Huma Qureshi heads to Cannes 2026 after making waves at TIFF and BIFF with Bayaan

-
Huma Qureshi is all set to return to the prestigious Cannes Film Festival, adding another milestone to her steadily growing international journey. Over the years, the actor has built a strong reputation for balancing mainstream cinema with content-driven performances, and her Cannes 2026 appearance further highlights her expanding global footprint. Having attended Cannes previously as well, Huma has consistently represented Indian cinema on international platforms through her unconventional film choices and impactful performances. Whether it was her breakthrough role in Gangs of Wasseypur or critically appreciated performances in projects like Maharani, Monica O My Darling, Tarla and Leila, the actor has continuously backed stories that stand apart. She also expanded her global reach with Army of the Dead, directed by Zack Snyder. Last year proved to be particularly significant for Huma on the international front. The actor attended both the Toronto International Film Festival and the...
Post a Comment

The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

-

Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

Continue reading...

from Film | The Guardian https://ift.tt/QKBjCYX
via IFTTT

Comments

Post a Comment