Mother’s Day 2026: Isha Koppikar says she wants daughter Rianna to achieve her dreams independently

On the occasion of Mother’s Day 2026, Isha Koppikar shared a message about parenting, independence and responsibility through a video posted on social media. Speaking about her daughter Rianna, the actor reflected on the importance of raising children to become self-reliant individuals rather than depending on others for emotional or personal security. In the video, Isha revealed that a conversation with her daughter prompted her to think more deeply about modern parenting. According to the actor, Rianna asked her what she wished for her, to which she responded that she wanted her daughter to achieve her dreams independently and become a strong individual. Speaking further, Isha questioned whether parents sometimes send mixed messages to children by encouraging independence while also raising them with the idea that someone else will eventually “take care” of them. She added that this mindset applies equally to both boys and girls. The actor also spoke about how she views independence...

‘I was making a film about the trauma of an entire country’: director Alice Winocour on her movie about the 2015 Paris terror attacks

After her brother was caught up in the Bataclan siege, Winocour wanted to address the events that had scarred France. She explains why she focused on the aftermath, not the violence

Even from the safety of her home, the film-maker Alice Winocour’s experience of the Paris terror attacks in November 2015 was terrifying. Her younger brother, Jérémie, was hiding in a back room at the Bataclan concert hall, and forbade her from texting him in case it gave away his location. She had to wait to hear that he made it out alive. Later, he told her about a random thought he had while waiting to die: that he had left a half-eaten yoghurt open in the fridge. What would whoever found it make of his poor kitchen hygiene?

It is a touch of human absurdity that resurfaces in Paris Memories, her new film, about the 13 November attacks. Unlike the recent Jean Dujardin film November, it completely ignores religion and largely passes over the bloodshed. Instead, it joins films such as You Will Not Have My Hate and One Year, One Night to wade through the aftermath. The French title Revoir Paris gets it: starring Benedetta’s Virginie Efira as Mia, a radio translator caught in the crossfire in a cafe, the film focuses on how she reconstructs her memories of that night and with them her inner harmony, as well as that of the city of lights.

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