‘It was the moment I lost innocence’: how a childhood stop-and-search led to the British debut movie of the year

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When Imran Perretta was young, he was abruptly pulled by police into a van for questioning. That experience, as well as the death of his mother, inspired him to make Ish, a coming-of-age tale set amongst the British Muslim community. He talks about trauma, designing toilets and making Luton look magnificent Imran Perretta always knew that the title of his debut feature film would be “Ish” – short for Ishmail, the name of the 12-year-old boy from Luton at the heart of his story. Only later did people point out the similarity to other coming-of-age films with three letters in the title: Kes by Ken Loach, and Satyajit Ray’s Apu trilogy. Now, as the reviews trickle in, the comparisons to Kes and Apu keep coming. Like them, Ish is a poetic film that grabs you by the heart and pulls you into a child’s perspective on the world. The response has been lovely, says Perretta, and a relief. “It’s nice that people have compared Ish to those films rather than Kidulthood. I did worry about that.” Why...
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I survived the Barbie-Oppenheimer double-bill and I don’t recommend it

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The internet has become transfixed with the idea of watching Greta Gerwig’s bubblegum comedy next to Christopher Nolan’s dark drama but it proved to be a nightmarish combo

Few things have caught the public imagination in recent years quite like the concept of Barbenheimer. When Warner Bros scheduled the release of Barbie to run in direct opposition to that of Oppenheimer, directed by embittered former employee Christopher Nolan, the natural response was to pick a side. Both films were so diametrically opposed, after all, that the competition took on a slightly tribal air. Just who do you stand for? Drama or comedy? Joy or fear? Female empowerment or the death of tens of thousands of Japanese civilians?

But then something bizarre happened. Instead of picking just one film, people started latching onto the idea of seeing Barbie and Oppenheimer together, on the same day, as part of a wildly incongruous double bill. Tom Cruise said he was going to do it. Greta Gerwig posed with tickets to both. Despite spending the last few weeks looking palpably baffled by having to play 400 tinpot YouTube parlour games just to promote his movie, Christopher Nolan also seemed fairly into the idea as well. A rising tide lifts all boats, after all.

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