SCOOP: After Salman Khan’s Maatrubhumi, Ayushmann Khurrana-Sharvari’s Yeh Prem Mol Liya likely to be renamed Yeh Prem Moh Maya Hai

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A few days ago, the industry and fans got a surprise when it was announced that Salman Khan’s much-awaited next film, Battle Of Galwan, has been renamed Maatrubhumi. And now, as per the buzz in the trade, another awaited film might also go for a title change – Yeh Prem Mol Liya, directed by Sooraj Barjatya. A source told Bollywood Hungama, “There have been discussions over changing the title of the film to Yeh Prem Moh Maya Hai. If all goes well, the new title will be locked and will be announced officially in a few days.” Yeh Prem Mol Liya stars Ayushmann Khurrana and Sharvari in the lead role, along with Shaad Randhawa, Anupam Kher, Seema Pahwa, and Supriya Pathak in pivotal roles. It is presented and produced by Rajshri Productions in association with Mahaveer Jain Films and Anita Gurnani. It marks the second association for Mahaveer Jain and Sooraj Barjatya after the acclaimed flick Uunchai (2022). In December 2025, Shaad Randhawa, who left a mark with his performances in the 20...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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