I’m a psychiatrist who was terrified of horror films – until I learned about ‘cinematic neurosis’

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Why do scary movies thrill some viewers and send others running for the hills? Our writer gets to the bottom of his fear of the genre – with the assistance of Freud, clinical researchers and his six-year-old self I am six years old, and I am watching a man turn into a werewolf. The film is Abbott and Costello Meet Frankenstein, a 1948 comedy. I am staring up at our black-and-white TV fixated on the werewolf transformation unfolding in slow motion and I begin to scream so inconsolably that my parents must carry me upstairs to calm me down. That night was the beginning of my lifelong fear of horror films and of the supernatural, of darkness and of being alone in a house. Continue reading... from Film | The Guardian https://ift.tt/nwdHRqF via IFTTT
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The American Sector review US road trip to hunt down remnants of the Berlin Wall

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This film tells the story of concrete slabs that have been rehomed thousands of miles away in bizarre yet unremarkable locations

Tracking down various segments of the Berlin Wall scattered all over the US, this eccentric yet down-to-earth documentary from Courtney Stephens and Pacho Velez traces how a historic artefact can mutate and splinter into myriad meanings. Transformed by their surroundings as well as the film-makers’ gaze, these concrete slabs are more than a symbol of the cold war; they have come to represent something quintessentially American.

From the midwest to California, state department halls to roadside restaurants, chunks of the wall can be found in the most unlikely of places. Most often positioned as a commemoration of history – and that loaded concept of “freedom” – the fragments are occasionally entirely untethered from their context, re-erected decoratively inside a Microsoft office or in the home of a private collector.

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