Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

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Following every dizzying spin of Chalamet’s table tennis hustler, Josh Safdie’s whip-crack comedy serves sensational shots – and a smart return by Gwyneth Paltrow This new film from Josh Safdie has the fanatical energy of a 149-minute ping pong rally carried out by a single player running round and round the table. It’s a marathon sprint of gonzo calamities and uproar, a sociopath-screwball nightmare like something by Mel Brooks – only in place of gags, there are detonations of bad taste, cinephile allusions, alpha cameos, frantic deal-making, racism and antisemitism, sentimental yearning and erotic adventures. It’s a farcical race against time where no one needs to eat or sleep. Timothée Chalamet plays Marty Mauser, a spindly motormouth with the glasses of an intellectual, the moustache of a movie star and the physique of a tiny cartoon character (though that could just be the initials). He’s loosely inspired by Marty “The Needle” Reisman, a real-life US table tennis champ from the ...
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Streaming: Polite Society and the best ‘stop the wedding!’ films

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Nida Manzoor’s fizzing comedy joins cinema’s long procession of disrupted nuptials, from The Philadelphia Story to Muppets Most Wanted

I blame the movies for the tense, wilful shiver I feel at every wedding ceremony I’ve ever attended – when the priest or officiator opens the floor for objections, and a few seconds of awkward, semi-amused silence ensues. What a chaotic thrill it must be to speak up in that moment! I never would, of course, and have never seen anyone else do so. But in cinema, nuptials are made to be sabotaged as often as not, and by forces more malicious than the tepid British summer. The “stop the wedding!” film is virtually its own subgenre. Nida Manzoor’s fizzy, raucous comedy Polite Society is a pleasingly unusual addition to its ranks.

The wedding targeted in Manzoor’s film isn’t a victim of romantic discord or envy. Instead, it’s the bride’s sister who simply believes it’s a bad idea all round. Martial arts-obsessed London teenager Ria (a delightful Priya Kansara) looks up to her older sister, art student Lena (Ritu Arya), seeing them both as rebels against cultural and familial convention. When Lena drops out of art school and gets engaged to a seemingly nice, respectable boy, Ria feels positively betrayed. Only one thing for it: to stop the wedding, in increasingly kick-arse fashion. It’s an anarchic but endearing quest, and outlandish wish-fulfilment for any viewer who has wanted to advise a loved one against marrying a total rotter, but didn’t dare.

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