Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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‘I was making a film about the trauma of an entire country’: director Alice Winocour on her movie about the 2015 Paris terror attacks

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After her brother was caught up in the Bataclan siege, Winocour wanted to address the events that had scarred France. She explains why she focused on the aftermath, not the violence

Even from the safety of her home, the film-maker Alice Winocour’s experience of the Paris terror attacks in November 2015 was terrifying. Her younger brother, Jérémie, was hiding in a back room at the Bataclan concert hall, and forbade her from texting him in case it gave away his location. She had to wait to hear that he made it out alive. Later, he told her about a random thought he had while waiting to die: that he had left a half-eaten yoghurt open in the fridge. What would whoever found it make of his poor kitchen hygiene?

It is a touch of human absurdity that resurfaces in Paris Memories, her new film, about the 13 November attacks. Unlike the recent Jean Dujardin film November, it completely ignores religion and largely passes over the bloodshed. Instead, it joins films such as You Will Not Have My Hate and One Year, One Night to wade through the aftermath. The French title Revoir Paris gets it: starring Benedetta’s Virginie Efira as Mia, a radio translator caught in the crossfire in a cafe, the film focuses on how she reconstructs her memories of that night and with them her inner harmony, as well as that of the city of lights.

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