Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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The Unabridged Mrs Vera’s Daybook review – lovable profile of drag-artist campaigners

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Straightforward telling of artists David Faulk and Michael Johnstone’s story of love and activism is warm and heartfelt

Sometimes a hat festooned with plastic straws, Christmas tree baubles and random trash is more than just a hat festooned with plastic straws, Christmas tree baubles and random trash: it’s a political statement – well, sort of. This vivid, effervescent and often moving documentary revolves around David Faulk and Michael Johnstone, two artists who found each other in the middle of the Aids pandemic, fell in love and ended up building not just a life together but a wider community around the drag persona Mrs Vera.

The latter is incarnated by Faulk, clad like a psychedelic Joan of Arc in an armour of upcycled polyester and tchotchkes, under a thick impasto of makeup – not unlike the inch-thick layers of paint he used to apply on canvases back in his days as a New York-based artist. But once he moved to San Francisco and started making art with life partner Johnstone, the expanding Verasphere became about so much more than just performance. It’s a whole multimedia construction, involving Johnstone’s luminous photographs, film-making, collaborations with friends and allies and, most endearing of all, craft workshops where Faulk and Johnstone teach people how to wield glue guns like real pros as prep for the city’s annual Pride march. The couple’s innate kindness and generosity shines bright, while the miracle of their survival (both have been HIV positive for years and Johnstone almost died) allowed them time to become local legends and fairy godmothers for the community.

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