From Melania to Kid Rock’s halftime show: why is Maga art so dreadful?

-
As the right stokes culture wars, their alternatives to ‘woke’ Hollywood prove to be shoddily made and uninspired It’s not fair, what they did to rightwing folks on Super Bowl Sunday. Regular viewers could either take in an elaborate and joyful halftime performance from Puerto Rican recording artist Bad Bunny , one of the most popular music stars in the world, or, if they weren’t interested in football or in Bad Bunny ’s music, they could quietly find something else to watch or listen to. There are a lot of options out there. Those who wanted to prove their Maga bona fides or loyalties, however, may have felt obligated to watch a parade of similar-sounding country singers lead into a performance from a shorts-wearing Kid Rock , jumping around and seemingly lip-syncing to a novelty hit from 1999. For rightwingers who couldn’t stomach the Spanish lyrics to Bad Bunny songs, they could take comfort in the clear English of the man also known as Robert Ritchie: “Bawitdaba, da-bang, da-ban...
Post a Comment

The Unabridged Mrs Vera’s Daybook review – lovable profile of drag-artist campaigners

-

Straightforward telling of artists David Faulk and Michael Johnstone’s story of love and activism is warm and heartfelt

Sometimes a hat festooned with plastic straws, Christmas tree baubles and random trash is more than just a hat festooned with plastic straws, Christmas tree baubles and random trash: it’s a political statement – well, sort of. This vivid, effervescent and often moving documentary revolves around David Faulk and Michael Johnstone, two artists who found each other in the middle of the Aids pandemic, fell in love and ended up building not just a life together but a wider community around the drag persona Mrs Vera.

The latter is incarnated by Faulk, clad like a psychedelic Joan of Arc in an armour of upcycled polyester and tchotchkes, under a thick impasto of makeup – not unlike the inch-thick layers of paint he used to apply on canvases back in his days as a New York-based artist. But once he moved to San Francisco and started making art with life partner Johnstone, the expanding Verasphere became about so much more than just performance. It’s a whole multimedia construction, involving Johnstone’s luminous photographs, film-making, collaborations with friends and allies and, most endearing of all, craft workshops where Faulk and Johnstone teach people how to wield glue guns like real pros as prep for the city’s annual Pride march. The couple’s innate kindness and generosity shines bright, while the miracle of their survival (both have been HIV positive for years and Johnstone almost died) allowed them time to become local legends and fairy godmothers for the community.

Continue reading...

from Film | The Guardian https://ift.tt/aIcdLfN
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more