The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

Emergency viewing: 15 must-see films about the climate crisis

These unflinching documentaries, indie thrillers and anime fables can help us to understand the climate emergency, and how to respond

We are rapidly becoming the all-star cast of the biggest disaster movie of all time, and tragically it’s a global success. Towering infernos blaze over Canada, the Canaries and Rhodes, Bangladesh, China and even northern England have had their own devastating Poseidon adventures while the whole world continues to reel in the socioeconomic chaos of the Covid contagion and in fear of an H1N1 outbreak. Only the dramatic effects are no longer computer-generated, they are real, and people are really dying.

I went to the Odeon in the 1970s and was terrified and wowed by the disaster film genre. Since the late 1980s I’ve been watching the real world’s climate effects department ramp up its protests to our wholesale inactivity and disregard for the science that says, with increasing accuracy, that humanity is facing Armageddon. But there’s been another competing genre, the conspiracy/disinformation movie, the creepy corrupt B-movies released, not by Hollywood, but by big oil, not X-rated at the multiplex but woven insidiously into our lives as extras in this catastrophe… and the repeats, re-streams, re-runs orchestrated by those fuelling the flames.

Chris Packham’s five-part series Earth is available on BBC iPlayer. The accompanying book, Earth: Over 4 Billion Years in the Making, by Chris Packham and Andrew Cohen is published by William Collins (£25)

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