Warfare review – nerve-shredding real-time Iraq war film drags you into visceral frontline combat

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Co-directors Alex Garland and former US Navy Seal Ray Mendoza recreate a 2006 battle with almost unbearable intensity – and a dazzling ensemble cast It’s up there with the first 23 bruising minutes of Steven Spielberg’s Saving Private Ryan or Elem Klimov’s harrowing and relentless Come and See . This is film-making that doesn’t just show you the horrors of war; it forces you to taste the dust and the choking panic, smell the fear and the cordite and the tinny metallic tang of spilled blood. Warfare , by Alex Garland and Ray Mendoza, is the most forceful and unflinching depiction of combat since Edward Berger’s 2023 Oscar-winning All Quiet on the Western Front . It’s also one of the boldest and most formally daring. There are certain conventions at play in most war movies. Among them is the unwritten rule that however blisteringly hellish the depiction of combat, there’s a mitigating audience sop in the form of a flag-waving message about the nobility of the cause. Or, at the very le...
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Barbenheimer bonanza: how two films saved the summer box office

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Greta Gerwig and Christopher Nolan’s vastly different summer offerings have opened to record-breaking numbers at a precarious time for the industry

The past weekend wasn’t the first time that two major films had been released simultaneously but the big screen blitz of Barbie and Oppenheimer saw the first time audiences saw it less as a competition and more of a collaboration.

Months ago, Barbie v Oppenheimer had been widely discarded for the cosier, Bennifer-adjacent Barbenheimer, the bomb-maker and the bombshell hand-in-hand, fans planning to watch them both rather than just one, an unprecedented event that had exhibitors and studios both geared up for a much-needed win. But even the most ambitious box office analysts couldn’t have predicted just what a win that was going to be, the higher end of estimates now looking positively conservative, the two films combining to shatter records and create a genuine, online-to-offline pop culture phenomenon.

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