Le Film de Mon Père review – father’s videotape legacy sparks intergenerational dialogue

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A Swiss film-maker’s parent leaves behind a visual diary that raises questions about the limitations of art in a fascinating documentary debut The genesis of Jules Guarneri’s documentary – his first – comes from an unusual gift. Having made more than 20 hours of a filmed diary, his father, Jean, entrusted the material to the budding director, hoping that it would form the building blocks for his son’s first feature. These visual journals, in which the older man addresses the camera – and ultimately Guarneri – with recollections from his past, are awash with nostalgia and regret. As Jean’s recordings are interspersed with Guarneri’s own footage of his family, what starts out as a monologue gradually transforms into an intergenerational dialogue between father and son. Filmed with a fixed camera, Jean’s diaries have a static quality that echoes the stagnancy of his life story. Christabel, his wife and Guarneri’s mother, was an heiress, and the couple lived as idle rich in the Swiss vil...
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I survived the Barbie-Oppenheimer double-bill and I don’t recommend it

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The internet has become transfixed with the idea of watching Greta Gerwig’s bubblegum comedy next to Christopher Nolan’s dark drama but it proved to be a nightmarish combo

Few things have caught the public imagination in recent years quite like the concept of Barbenheimer. When Warner Bros scheduled the release of Barbie to run in direct opposition to that of Oppenheimer, directed by embittered former employee Christopher Nolan, the natural response was to pick a side. Both films were so diametrically opposed, after all, that the competition took on a slightly tribal air. Just who do you stand for? Drama or comedy? Joy or fear? Female empowerment or the death of tens of thousands of Japanese civilians?

But then something bizarre happened. Instead of picking just one film, people started latching onto the idea of seeing Barbie and Oppenheimer together, on the same day, as part of a wildly incongruous double bill. Tom Cruise said he was going to do it. Greta Gerwig posed with tickets to both. Despite spending the last few weeks looking palpably baffled by having to play 400 tinpot YouTube parlour games just to promote his movie, Christopher Nolan also seemed fairly into the idea as well. A rising tide lifts all boats, after all.

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