Anshuman Jha unveils teaser poster of Lakadbaggha 2: The Monkey Business; announces Diwali 2026 release

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First Ray Films has unveiled the teaser poster of the much-anticipated action thriller Lakadbaggha 2: The Monkey Business, marking a special moment for the franchise and its creator. The announcement coincides with the birthday of actor-director Anshuman Jha, making the reveal both a celebration of the film and a personal milestone for the artist. The film centres around the endangered Celebes crested macaque, a rare primate native to Indonesia, also known as the North Sulawasi ‘Yaki Monkey’. Along with the teaser poster drop, the makers have officially announced the film’s worldwide theatrical release for Diwali 2026, positioning the sequel as one of the festival season’s big action spectacles. The film will be having a high profile film festival run between June-November prior to its Worldwide release. Directed by Anshuman Jha, Lakadbaggha 2: The Monkey Business continues the story of Kolkata based Arjun Bakshi — the animal-loving vigilante who, once again, will go the distance to...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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