Incarcerated activists from Oscar-nominated documentary The Alabama Solution sent to solitary

Transfer of subjects of acclaimed film about inhumane prison conditions described as ‘straight-up retaliation’ The Alabama prison system has moved three well-known incarcerated activists who supported a 2022 prison strike and were featured in an Oscar-nominated documentary about the troubled system to isolated cells with little contact with others, family members and attorneys said. Family members of the three men said they fear for their loved ones’ safety and are concerned the moves to solitary confinement are a form of retaliation for outspokenness about problems within the prison system. Robert Earl Council, Melvin Ray and Raoul Poole were transferred two weeks ago from their existing prisons to solitary confinement at the Kilby correctional facility outside Montgomery, their lawyers said. The transfers come as some groups have encouraged a new prison labor strike this year. Continue reading... from Film | The Guardian https://ift.tt/nNPmeAV via IFTTT

The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

Continue reading...

from Film | The Guardian https://ift.tt/QKBjCYX
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton