Naseeruddin Shah SLAMS PM Narendra Modi over NEET protests, says, "Has he accepted responsibility for any blunders?"

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Veteran actor Naseeruddin Shah has once again spoken out on the ongoing controversy surrounding the alleged NEET paper leak and the police action against students protesting at Delhi's Jantar Mantar. Days after sharing an emotional video condemning the crackdown, the actor criticised Prime Minister Narendra Modi's handling of the issue during an interview with The Wire. Naseeruddin Shah says he is “not surprised” by government's response When asked how he viewed the Prime Minister's response to what was described as one of the most serious issues of his tenure, Shah said he was not surprised. "I'm not surprised at all. When has he spoken honestly about anything? Has he accepted responsibility for any of his blunders? Has he ever accepted the fact that he was perhaps wrong? No. He's divine, and this supposed divinity of his has affected all his followers," Shah said. The actor went on to question what he described as a lack of accountability, while re...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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