EXCLUSIVE: Bhooth Bangla team contemplates postponing release from April 10 to April 17 due to Dhurandhar The Revenge wave

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Dhurandhar The Revenge is doing record business and the way it has held strongly on Monday proves that the film will not lose its hold even in the weekdays. As a result, the team of Bhooth Bangla have begun contemplating whether they should bring the horror comedy on April 10 or whether it should be postponed by a week.” “A source told Bollywood Hungama, “The way Dhurandhar The Revenge is performing, it is clear that the craze is not going to die down anytime soon. Bhooth Bangla also looks like an exciting film. But since Dhurandhar 2 is doing historic business, there’s a strong possibility that it could perform exceptionally well even in its fourth week, which coincides with the release of Bhooth Bangla. Meanwhile, there’s no Hindi film currently scheduled for release on April 17.” The source added, “At the same time, Dhurandhar The Revenge would have exhausted most of its business by the end of four weeks. Hence, it could also work in Bhooth Bangla’s favour to arrive on April 10, b...
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The Black Demon review daft but fun giant-shark mayhem on Mexican oil rig

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Sincere performances and lively banter turn hokey into entertaining as Josh Lucas’s engineer and his family do battle with a megalodon

It would seem that megalodons are the menace of the moment. These ginormous sharks, thought to be extinct for millions of years, have been retro-spawned for entertainment purposes by the audiovisual-industrial complex – specifically in the Meg franchise but also on the Discovery Channel – because great white sharks, veterans of the Jaws movies, just don’t cut it any more. Still, in thematic terms there’s a throughline that connects most shark movies: one way or another, they’re all about the return of the repressed, with the sharks manifesting the oceanic subconsciousness’ raging, violent id that has been enraged by the human superego effort at mastery over nature. In the original Jaws, it’s not so much Bruce the shark that’s the big bad as it is the township’s greedy mayor, determined to declare the beach safe in the interests of capitalism.

Directed by American Adrian Grunberg, its screenplay written by Boise Esquerra working from a screenplay by Carlos Cisco, The Black Demon effectively sticks to this well-greased formula. Yes, there’s a ginormous shark pootling around the waters along the coast of Mexico, locally known as “el demonio negro”. But the real, nefarious behemoth of the deep is a leaky oil-drilling platform offshore that was installed by a fictional conglomerate known as Nixon Oil, the name itself redolent of right-wing gringo corruption. (Which is ironic because Richard Nixon, for all his sins, was the president who started the Environmental Protection Agency.) Paul (Josh Lucas) is an engineer who works for Nixon, and as the film starts he arrives in the town nearest to the rig he supervised building years ago, with his wife, Ines, (Fernanda Urrejola) and two kids, Audrey (Venus Ariel) and Tommy (Carlos Solórzano) in tow for a family vacation while he inspects the rig.

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