Janhvi Kapoor calls out oversexualisation: “Zooming into body parts without consent is invasive”

Actor Janhvi Kapoor has spoken candidly about being oversexualised in the public eye, addressing concerns around consent, paparazzi culture, and the growing misuse of digital content. During a conversation on the Raj Shamani Podcast, the actress shared how such experiences have shaped her personal and professional decisions. Recalling a recent interaction with paparazzi, Kapoor said, “I actually had a conversation with paparazzi recently. I told them—this is bad for us, it feels invasive and non-consensual. Even if we dress a certain way, we’re not expecting someone to zoom in on specific body parts. And more than us, it reflects badly on them—that they’re commodifying a woman’s body for money and views.” While she noted that the photographers appeared receptive, Kapoor acknowledged the issue runs deeper. “They seemed receptive, but the issue is larger—it’s about consumption. Globally, content that objectifies women is the most consumed. That’s why it keeps getting circulated. Since ...

‘I was making a film about the trauma of an entire country’: director Alice Winocour on her movie about the 2015 Paris terror attacks

After her brother was caught up in the Bataclan siege, Winocour wanted to address the events that had scarred France. She explains why she focused on the aftermath, not the violence

Even from the safety of her home, the film-maker Alice Winocour’s experience of the Paris terror attacks in November 2015 was terrifying. Her younger brother, Jérémie, was hiding in a back room at the Bataclan concert hall, and forbade her from texting him in case it gave away his location. She had to wait to hear that he made it out alive. Later, he told her about a random thought he had while waiting to die: that he had left a half-eaten yoghurt open in the fridge. What would whoever found it make of his poor kitchen hygiene?

It is a touch of human absurdity that resurfaces in Paris Memories, her new film, about the 13 November attacks. Unlike the recent Jean Dujardin film November, it completely ignores religion and largely passes over the bloodshed. Instead, it joins films such as You Will Not Have My Hate and One Year, One Night to wade through the aftermath. The French title Revoir Paris gets it: starring Benedetta’s Virginie Efira as Mia, a radio translator caught in the crossfire in a cafe, the film focuses on how she reconstructs her memories of that night and with them her inner harmony, as well as that of the city of lights.

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