SCOOP: Ranveer Singh buys the rights for The Immortal of Meluha trilogy for Rs. 40 crores from Amish Tripathi

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After the success of the Dhurandhar franchise, Ranveer Singh has become the new King of the Indian Film Industry. With back-to-back all-time grossers under his kitty, the young actor has officially secured the tag of a superstar, and all eyes are now on his next move. While several speculations on the financials of Pralay continue to grab chatters in the industry circles, Bollywood Hungama has exclusively learnt that Ranveer Singh has quietly acquired the rights for The Immortals of Meluha.  "Ranveer Singh was to lead Immortals of Meluha for Sanjay Leela Bhansali. However, the project never materialised. But the actor was always fascinated by the world, and had the dream of playing Lord Shiva in the spectacle. The minute rights of Immortal of Meluha expired on Sanjay Leela Bhansali, Ranveer went ahead and procured it under his own banner - Maa Kasam Films," a source told Bollywood Hungama. The source also informs that the sum splurged by Ranveer Singh to bag the rights is ...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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