Priyadarshan says “Hera Pheri 3 will be dead" days after exiting Akshay Kumar-starrer; alleges repeated insults by Firoz Nadiadwala

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After confirming that he is no longer associated with Hera Pheri 3, filmmaker Priyadarshan has now shared fresh details about his decision to walk away from the much-awaited comedy franchise. The director has alleged that repeated insults from producer Firoz Nadiadwala, along with a long-running copyright dispute surrounding the franchise, convinced him that the film may never be made. The development comes shortly after Nadiadwala revealed that Priyadarshan was no longer directing Hera Pheri 3. The filmmaker later confirmed the news, telling Hindustan Times, "To the best of my knowledge, Hera Pheri 3 will never hit the screen due to lots of legal issues and personal conflicts. Whether I am involved or not is unimportant." Now, in an exclusive conversation with Mid-Day, Priyadarshan elaborated on what led to his exit and spoke candidly about his differences with the producer. Recalling his conversations with Akshay Kumar, the director said, "Firoz told Akshay, 'You ...
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The Drivers Seat (AKA Identikit) review Elizabeth Taylor captivates in bizarre 70s mystery

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Taylor is both hammy and subtle as a woman on the verge of a breakdown in this preposterous but watchable 1974 drama that features an extraordinary cameo from Andy Warhol

It’s peak 70s Liz Taylor in this arrestingly bizarre movie directed by Italian film-maker Giuseppe Patroni Griffi in 1974, which he co-adapted from the 1970 novella by Muriel Spark and was released under the title Identikit in the US. With her big sunglasses and permanently dishevelled jet-black hair, Taylor gives an intense and more-than-slightly alarming performance in a preposterous, slightly dated yet very watchable psycho-existential mystery, a cousin to the era’s paranoid thrillers. It was shot by Vittorio Storaro, who repeatedly directs light sources into the camera so that the figures often move like shadows behind a disconcerting glow, which is part of the film’s distinctive puzzle.

Taylor plays Lise, a single woman of a certain age who is clearly on the verge of a breakdown. Lise lives in Hamburg, where she is seen buying oddly garish, multicoloured clothes in a department store, high-handedly terrorising the sales assistants and announcing that these garments are appropriate for the warm, southern climes to which she says she is heading. We first see Lise drifting through a surreal department filled with naked mannequins; perhaps The Driver’s Seat has been an influence on Peter Strickland.

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