‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors

At 22, Ramsey has already been on our screens for a decade, and nominated for every award going. So why do they find it strange to be called an actor? Bella Ramsey often feels more comfortable around older people. The actor, 22, who is non-binary and uses they/them pronouns, has been working professionally since they were 11, when they got their first TV job as the child noblewoman Lyanna Mormont in Game of Thrones. For half of their life, they have been in adult environments, talking to adults, working with adults. Even so, the London cafe in which Ramsey has chosen to meet makes any retirement home look like a creche. It is full of old men with their dogs, popping in for a cup of tea and a morning chat. “It feels like it belongs in the Midlands. It feels a bit, like, shit and familiar,” says Ramsey, who grew up in the East Midlands and can say that with affection. Their curly hair is short, pushed back off their face, and they have a single gold hoop in one ear. The plan had been to ...

The American Sector review US road trip to hunt down remnants of the Berlin Wall

This film tells the story of concrete slabs that have been rehomed thousands of miles away in bizarre yet unremarkable locations

Tracking down various segments of the Berlin Wall scattered all over the US, this eccentric yet down-to-earth documentary from Courtney Stephens and Pacho Velez traces how a historic artefact can mutate and splinter into myriad meanings. Transformed by their surroundings as well as the film-makers’ gaze, these concrete slabs are more than a symbol of the cold war; they have come to represent something quintessentially American.

From the midwest to California, state department halls to roadside restaurants, chunks of the wall can be found in the most unlikely of places. Most often positioned as a commemoration of history – and that loaded concept of “freedom” – the fragments are occasionally entirely untethered from their context, re-erected decoratively inside a Microsoft office or in the home of a private collector.

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