Dhadak 2 director Shazia Iqbal goes private after slamming Dhurandhar as “sinister” film promoting hate

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Filmmaker Shazia Iqbal, known for her directorial debut Dhadak 2, has publicly criticised the spy thriller Dhurandhar, calling it “sinister” and asserting that “inciting hate and violence is in its DNA.” Her remarks, shared via Instagram Stories, have sparked debate within Bollywood and among audiences following the film’s successful run and recent Netflix release. Released in December 2025, Dhurandhar, directed by Aditya Dhar and featuring Ranveer Singh in the lead role, has become one of the highest-grossing Hindi films at the domestic box office. The action-oriented espionage narrative centres on an Indian spy embedded deep within a terror network, and includes a supporting cast of well-known actors such as Akshaye Khanna, Arjun Rampal, R Madhavan, Sanjay Dutt and Sara Arjun. Shazia Iqbal’s comments did not explicitly name the film in her initial post, but she paired her message with Dhurandhar’s title track, making clear the target of her critique. In her Instagram Story, she des...
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‘It’s unsustainable’: can Hollywood survive without transformation?

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Despite the success of Barbenheimer, the industry faces strikes, AI concerns and an untenable situation for those not at the top

It was a pink mushroom cloud that even enveloped the White House. “Did you see Barbie or Oppenheimer this weekend?” a reporter asked the press secretary, Karine Jean-Pierre. She replied: “I knew I was going to get that question. I did not. But heard that it did very well.”

Both films did very well: Barbie collected $162m in ticket sales while Oppenheimer, about the father of the atom bomb, earned $82.4m. It was comfortably the best weekend at the domestic box office since the coronavirus pandemic. But when future historians come to study the “Barbenheimer” phenomenon, they may still have a question: was this the dawn of a Hollywood renaissance or glorious last stand of an industry in decline?

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