Tearing up the screen: BFI’s Rip It Up season rebels against tired teen stereotypes

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Young people have chosen this six-month season, and though rebel classics such as Quadrophenia and If … are here, the picks show youth culture in flux Seventy-five years ago, the Festival of Britain offered a vision of a modern, forward-looking nation emerging from the austerity of the second world war. It also coincided with the emergence of a new cultural figure in the US: the teenager. For the first time, young people were beginning to be recognised as a distinct social group with their own tastes, fashions, anxieties and aspirations. That evolution forms the basis of Rip It Up, a new nationwide season from the BFI Film Audience Network running from May to October, exploring how British film and television have captured youth culture across seven decades. Bringing together screenings, archive material, talks, live events and youth-led programming, the season traces a journey from postwar rebellion and working-class aspiration to contemporary questions of identity, belonging and self...
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I survived the Barbie-Oppenheimer double-bill and I don’t recommend it

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The internet has become transfixed with the idea of watching Greta Gerwig’s bubblegum comedy next to Christopher Nolan’s dark drama but it proved to be a nightmarish combo

Few things have caught the public imagination in recent years quite like the concept of Barbenheimer. When Warner Bros scheduled the release of Barbie to run in direct opposition to that of Oppenheimer, directed by embittered former employee Christopher Nolan, the natural response was to pick a side. Both films were so diametrically opposed, after all, that the competition took on a slightly tribal air. Just who do you stand for? Drama or comedy? Joy or fear? Female empowerment or the death of tens of thousands of Japanese civilians?

But then something bizarre happened. Instead of picking just one film, people started latching onto the idea of seeing Barbie and Oppenheimer together, on the same day, as part of a wildly incongruous double bill. Tom Cruise said he was going to do it. Greta Gerwig posed with tickets to both. Despite spending the last few weeks looking palpably baffled by having to play 400 tinpot YouTube parlour games just to promote his movie, Christopher Nolan also seemed fairly into the idea as well. A rising tide lifts all boats, after all.

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