Martin Scorsese joins Neeraj Ghaywan’s Homebound as executive producer ahead of Cannes 2025 premiere

In a notable collaboration, legendary filmmaker Martin Scorsese has come on board as executive producer for Homebound, the upcoming feature from National Award-winning director Neeraj Ghaywan. The film, starring Ishaan Khatter, Vishal Jethwa, and Janhvi Kapoor, is set to have its world premiere in the Un Certain Regard section at the 2025 Cannes Film Festival, which runs from May 14 to 25. Homebound marks Ghaywan’s return to the big screen and to Cannes, nearly a decade after his acclaimed debut Masaan premiered at the festival and received two awards. Over the years, Masaan has continued to find resonance with audiences worldwide, heightening expectations for Ghaywan’s latest. Speaking about his involvement, Martin Scorsese said, “I have seen Neeraj’s first film Masaan in 2015 and I loved it, so when Mélita Toscan du Plantier sent me the project of his second film, I was curious. I loved the story, the culture and was willing to help. Neeraj has made a beautifully crafted film that’...

Streaming: Polite Society and the best ‘stop the wedding!’ films

Nida Manzoor’s fizzing comedy joins cinema’s long procession of disrupted nuptials, from The Philadelphia Story to Muppets Most Wanted

I blame the movies for the tense, wilful shiver I feel at every wedding ceremony I’ve ever attended – when the priest or officiator opens the floor for objections, and a few seconds of awkward, semi-amused silence ensues. What a chaotic thrill it must be to speak up in that moment! I never would, of course, and have never seen anyone else do so. But in cinema, nuptials are made to be sabotaged as often as not, and by forces more malicious than the tepid British summer. The “stop the wedding!” film is virtually its own subgenre. Nida Manzoor’s fizzy, raucous comedy Polite Society is a pleasingly unusual addition to its ranks.

The wedding targeted in Manzoor’s film isn’t a victim of romantic discord or envy. Instead, it’s the bride’s sister who simply believes it’s a bad idea all round. Martial arts-obsessed London teenager Ria (a delightful Priya Kansara) looks up to her older sister, art student Lena (Ritu Arya), seeing them both as rebels against cultural and familial convention. When Lena drops out of art school and gets engaged to a seemingly nice, respectable boy, Ria feels positively betrayed. Only one thing for it: to stop the wedding, in increasingly kick-arse fashion. It’s an anarchic but endearing quest, and outlandish wish-fulfilment for any viewer who has wanted to advise a loved one against marrying a total rotter, but didn’t dare.

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