Beast review – down-and-out MMA fighter film is predictable but still lands punches

Directed by Tyler Atkins and co-written by Russell Crowe, this Australian feature follows a familiar playbook – but you’ll find yourself surprisingly invested Ah, yes: the promising fighter who could’ve been a contender, could’ve been a champion. But then life intervened: bad decisions were made, promises broken, the wrong paths taken. But what if the past came knocking on his door? What if our long-in-the-tooth hero could have another crack, set things right, get in the ring one more time? To say that Tyler Atkins’ Australian martial arts drama Beast plucks moves from a well-worn playbook is putting it lightly. This is one of those genre films in which nothing surprises in broad terms; it’s the small pivots and deviations that matter. Given the ring of familiarity surrounding everything, I was surprised to find myself as invested in the film as I was, particularly because so many chest-thumping sports movies are already out there, many of which I find about as intellectually engaging ...

Barbenheimer bonanza: how two films saved the summer box office

Greta Gerwig and Christopher Nolan’s vastly different summer offerings have opened to record-breaking numbers at a precarious time for the industry

The past weekend wasn’t the first time that two major films had been released simultaneously but the big screen blitz of Barbie and Oppenheimer saw the first time audiences saw it less as a competition and more of a collaboration.

Months ago, Barbie v Oppenheimer had been widely discarded for the cosier, Bennifer-adjacent Barbenheimer, the bomb-maker and the bombshell hand-in-hand, fans planning to watch them both rather than just one, an unprecedented event that had exhibitors and studios both geared up for a much-needed win. But even the most ambitious box office analysts couldn’t have predicted just what a win that was going to be, the higher end of estimates now looking positively conservative, the two films combining to shatter records and create a genuine, online-to-offline pop culture phenomenon.

Continue reading...

from Film | The Guardian https://ift.tt/3OE4SpR
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”