Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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The Perfect Find review Gabrielle Union anchors breezy Netflix romcom

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There might be a little too much going on in the streamer’s glossy star vehicle but there’s enough style, wit and good music to make for a satisfying night in

She had me at: “There’s nothing wrong with Black nepotism.”

The thesis statement stamps the tone for The Perfect Find, an edgier than average choice for a Netflix-and-chill romcom, and there’s so much irony intended in Gabrielle Union being the one to deliver the line. She is Jenna, a Manhattan It-girl recovering from the demise of a decade-long relationship that unfolded in New York newsprint.

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