Will the first glimpse of Ranbir Kapoor’s Ramayana be launched at WAVES Summit 2025?

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One of the most awaited films of Indian Cinema, Ramayana, will be released next year, on Diwali 2026. The excitement for it has been sky high due to its solid casting and association of Nitesh Tiwari, of Dangal (2016) and Chhichhore (2019) fame, as director. Last year, the makers released a teaser poster in November and made it clear that while the first part will be out next year, the second part will be released on Diwali 2027. And if sources are to be believed, a new announcement about the film will be out as early as next week. A source told Bollywood Hungama, “The first World Audio Visual & Entertainment Summit (aka WAVES Summit) will be held from May 1-4, 2025 and the organizers are clear that they want it to be one of the biggest talking points of the year. Accordingly, they have invited some of the biggest names from different film industries in India. To add to the excitement, the team of Ramayana is looking to share an update during this star-studded event. It will be a ...
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The Drivers Seat (AKA Identikit) review Elizabeth Taylor captivates in bizarre 70s mystery

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Taylor is both hammy and subtle as a woman on the verge of a breakdown in this preposterous but watchable 1974 drama that features an extraordinary cameo from Andy Warhol

It’s peak 70s Liz Taylor in this arrestingly bizarre movie directed by Italian film-maker Giuseppe Patroni Griffi in 1974, which he co-adapted from the 1970 novella by Muriel Spark and was released under the title Identikit in the US. With her big sunglasses and permanently dishevelled jet-black hair, Taylor gives an intense and more-than-slightly alarming performance in a preposterous, slightly dated yet very watchable psycho-existential mystery, a cousin to the era’s paranoid thrillers. It was shot by Vittorio Storaro, who repeatedly directs light sources into the camera so that the figures often move like shadows behind a disconcerting glow, which is part of the film’s distinctive puzzle.

Taylor plays Lise, a single woman of a certain age who is clearly on the verge of a breakdown. Lise lives in Hamburg, where she is seen buying oddly garish, multicoloured clothes in a department store, high-handedly terrorising the sales assistants and announcing that these garments are appropriate for the warm, southern climes to which she says she is heading. We first see Lise drifting through a surreal department filled with naked mannequins; perhaps The Driver’s Seat has been an influence on Peter Strickland.

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