Salman Khan takes sarcastic dig at AR Murugadoss for saying he arrived at 8 PM on Sikandar sets: “Madharaasi is a bigger blockbuster”

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Actor Salman Khan, who’s currently hosting Bigg Boss 19, didn’t hold back as he addressed director AR Murugadoss’s recent comments accusing him of reporting late to the sets of their film Sikandar. The actor used the popular reality show’s Weekend Ka Vaar episode to respond with his trademark wit and characteristic candour. The Background: Murugadoss's Allegation Earlier, Sikandar director AR Murugadoss had told Valaipechu Voice that working with a major Bollywood star posed challenges. He claimed Salman would “arrive only by 8 PM,” forcing the crew to shoot even day scenes at night. Murugadoss described the schedule as chaotic, saying it affected child actors who had to film late into the night. Despite acknowledging his own creative shortcomings, the director hinted that the erratic timing contributed to the film’s underperformance. Salman’s Retort on Bigg Boss 19 Addressing the issue head-on during Bigg Boss 19, Salman responded to a question from comedian Ravi Gupta about film...
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The Drivers Seat (AKA Identikit) review Elizabeth Taylor captivates in bizarre 70s mystery

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Taylor is both hammy and subtle as a woman on the verge of a breakdown in this preposterous but watchable 1974 drama that features an extraordinary cameo from Andy Warhol

It’s peak 70s Liz Taylor in this arrestingly bizarre movie directed by Italian film-maker Giuseppe Patroni Griffi in 1974, which he co-adapted from the 1970 novella by Muriel Spark and was released under the title Identikit in the US. With her big sunglasses and permanently dishevelled jet-black hair, Taylor gives an intense and more-than-slightly alarming performance in a preposterous, slightly dated yet very watchable psycho-existential mystery, a cousin to the era’s paranoid thrillers. It was shot by Vittorio Storaro, who repeatedly directs light sources into the camera so that the figures often move like shadows behind a disconcerting glow, which is part of the film’s distinctive puzzle.

Taylor plays Lise, a single woman of a certain age who is clearly on the verge of a breakdown. Lise lives in Hamburg, where she is seen buying oddly garish, multicoloured clothes in a department store, high-handedly terrorising the sales assistants and announcing that these garments are appropriate for the warm, southern climes to which she says she is heading. We first see Lise drifting through a surreal department filled with naked mannequins; perhaps The Driver’s Seat has been an influence on Peter Strickland.

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