Neurodiverse collective wins award for ‘creative audacity’ at London film festival

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The BFI and Chanel film-maker awards were won by a docufiction film, a queer BDSM biker romance and a film about police corruption in India An experimental feature film co-created by a collective of autistic artists, a queer biker romance, and a film about police corruption in India are the winners of this year’s BFI and Chanel film-maker awards. The awards, which champion “creative audacity” and ambition, come with a £20,000 prize for the three sets of winners. Continue reading... from Film | The Guardian https://ift.tt/Hmv6jZy via IFTTT
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I survived the Barbie-Oppenheimer double-bill and I don’t recommend it

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The internet has become transfixed with the idea of watching Greta Gerwig’s bubblegum comedy next to Christopher Nolan’s dark drama but it proved to be a nightmarish combo

Few things have caught the public imagination in recent years quite like the concept of Barbenheimer. When Warner Bros scheduled the release of Barbie to run in direct opposition to that of Oppenheimer, directed by embittered former employee Christopher Nolan, the natural response was to pick a side. Both films were so diametrically opposed, after all, that the competition took on a slightly tribal air. Just who do you stand for? Drama or comedy? Joy or fear? Female empowerment or the death of tens of thousands of Japanese civilians?

But then something bizarre happened. Instead of picking just one film, people started latching onto the idea of seeing Barbie and Oppenheimer together, on the same day, as part of a wildly incongruous double bill. Tom Cruise said he was going to do it. Greta Gerwig posed with tickets to both. Despite spending the last few weeks looking palpably baffled by having to play 400 tinpot YouTube parlour games just to promote his movie, Christopher Nolan also seemed fairly into the idea as well. A rising tide lifts all boats, after all.

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