‘It felt dangerous. You got naggy’: Ethan Hawke and Richard Linklater on power, combovers and Blue Moon

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Ahead of their 11th movie together, the actor and director discuss musicals, the legacy of Philip Seymour Hoffman and what being bald and 5ft tall does to your flirting skills ‘I like this, it’s good,” Ethan Hawke tells Richard Linklater, midway through a lively digression that has already hopped from politics to the Beatles to the late films of John Huston . “What’s good?” asks Linklater. “All of this,” says Hawke, by which he means the London hotel suite with its coffee table, couch and matching upholstered armchairs; the whole chilly machinery of the international press junket. “I like that we get to spend a couple of days in a room,” he says. “It feels like a continuation of the same conversation we’ve been having for the past 32 years.” It’s all about the conversation with Linklater and Hawke. The two men like to talk; often the talk sparks a film. The director and actor first met backstage at a play in 1993 (“Sophistry, by Jon Marc Sherman,” says Linklater) and wound up chattin...
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Streaming: Roald Dahls Matilda the Musical and the best adaptations of classic childrens books

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The latest all-singing version of Matilda, now on Netflix, joins an impressive library of thoughtful film versions of seminal kids’ books, from Paddington to Kes

The common wisdom that “the book is usually better than the film” is as true of children’s literature as of its adult counterpart: cinema is stacked with adaptations of children’s classics that may be perfectly proficient, but haven’t the inspired individuality of the works at their source.

Devotees of Roald Dahl have learned this a lot over the years. His offbeat humour and offhand storytelling style, so irresistible to kids, rarely translates all the way to screen — it’s thwarted such titans as Steven Spielberg, who whiffed with The BFG (Netflix), though Wes Anderson’s droll Fantastic Mr Fox succeeded by inventing eccentricities of its own. Best of all, Nicolas Roeg’s very adult sense of the macabre proved a delicious fit for The Witches (Amazon Prime), notwithstanding a simplified, studio-mandated happy ending.

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