian film at Leicester Square, placing DDLJ alongside global cinematic icons like those from Harry Potter, Mary Poppins, Paddington, Singin’ in the Rain, and heroic figures like Batman and Wonder Woman. The statue captures the film’s signature pose — a moment the duo lovingly recreated during the ceremony. Reflecting on the anniversary, Shah Rukh Khan said, “DDLJ was made with a pure heart. We wanted to tell a story about love — how it can bridge bar...
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Zoey 102 review – Jamie Lynn Spears returns for unwanted nostalgia reboot

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The long-gestating movie follow-up to the mid-aughts Nickelodeon show gets mired in a familiar ongoing adolescence

If I were a television executive, particularly one at a large streaming platform that contains a teen network, I would certainly consider a reboot of Zoey 101. The tween series, which ran from 2005 to 2008 and starred Jamie Lynn Spears as a boarding school student in Malibu, is remembered fondly by a certain slice of Nickelodeon-raised late millennials. Its ending felt premature and tinged with sadness, as the series finale aired a few months after Spears, the younger sister of Britney, revealed that she was pregnant at 16. Though the show had already wrapped production before Jamie Lynn became a too-young tabloid fixture, the popular impression was that her off-screen shock pregnancy torpedoed the cutesy, very PG series. (As a 14-year-old at the time, this was a brain-searing event.)

In other words, there’s an on-paper case for Zoey 102, the new Paramount+ movie reboot of the series, in the sense that there was a lingering feeling of unfinished business to the show and that streaming service logic demands anything once popular be tried again. But it’s a fool’s errand. The revisionist happy ending for Zoey 101 feels at best strange and too overdue to work. (The logline bills the reboot as Zoey finding herself in her 20s, though the cast “graduated” high school 15 years ago and are almost entirely in their mid-30s; Spears herself is 32.) At worst, as often is the case with the finished product, it’s so focused on recapturing long past, hazily remembered magic as to be cringe-inducing.

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