‘It was the moment I lost innocence’: how a childhood stop-and-search led to the British debut movie of the year

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When Imran Perretta was young, he was abruptly pulled by police into a van for questioning. That experience, as well as the death of his mother, inspired him to make Ish, a coming-of-age tale set amongst the British Muslim community. He talks about trauma, designing toilets and making Luton look magnificent Imran Perretta always knew that the title of his debut feature film would be “Ish” – short for Ishmail, the name of the 12-year-old boy from Luton at the heart of his story. Only later did people point out the similarity to other coming-of-age films with three letters in the title: Kes by Ken Loach, and Satyajit Ray’s Apu trilogy. Now, as the reviews trickle in, the comparisons to Kes and Apu keep coming. Like them, Ish is a poetic film that grabs you by the heart and pulls you into a child’s perspective on the world. The response has been lovely, says Perretta, and a relief. “It’s nice that people have compared Ish to those films rather than Kidulthood. I did worry about that.” Why...
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The American Sector review US road trip to hunt down remnants of the Berlin Wall

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This film tells the story of concrete slabs that have been rehomed thousands of miles away in bizarre yet unremarkable locations

Tracking down various segments of the Berlin Wall scattered all over the US, this eccentric yet down-to-earth documentary from Courtney Stephens and Pacho Velez traces how a historic artefact can mutate and splinter into myriad meanings. Transformed by their surroundings as well as the film-makers’ gaze, these concrete slabs are more than a symbol of the cold war; they have come to represent something quintessentially American.

From the midwest to California, state department halls to roadside restaurants, chunks of the wall can be found in the most unlikely of places. Most often positioned as a commemoration of history – and that loaded concept of “freedom” – the fragments are occasionally entirely untethered from their context, re-erected decoratively inside a Microsoft office or in the home of a private collector.

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