Bhooth Bangla promo song to be attached to Dhurandhar: The Revenge: Report

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A section of moviegoers is eagerly awaiting the reunion of Akshay Kumar and Priyadarshan in Bhooth Bangla, which is scheduled to release on April 10, 2026. While anticipation around the project continues to build, fans may soon get a glimpse into the film’s world. Industry buzz suggests that a promotional song from Bhooth Bangla could be attached to Dhurandhar: The Revenge, which is slated to hit theatres on March 19. According to a report by Mid-Day, a source said, “Akshay and Priyadarshan’s 2007 horror comedy Bhool Bhulaiyaa benefited immensely from its title song, ‘Teri Aankhein Bhool Bhulaiyaa’, which became wildly popular. So, this time, with Pritam having composed another song that has the potential to become a chartbuster, Ektaa felt it would catch on among listeners and create buzz around Bhooth Bangla. Attaching it to Dhurandhar: The Revenge made sense as it’s among the most awaited films.” The source further added, “The song was filmed on a grand scale with Akshay and over...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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