Hai Jawani Toh Ishq Hona Hai trailer launch's most EMOTIONAL moment: David Dhawan gets teary-eyed and says, "Everybody should have a son like Varun"

Varun Dhawan, Pooja Hegde, Mrunal Thakur, David Dhawan, Ramesh Taurani, Anu Malik, Sameer, Maniesh Paul, Chunky Panday, Rajesh Kumar, Jimmy Sheirgill, Rajat Rawail, Ali Asgar, Girish Kumar, Kumar Taurani, writer Rumy Jafry and cinematographer Ayananka Bose attended the trailer launch of Hai Jawani Toh Ishq Hona Hai in Mumbai on May 23. David Dhawan was celebrated and every member of the cast spoke highly of him. Meanwhile, the most emotional moment of the launch was when David Dhawan got teary-eyed. Varun Dhawan said, “It’s amazing that this man (David Dhawan) is making a film at this age. We are living in times when every Friday, we are questioning cinema. We all love cinema, but we do ask, ‘Kya yeh film chalegi’. All I want to say is that this is a David Dhawan film. Yeh film inke conviction pe bani hai. It's an all-out entertainer to make you laugh. If my family has had one motto, it is to make people laugh. Mere father logon ko bas hasana chahte hai.”   View this post on Inst...

The American Sector review US road trip to hunt down remnants of the Berlin Wall

This film tells the story of concrete slabs that have been rehomed thousands of miles away in bizarre yet unremarkable locations

Tracking down various segments of the Berlin Wall scattered all over the US, this eccentric yet down-to-earth documentary from Courtney Stephens and Pacho Velez traces how a historic artefact can mutate and splinter into myriad meanings. Transformed by their surroundings as well as the film-makers’ gaze, these concrete slabs are more than a symbol of the cold war; they have come to represent something quintessentially American.

From the midwest to California, state department halls to roadside restaurants, chunks of the wall can be found in the most unlikely of places. Most often positioned as a commemoration of history – and that loaded concept of “freedom” – the fragments are occasionally entirely untethered from their context, re-erected decoratively inside a Microsoft office or in the home of a private collector.

Continue reading...

from Film | The Guardian https://ift.tt/kIzUPLr
via IFTTT

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”