EXCLUSIVE: CBFC censors ‘Kantara scream’ in Rahu Ketu; replaces middle finger with pinky finger

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The comic caper Rahu Ketu, starring Pulkit Samrat, Varun Sharma, Shalini Pandey, Piyush Mishra, Chunky Panday, Amit Sial, Manu Rishi Chadha and Sumit Gulati, is all set to release on Friday, January 16. Earlier in the week, the makers completed the censor process on time. In this article, Bollywood Hungama will exclusively focus on the cut list. The Central Board of Film Certification (CBFC) passed the film with a U/A 16+ certificate. However, they asked the makers for a few changes. In a scene, a dialogue was replaced. The drug sniffing and snorting visuals were asked to be replaced with appropriate shots wherever they occurred in the film. The middle finger was asked to be modified to the pinky finger whenever shown in the movie. All alcohol brand names were asked to be removed. That's not all. The makers were asked to submit an authentication letter for the Sanskrit Shloka used in the film. Lastly, the Examining Committee asked the makers to replace 'Kantara film music (vo...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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