‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master

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Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism In Death Has No Master, Asia Argento stars as an anxious foreigner in Venezuela. Her character, Caro, is on a harried mission to reclaim inherited property from the local caretakers who still reside there. That’s the setup in a surrealist psychological thriller, in which Venezuelan-Canadian film-maker Jorge Thielen Armand unpacks personal history alongside deep-rooted and “eternal” tensions that still affect the country today. “The film has multiple layers of meaning,” says Armand, ahead of the film’s premiere in the director’s fortnight section at Cannes. “Recent events only make those multitudes greater.” Continue reading... from Film | The Guardian https://ift.tt/VutlFjb via IFTTT
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The American Sector review US road trip to hunt down remnants of the Berlin Wall

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This film tells the story of concrete slabs that have been rehomed thousands of miles away in bizarre yet unremarkable locations

Tracking down various segments of the Berlin Wall scattered all over the US, this eccentric yet down-to-earth documentary from Courtney Stephens and Pacho Velez traces how a historic artefact can mutate and splinter into myriad meanings. Transformed by their surroundings as well as the film-makers’ gaze, these concrete slabs are more than a symbol of the cold war; they have come to represent something quintessentially American.

From the midwest to California, state department halls to roadside restaurants, chunks of the wall can be found in the most unlikely of places. Most often positioned as a commemoration of history – and that loaded concept of “freedom” – the fragments are occasionally entirely untethered from their context, re-erected decoratively inside a Microsoft office or in the home of a private collector.

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