Avant-Drag! review – queer artists light up the streets of Athens with joy and resistance

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Drag is a tool of self-expression and of protest in this kaleidoscopic portrait of the city’s vibrant underground art The queer defiance of Fil Ieropoulos’s kaleidoscopic documentary manifests not only through its subject, but also through its form. Centring on a group of drag performers and gender-nonconforming artists in Athens, this shape-shifting film celebrates a vibrant underground scene that thrives in a homophobic system, rife with state-sanctioned discrimination and violence. Introduced through an episodic structure, figures from the community light up the screen with their artistry and activism as they carve out a safe haven of their own. In each of the vignettes, we get a glimpse of both the joy and the peril of navigating the city as a queer person. Decked out in extravagant costumes and makeup inspired by Leigh Bowery, Kangela Tromokratisch struts in towering high heels, while her drag performances, with their vaudevillian feel, parody heteronormative ideals of motherhoo...
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Oppenheimer: sex, death and impending apocalypse – discuss with spoilers

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Christopher Nolan’s film about the godfather of the nuclear bomb is impressive, and Cillian Murphy the perfect man for the job, but do women get a raw deal and is it all too sanitised?

  • This article contains spoilers for Oppenheimer

J Robert Oppenheimer’s apocalyptic legacy has haunted modern politics and culture, but his personal story is not obvious blockbuster material. It would take a film-maker of the talent, and Hollywood heft, of Christopher Nolan to pull it off.

Oppenheimer opened in the US last weekend with a box office haul of $82m, second to Barbie’s gargantuan $162m. The instincts of Nolan, and his backers at Universal Studios, have been rewarded in a way that, hopefully, bodes well for the future of big-budget films about difficult subjects (Nolan isn’t the only purveyor of such work, but there aren’t many around).

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