Manish Goel clears air on Anupama exit rumours and fallout buzz with Rupali Ganguly

Amid swirling rumours about his exit from Anupama and alleged differences with lead actress Rupali Ganguly, actor Manish Goel has finally broken his silence and set the record straight. Speaking to Money Control, Goel clarified that his role as Raghav was never meant to be permanent and was designed as a limited-time appearance from the outset. “My character was only meant to last four months. Out of that, I have completed three months already,” he stated, dismissing claims that he was quitting the show due to internal conflict. He further shared, “When a cameo of an actor is extended, it works excellently for them and if it is not, then also fine, you were already informed about the same in advance”, indicating that there was no sudden change or fallout that led to his character wrapping up. The buzz around Goel’s alleged exit intensified following reports that hinted at a fallout between him and Rupali Ganguly, with rumours suggesting that their off-screen differences may have led ...

‘It’s unsustainable’: can Hollywood survive without transformation?

Despite the success of Barbenheimer, the industry faces strikes, AI concerns and an untenable situation for those not at the top

It was a pink mushroom cloud that even enveloped the White House. “Did you see Barbie or Oppenheimer this weekend?” a reporter asked the press secretary, Karine Jean-Pierre. She replied: “I knew I was going to get that question. I did not. But heard that it did very well.”

Both films did very well: Barbie collected $162m in ticket sales while Oppenheimer, about the father of the atom bomb, earned $82.4m. It was comfortably the best weekend at the domestic box office since the coronavirus pandemic. But when future historians come to study the “Barbenheimer” phenomenon, they may still have a question: was this the dawn of a Hollywood renaissance or glorious last stand of an industry in decline?

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