Novocaine review – Jack Quaid is put through the grinder in ultraviolent action comedy

A man’s inability to feel pain comes in handy in this extravagantly gory bank heist caper Risk-averse San Diego assistant bank manager Nathan Caine (Jack Quaid) lives a cautious, cotton wool-wrapped life. It’s not that he’s afraid of getting hurt. Quite the opposite, since a rare genetic abnormality means he’s unable to feel pain. Rather, Nathan is concerned that because of his sensory quirk he risks inadvertently injuring himself. When the girl of his dreams, sparky fellow bank employee Sherry (Amber Midthunder), is abducted during a heist, and Nathan embarks on an off-the-cuff rescue mission, his unusual condition suddenly comes in handy. While Nathan may feel no pain, the audience certainly does: this is an amped-up, cartoonish blitzkrieg of ultraviolence and – fair warning – a bit of an endurance test if deep-fried fingers and snapped bones give you the ick. Directors Robert Olsen and Dan Berk take a sadistic glee in dreaming up extravagant horrors to inflict on their irrepressib...

‘I was making a film about the trauma of an entire country’: director Alice Winocour on her movie about the 2015 Paris terror attacks

After her brother was caught up in the Bataclan siege, Winocour wanted to address the events that had scarred France. She explains why she focused on the aftermath, not the violence

Even from the safety of her home, the film-maker Alice Winocour’s experience of the Paris terror attacks in November 2015 was terrifying. Her younger brother, Jérémie, was hiding in a back room at the Bataclan concert hall, and forbade her from texting him in case it gave away his location. She had to wait to hear that he made it out alive. Later, he told her about a random thought he had while waiting to die: that he had left a half-eaten yoghurt open in the fridge. What would whoever found it make of his poor kitchen hygiene?

It is a touch of human absurdity that resurfaces in Paris Memories, her new film, about the 13 November attacks. Unlike the recent Jean Dujardin film November, it completely ignores religion and largely passes over the bloodshed. Instead, it joins films such as You Will Not Have My Hate and One Year, One Night to wade through the aftermath. The French title Revoir Paris gets it: starring Benedetta’s Virginie Efira as Mia, a radio translator caught in the crossfire in a cafe, the film focuses on how she reconstructs her memories of that night and with them her inner harmony, as well as that of the city of lights.

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