Bello! Why gen Alpha subconsciously speaks the language of the Minions

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From global loanwords and garbled Italian, the slang of the children of millennials doesn’t just share elements with Minionese – it may have absorbed it I was four years old when Despicable Me was released in cinemas and the banana-coloured, overall-clad Minions took the world by storm. By the time I was seven, my siblings and I were using The Official Minion Manual to teach ourselves Minionese. Minionese is, of course, the made-up language spoken by Kevin, Stuart, Bob and company, which consists of a combination of melodic gibberish and variations on genuine vocabulary from a diverse array of world languages . When the Minions shout “kanpai” (“cheers” in Japanese) or “para tú!” ( a variation on the Spanish “para ti” ), it might remind you of how gen Alpha slang, which primarily consists of nonsensical words such as “cap” and “mogging”, also draws on world languages. Consider the Bulgarian scat origins of “skibidi”, for example. Continue reading... from Film | The Guardian https...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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