Dhurandhar actor Nadeem Khan arrested for alleged 10-Year sexual exploitation of domestic worker on false marriage promise

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Actor Nadeem Khan, who was recently seen in the film Dhurandhar, has been arrested by Mumbai Police following serious allegations made by his former domestic worker. The case pertains to claims that the actor repeatedly sexually assaulted the woman over nearly a decade, allegedly luring her with a false promise of marriage. Khan, who portrayed the character Akhlak—cook to the dacoit Rahman—in Dhurandhar, was taken into custody by Malvani Police on Thursday. Officials confirmed that he is currently in police custody as the investigation progresses. According to police sources, the complainant is a 41-year-old woman who has worked as a domestic help at the residences of several actors over the years. In her statement, she said she first came into contact with Khan in 2015. What began as a professional association allegedly developed into a personal relationship, during which the actor is said to have assured her that he would marry her. Relying on this assurance, the woman claimed she...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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