The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

Zoey 102 review – Jamie Lynn Spears returns for unwanted nostalgia reboot

The long-gestating movie follow-up to the mid-aughts Nickelodeon show gets mired in a familiar ongoing adolescence

If I were a television executive, particularly one at a large streaming platform that contains a teen network, I would certainly consider a reboot of Zoey 101. The tween series, which ran from 2005 to 2008 and starred Jamie Lynn Spears as a boarding school student in Malibu, is remembered fondly by a certain slice of Nickelodeon-raised late millennials. Its ending felt premature and tinged with sadness, as the series finale aired a few months after Spears, the younger sister of Britney, revealed that she was pregnant at 16. Though the show had already wrapped production before Jamie Lynn became a too-young tabloid fixture, the popular impression was that her off-screen shock pregnancy torpedoed the cutesy, very PG series. (As a 14-year-old at the time, this was a brain-searing event.)

In other words, there’s an on-paper case for Zoey 102, the new Paramount+ movie reboot of the series, in the sense that there was a lingering feeling of unfinished business to the show and that streaming service logic demands anything once popular be tried again. But it’s a fool’s errand. The revisionist happy ending for Zoey 101 feels at best strange and too overdue to work. (The logline bills the reboot as Zoey finding herself in her 20s, though the cast “graduated” high school 15 years ago and are almost entirely in their mid-30s; Spears herself is 32.) At worst, as often is the case with the finished product, it’s so focused on recapturing long past, hazily remembered magic as to be cringe-inducing.

Continue reading...

from Film | The Guardian https://ift.tt/PAqU9aM
via IFTTT

Comments

Popular posts from this blog

Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

Elaha review – sex, patriarchy and second-generation identity

Shraddha Kapoor roped in as co-founder by demi fine jewellery start-up Palmonas