EXCLUSIVE: Rani Mukerji-starrer Oh My Goddess to go on floors in February; Akshay Kumar to have an extended cameo on the scale of OMG 2

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The year 2026 began on a surprising note as news broke that Akshay Kumar had signed on for the third installment of the OMG series. The reports further claimed that this time, he would be joined by Rani Mukerji, who would be headlining the film. And that’s not all. This film won’t be called OMG 3 but instead has been named Oh My Goddess. Bollywood Hungama has learned that the film in question is indeed being made and has found more information on the film. A source told Bollywood Hungama, “Oh My Goddess goes on floors in February. It was reported that Akshay Kumar would have a special appearance and would shoot for only a day or two. However, the truth is that he has an extended cameo and has devoted many more days to filming. In fact, his screen time is the same or almost as the one he had in OMG 2 (2023).” The source further said, “The script was locked last year. It’s a unique idea and director Amit Rai has gone one step ahead this time to give the audience a novel experience with...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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