G20 review – Viola Davis plays president in so-so action thriller

The Oscar winner plays a soldier turned world leader forced to fight back in Amazon’s simple, serviceable star vehicle Released just three months after the inauguration, geopolitical action thriller G20 was always going to have unavoidable resonance. While the shoot ended back in March last year, there must have been points during the post-production process when those involved wondered if their film – a rousing story of a Black female president taking charge – would coincide with a similar, albeit less schlocky, real world victory. But it wasn’t to be and instead the film has landed on Amazon at a far less inspiring time for America when a president has decided to destroy rather than save his country. Any links to be made from fiction to fact push Trump’s agenda closer to that of the bad guys, who aim to tank the global economy and stop a perceived US overspend of foreign aid. While there are moments that might unintentionally insist us to make the connection (lead villain expressin...

‘It’s unsustainable’: can Hollywood survive without transformation?

Despite the success of Barbenheimer, the industry faces strikes, AI concerns and an untenable situation for those not at the top

It was a pink mushroom cloud that even enveloped the White House. “Did you see Barbie or Oppenheimer this weekend?” a reporter asked the press secretary, Karine Jean-Pierre. She replied: “I knew I was going to get that question. I did not. But heard that it did very well.”

Both films did very well: Barbie collected $162m in ticket sales while Oppenheimer, about the father of the atom bomb, earned $82.4m. It was comfortably the best weekend at the domestic box office since the coronavirus pandemic. But when future historians come to study the “Barbenheimer” phenomenon, they may still have a question: was this the dawn of a Hollywood renaissance or glorious last stand of an industry in decline?

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