Don’t mention the m-word: are mutant X-Men about to show up en masse in Spider-Man: Brand New Day?

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An intriguing chat about warped DNA in the record-breaking trailer for the new Spider-Man movie could mean a host of long-awaited arrivals in the MCU There was a time when the mere mention of the term “mutant” in the Marvel Cinematic Universe was frowned upon. Rival studio 20th Century Fox owned the rights to the X-Men and with it the whole idea of a parallel branch of humanity, which meant superheroes were contractually obliged to have received their powers from somewhere else. Radioactive accidents, experimental serums, infinity stones, the bite of an unusually committed arachnid: Marvel tried them all, but left the mutation thing alone. Occasionally, comic book icons such as Scarlet Witch were retconned in the MCU to remove their X-gene origins, but for the most part, the very notion of mutation seemed to be placed under narrative quarantine – as if this were a door the studio had quietly agreed not to open. This week saw the record-breaking release of the debut teaser trailer fo...
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Small Slow But Steady review meditative boxing tale as deaf fighter rethinks life

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Film follows Keiko, deaf since birth, making her way in the ring when Covid-19 lockdown arrives in Japan and she must deal with confidence issues

The title is presumably meant to refer to the film’s fine-boned heroine Keiko Ogawa (Yukino Kishii), a scrappy boxer who has just turned professional, but it just as aptly describes the film itself: a delicate, atmospheric study that’s quite unlike most other fight movies. Based on a memoir by boxer Keiko Ogasawara, this very internal story unfolds during the early days of the Covid-19 pandemic, with a locked-down Japan adding a further layer of isolation to Keiko’s life. Thanks to Kishii’s luminous performance, Keiko comes across as a very self-sufficient but lonely figure, completely deaf since birth, who finds in fighting some kind of release and sensory thrill, even though her lack of hearing creates very specific challenges in the ring given she can’t hear shouted instructions from her coaches or even the bell.

Keiko’s family – mum (Hiroko Nakajima) and brother Seiji (Himi Satô), with whom she communicates mostly via sign – are supportive but don’t really get the sport’s appeal, and that sort of goes for the co-workers at her day job as a hotel housekeeper. The only person who really gets her is the “chairman” (Tomokazu Miura) of the gym where she trains; he is a man now not in the best of health, considering closing up shop as his other regular trainees gradually jump ship, some grumbling that Keiko is the one who gets all the attention now.

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