The Lion King review – Disney’s Broadway juggernaut roars to life in Sydney

-
Capitol theatre, Sydney With breathtaking aesthetics and joyous performances, the audacious adaptation – now almost 30 years old – is greater than the sum of its parts Get our weekend culture and lifestyle email The opening of The Lion King is a bona fide five-star moment that reminds you why this musical still rules the theatrical savannah. Forgoing the sentimentality of the 1994 film and the razzle-dazzle of its Broadway peers at the time, it taps into more primal, powerful delights. From its first incantation (translated as “All hail the king” – or “Look, a lion, oh my god”, depending on who you ask ), it builds with a chant, a gathering of human bodies, and finally a procession of animals that leaves the stage to come into the audience, enveloping you in a kind of choreographed ritual. (This is a good moment to check in on your date; if they’re not Having Feelings, they may be some kind of joyless ghoul.) This sequence encapsulates the best of the show: director Julie Taymor...
Post a Comment

‘It’s unsustainable’: can Hollywood survive without transformation?

-

Despite the success of Barbenheimer, the industry faces strikes, AI concerns and an untenable situation for those not at the top

It was a pink mushroom cloud that even enveloped the White House. “Did you see Barbie or Oppenheimer this weekend?” a reporter asked the press secretary, Karine Jean-Pierre. She replied: “I knew I was going to get that question. I did not. But heard that it did very well.”

Both films did very well: Barbie collected $162m in ticket sales while Oppenheimer, about the father of the atom bomb, earned $82.4m. It was comfortably the best weekend at the domestic box office since the coronavirus pandemic. But when future historians come to study the “Barbenheimer” phenomenon, they may still have a question: was this the dawn of a Hollywood renaissance or glorious last stand of an industry in decline?

Continue reading...

from Film | The Guardian https://ift.tt/U7sOIRQ
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”

-
Bollywood diva Malaika Arora found herself at the center of an unexpected controversy during the filming of Hip Hop India Season 2. The popular dance reality show, judged by Arora alongside choreographer-director Remo D’Souza, took an awkward turn when a 16-year-old contestant made suggestive gestures toward her during his performance. The incident, which left Malaika visibly uncomfortable, was captured on video and has since gone viral. What Happened on Hip Hop India Season 2? The incident unfolded during a recent episode of Hip Hop India Season 2, which streams on Amazon MX Player and showcases India’s top hip-hop talent. While judging a contestant’s performance, Malaika noticed the young dancer directing inappropriate gestures her way, including winking and blowing flying kisses. Clearly taken aback, the actress and fitness icon didn’t hold back her disapproval. In the now-viral footage, she can be heard reprimanding the teenager, sternly demanding, “Mummy ka phone number do!” (Giv...
Read more