Kraken review – fjord-based rampage is monster movie with environmental message

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Underwater beastie shows discerning moral judgment when picking off victims in this fun Norwegian action film As Greta Thunberg demonstrates, an eco-chastising feels somehow cleansing when it comes out of Scandinavia. Maybe it’s because of the idea that people there live in greater harmony with nature. It is splendidly showcased in the shape of Norway’s Sognefjord, the country’s largest fjord, in this didactic but still-enjoyable action film. Kraken could almost serve as an extended tourist promo – other than the titular beastie that is, slewing off giant crab-like lice, and emerging from the depths to administer a stern 90-minute ticking-off about tampering with nature. Marine researcher Johanne (Sara Khorami, cementing her Norwegian creature-feature credentials after Troll 2 ) is summoned to the Sognefjord after reports of mass salmon strandings. Her first port of call is the local fish farm run by Erik (Mikkel Bratt Silset), an old flame with whom she developed sonic delousing pods ...
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‘It’s unsustainable’: can Hollywood survive without transformation?

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Despite the success of Barbenheimer, the industry faces strikes, AI concerns and an untenable situation for those not at the top

It was a pink mushroom cloud that even enveloped the White House. “Did you see Barbie or Oppenheimer this weekend?” a reporter asked the press secretary, Karine Jean-Pierre. She replied: “I knew I was going to get that question. I did not. But heard that it did very well.”

Both films did very well: Barbie collected $162m in ticket sales while Oppenheimer, about the father of the atom bomb, earned $82.4m. It was comfortably the best weekend at the domestic box office since the coronavirus pandemic. But when future historians come to study the “Barbenheimer” phenomenon, they may still have a question: was this the dawn of a Hollywood renaissance or glorious last stand of an industry in decline?

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