The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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The Perfect Find review Gabrielle Union anchors breezy Netflix romcom

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There might be a little too much going on in the streamer’s glossy star vehicle but there’s enough style, wit and good music to make for a satisfying night in

She had me at: “There’s nothing wrong with Black nepotism.”

The thesis statement stamps the tone for The Perfect Find, an edgier than average choice for a Netflix-and-chill romcom, and there’s so much irony intended in Gabrielle Union being the one to deliver the line. She is Jenna, a Manhattan It-girl recovering from the demise of a decade-long relationship that unfolded in New York newsprint.

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