Dhurandhar The Revenge controversy settles: Santosh Kumar apologises to Aditya Dhar and team, Bombay High Court closes defamation suit

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The legal tussle involving Aditya Dhar’s Dhurandhar The Revenge has, for the time being, reached a resolution after the Bombay High Court disposed of a defamation case. The development came after filmmaker Santosh Kumar formally apologised for his earlier public remarks. The dispute traces back to March 2026, when Kumar accused Dhar of lifting the storyline for Dhurandhar The Revenge from his own script titled D-Saheb. He claimed that his script had been officially registered with the Screenwriters Association in 2023. These allegations were made during a press conference, following which Dhar approached the High Court, arguing that the statements were defamatory and had harmed his professional reputation. As reported by Live Law, the matter was heard by a single-judge bench presided over by Justice Arif Doctor, who ultimately closed the case after Kumar issued an unconditional apology in court. The official order recorded that Kumar’s counsel submitted the apology for statements made...
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The American Sector review US road trip to hunt down remnants of the Berlin Wall

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This film tells the story of concrete slabs that have been rehomed thousands of miles away in bizarre yet unremarkable locations

Tracking down various segments of the Berlin Wall scattered all over the US, this eccentric yet down-to-earth documentary from Courtney Stephens and Pacho Velez traces how a historic artefact can mutate and splinter into myriad meanings. Transformed by their surroundings as well as the film-makers’ gaze, these concrete slabs are more than a symbol of the cold war; they have come to represent something quintessentially American.

From the midwest to California, state department halls to roadside restaurants, chunks of the wall can be found in the most unlikely of places. Most often positioned as a commemoration of history – and that loaded concept of “freedom” – the fragments are occasionally entirely untethered from their context, re-erected decoratively inside a Microsoft office or in the home of a private collector.

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