Border 2 director Anurag Singh clarifies lighting issues, says corrections are underway

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While almost every component of Border 2 is being widely praised, a section of critics and audiences has expressed dissatisfaction with the dim lighting in the film’s climactic battle sequences. Addressing the concern, director Anurag Singh explains, “The climax is not meant to be dark. It is set in the evening, but I think due to projection issues, it feels darker in some cinemas. In most theatres, it appears fine.” Anurag confirms that corrective measures are already underway. “We have sent out a mail to all theatres explaining how to address this issue. Additionally, we are updating the print in theatres where the climax is appearing darker than intended.” The director also spoke about the challenges of mounting the large-scale action set pieces. “Action is always tough to shoot. And action in a period war film is even more challenging. The trench warfare and tank sequences were particularly demanding. But like I said, I enjoy a good challenge.” Also Read: 68 and still a hurrica...
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‘It’s unsustainable’: can Hollywood survive without transformation?

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Despite the success of Barbenheimer, the industry faces strikes, AI concerns and an untenable situation for those not at the top

It was a pink mushroom cloud that even enveloped the White House. “Did you see Barbie or Oppenheimer this weekend?” a reporter asked the press secretary, Karine Jean-Pierre. She replied: “I knew I was going to get that question. I did not. But heard that it did very well.”

Both films did very well: Barbie collected $162m in ticket sales while Oppenheimer, about the father of the atom bomb, earned $82.4m. It was comfortably the best weekend at the domestic box office since the coronavirus pandemic. But when future historians come to study the “Barbenheimer” phenomenon, they may still have a question: was this the dawn of a Hollywood renaissance or glorious last stand of an industry in decline?

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