Sanjay Leela Bhansali is “absolutely fine,” says official statement after heart attack rumours

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Filmmaker Sanjay Leela Bhansali is “absolutely fine,” his team confirmed, putting to rest speculation about his health that surfaced earlier in the day. Reports had claimed that the director was hospitalised in Mumbai after allegedly suffering a heart attack on his 63rd birthday. The claims circulated widely on social media before being addressed by an official statement from his production banner, Bhansali Productions. “Mr. Sanjay Leela Bhansali is doing absolutely fine. He has gone in for a routine medical check-up and there is no cause for concern. We sincerely appreciate the love, care, and concern shown by everyone. Thank you for your continued support and warm wishes,” the statement read. The clarification comes after unverified posts suggested that the filmmaker had been rushed to a hospital following discomfort. However, his team has categorically denied the reports, confirming that the visit was part of a regular health check. Speaking of the professional front, Bhansali i...
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Small Slow But Steady review meditative boxing tale as deaf fighter rethinks life

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Film follows Keiko, deaf since birth, making her way in the ring when Covid-19 lockdown arrives in Japan and she must deal with confidence issues

The title is presumably meant to refer to the film’s fine-boned heroine Keiko Ogawa (Yukino Kishii), a scrappy boxer who has just turned professional, but it just as aptly describes the film itself: a delicate, atmospheric study that’s quite unlike most other fight movies. Based on a memoir by boxer Keiko Ogasawara, this very internal story unfolds during the early days of the Covid-19 pandemic, with a locked-down Japan adding a further layer of isolation to Keiko’s life. Thanks to Kishii’s luminous performance, Keiko comes across as a very self-sufficient but lonely figure, completely deaf since birth, who finds in fighting some kind of release and sensory thrill, even though her lack of hearing creates very specific challenges in the ring given she can’t hear shouted instructions from her coaches or even the bell.

Keiko’s family – mum (Hiroko Nakajima) and brother Seiji (Himi Satô), with whom she communicates mostly via sign – are supportive but don’t really get the sport’s appeal, and that sort of goes for the co-workers at her day job as a hotel housekeeper. The only person who really gets her is the “chairman” (Tomokazu Miura) of the gym where she trains; he is a man now not in the best of health, considering closing up shop as his other regular trainees gradually jump ship, some grumbling that Keiko is the one who gets all the attention now.

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