The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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The Unabridged Mrs Vera’s Daybook review – lovable profile of drag-artist campaigners

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Straightforward telling of artists David Faulk and Michael Johnstone’s story of love and activism is warm and heartfelt

Sometimes a hat festooned with plastic straws, Christmas tree baubles and random trash is more than just a hat festooned with plastic straws, Christmas tree baubles and random trash: it’s a political statement – well, sort of. This vivid, effervescent and often moving documentary revolves around David Faulk and Michael Johnstone, two artists who found each other in the middle of the Aids pandemic, fell in love and ended up building not just a life together but a wider community around the drag persona Mrs Vera.

The latter is incarnated by Faulk, clad like a psychedelic Joan of Arc in an armour of upcycled polyester and tchotchkes, under a thick impasto of makeup – not unlike the inch-thick layers of paint he used to apply on canvases back in his days as a New York-based artist. But once he moved to San Francisco and started making art with life partner Johnstone, the expanding Verasphere became about so much more than just performance. It’s a whole multimedia construction, involving Johnstone’s luminous photographs, film-making, collaborations with friends and allies and, most endearing of all, craft workshops where Faulk and Johnstone teach people how to wield glue guns like real pros as prep for the city’s annual Pride march. The couple’s innate kindness and generosity shines bright, while the miracle of their survival (both have been HIV positive for years and Johnstone almost died) allowed them time to become local legends and fairy godmothers for the community.

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